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iTunes 9 for Mac + PC

She Ain't Me

Carrie Rodriguez

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  Name Artist Time Price  
1
Infinite Night Carrie Rodriguez 3:43 $1.29 View In iTunes
2
She Ain't Me Carrie Rodriguez 3:41 $1.29 View In iTunes
3
Rag Doll Carrie Rodriguez 3:42 $1.29 View In iTunes
4
Absence Carrie Rodriguez 3:55 $1.29 View In iTunes
5
El Salvador Carrie Rodriguez 3:58 $1.29 View In iTunes
6
Mask of Moses Carrie Rodriguez 3:44 $1.29 View In iTunes
7
The Big Mistake Carrie Rodriguez 3:55 $1.29 View In iTunes
8
Grace Carrie Rodriguez 4:16 $1.29 View In iTunes
9
Let Me In Carrie Rodriguez 3:35 $1.29 View In iTunes
10
El Dorado Carrie Rodriguez 4:12 $1.29 View In iTunes
11
Can't Cry Enough Carrie Rodriguez 3:51 $1.29 View In iTunes

iTunes Review

After working alongside songwriter Chip Taylor, fiddler and singer-songwriter Carrie Rodriguez has been working up her own formidable solo career. With the aid of producer Malcolm Burn, known for his work with the late Chris Whitley and Emmylou Harris, and co-writers Gary Louris of the Jayhawks, Jim Boquist of Son Volt, and fellow alt.country songstress Mary Gauthier, Rodriguez put together her second solo album, 2008’s She Ain’t Me, with a smooth, atmospheric glaze haunting these compact and poignant tunes that ache with a heart lost and a world in disarray. “Infinite Night” struggles with class warfare. “She Ain’t Me” delivers perfect country-pop in a self-empowerment anthem. “Absence” spooks along with Rodriguez’s eerie violin finally making its first appearance (oddly, she only employs her main instrument sparingly on three tracks). “Mask of Moses” adds Lucinda Williams’ ghostly backing vocals. “Grace” and “Let Me In” crawl through what feels like an endless night of desire and ennui. By the album’s closing track, “Can’t Cry Enough,” it’s evident that no matter how easeful her sound, Rodriguez is exploring some dark terrain.

Customer Reviews

ok, but....
     

A bit too pop for her, but understandable. The nice fiddle playing that accentuated much of her earlier work is functionally gone in favor of trying to win fans with a more sosphisticated approach. It isn't bad at all, she sings so very pretty and the arrangements sound well crafted. I just wish the production was not quite so clean, so pristine. Wipe away the grime and you sometimes see too clearly.

Great Soul/R&B Album
     

Even though the album is labeled as folk but for Soul/R&B lovers is a great album, she really opens her heart in all of this songs. Click yes if you agree.

Label Change & Style Switch
     

This is Carrie Rodriguez's country-soul statement. Her Dusty Springfield moment as it were. Previous releases have less southern soul in the mix; they're more alt-country with a swamp rock mojo hand. While the vocal performances take the spotlight here -- and Rodriguez has taken critical dings for her vocals, some would say unfairly -- longtime fans will miss her exceptional fiddle playing amid these more commercial arrangements.

Biography

Born: Austin, TX

Genre: Blues

Years Active: '00s

Reared in Austin, TX, and schooled at Boston's Berklee College of Music, the fiddle-playing singer/songwriter Carrie Rodriguez made her recording debut in 2002 by contributing to Chip Taylor's Let's Leave This Town. Taylor had first heard Rodriguez at the 2001 South by Southwest conference and subsequently invited her to tour alongside him, which she did for several years. The duo also released several collaborative albums, which allowed Rodriguez to showcase her fiddle expertise while slowly sharpening...
Full Bio
She Ain't Me, Carrie Rodriguez
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Customer Ratings

     
18 Ratings

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