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Forth

The Verve

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Open iTunes to preview, buy, and download songs from The Verve

  Name Artist Time Price  
1 Sit and Wonder The Verve 6:52 $0.99 View In iTunes
2 Love Is Noise The Verve 5:27 $0.99 View In iTunes
3 Rather Be The Verve 5:37 $0.99 View In iTunes
4 Judas The Verve 6:17 $0.99 View In iTunes
5 Numbness The Verve 6:34 $0.99 View In iTunes
6 I See Houses The Verve 5:36 $0.99 View In iTunes
7 Noise Epic The Verve 8:12 $0.99 View In iTunes
8 Valium Skies The Verve 4:34 $0.99 View In iTunes
9 Columbo The Verve 7:28 $0.99 View In iTunes
10 Mama Soul The Verve 5:40 Album Only View In iTunes
11 Appalachian Springs The Verve 7:33 $0.99 View In iTunes
12 Video The Documentary The Verve 19:02 Album Only View In iTunes

iTunes Review

Forget what you know about Verve singer Richard Ashcroft’s solo career and remember the most hypnotic moments of the Verve’s mid-‘90s output, and 2008’s Forth is exactly the “comeback” this British quartet always had in them. They’re picking up where they left off — in search of the eternal buzz. And they locate it with the sweet feedback of Nick McCabe’s guitar as it escalates in intensity while drummer Peter Salisbury and bassist Simon Jones settle into bedrock rhythms that never falter. The opening seven-minute cut, “Sit and Wonder,” sets the schematic. Nothing will rush these boys, so it’s best to lie back and let the music wash over you. “Love is Noise” speeds the tempo slightly and is the closest the group comes to pure pop territory with its naggingly catchy chorus.  With “Rather Be,” Ashcroft evokes Jim Morrison and Julian Cope with a psychedelic blues that spells ominous doom. Elsewhere, the group indulges its dreamy side with the slow burn majesty of “Judas,” the subdued chaos of “Numbness,” the creepy piano menace of “I See Houses,” and the sublime meditation of the album’s closer “Appalachian Springs.”

Recent Customer Reviews

Why do bands have to reunite?
     
by Fghbghjufffkj

I'm as big a Verve fan as they come. I've been a solid fan and supporter since i first read a small blurb about them in Spin Magazine in 1991 (Arrested Development on the cover). I remember checking record stores weekly anticipating the release of the Verve E.P. I loved tham at first listen but wasn't as crazed about their sound as I expected them to be moore groovy as were many Brit bands of that day. They lacked the dancy drive of Chapterhouse, the hooks and raw energy of ride and the atmospherics of Slowdive but with each listen, i was drawn closer into their sound and musical vision. The following albums all out-did one another and then the Urban Hymn hit with tidal force. To this day, that album is still in heavy roation. Sure I wasn't pleased to hear that the band had split after such a monumental album but taking a step back, I realized that that album was near impossible to trump. Ashcroft put out a few solo albums, the first two being solid gems, the last a peice of rubbish. Although it wasn't quite the Verve anymore, the hooks, ambient guitar and grooves were still there with Peter Salisbury and BJ Cole lending a hand. So in 2008 I was fortunate enough to catch the Verve at the WaMu theater in NYC. Two new songs were revealed one being Love is Noise. In my mind, I thought that the Verve were back to stake their clam. I couldn't wait for the new album to hit shelves (leak). Now i have listened to Forth time and time again and nothing except for 2 maybe 3 songs have hit. It's a lazy album devoid of solid hooks and random non-etherial noise. The only real epic song true to Verve for is Valium Skies, the album's Lucky Man. Where is the mega single? Where are the solid songs? I would have given this album 2.5 stars if it were an option. I love the Verve and always will but in my mind, they should have stayed disbanded. Praises be that Oasis have split! That should have happened back in 2000. Check out Brittain's up-and-comers who capture the early 1990's Psych sound-Exit Calm who are strongly influenced by early Verve. The Ruling Class-Could pass for the Stone Roses, Black Nite Crash-remeniscent of early Ride.

to: tobyisacoldplayfan
     
by Drucifer a.k.a. Son of Madness

you don't know real music. coldplay are mere jesters in it for the money; pretenders to a throne already occupied by RADIOHEAD. although I'm beginning to think they'd rather be a cheap imitation of U2, another passe band. oasis want to be the BEATLES so badly that they're digging up george and john's graves and wallowing in ashes and thier own despair, despite Nowell's better than average song writing skills. not that I don't like oasis, I do but they're still playing up to the british pop press like coldplay does. REAL bands break boundaries and defy convention...ie: THE VERVE, PINK FLOYD, THE STONE ROSES, CATHERINE WHEEL, CHAPTERHOUSE, RIDE...real bands that never compromised on the exploration of sound and danced on the graves of thier predecesors if only for the sake of surpassing them, not just paying homage to them or ripping them off. i'll wait the many years it takes for good music to come around. most all the music you hear is overhyped, over produced crap anyway. real bands innovate. crap bands imitate. that means you too jet.

Valium Skies
     
by Laoche

If nothing else, get Valium skies. It's the best song on the album, hands down

Biography

Formed: 1989 in Wigan, England

Genre: Rock

Years Active: '90s, '00s

Long acclaimed as one of the most innovative and spellbinding bands on the contemporary British pop scene, the Verve finally broke through to a mass international audience in 1997 with the instant classic "Bittersweet Symphony." By no stretch a study in overnight success, the group's rise was instead...
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