Frost/Nixon (Original Motion Picture Soundtrack)
Hans Zimmer
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| Name | Artist | Time | Price | ||
|---|---|---|---|---|---|
| 1 | Watergate | Hans Zimmer | 4:26 | $0.99 | View In iTunes |
| 2 | The Numbers | Hans Zimmer | 1:56 | $0.99 | View In iTunes |
| 3 | Hello, Good Evening and Welcome | Hans Zimmer | 1:32 | $0.99 | View In iTunes |
| 4 | Pardon the Phlebitis | Hans Zimmer | 1:41 | $0.99 | View In iTunes |
| 5 | Status | Hans Zimmer | 4:04 | $0.99 | View In iTunes |
| 6 | Beverly Hilton | Hans Zimmer | 2:26 | $0.99 | View In iTunes |
| 7 | Money | Hans Zimmer | 2:48 | $0.99 | View In iTunes |
| 8 | Frost Despondent | Hans Zimmer | 2:30 | $0.99 | View In iTunes |
| 9 | Insanely Risky | Hans Zimmer | 2:49 | $0.99 | View In iTunes |
| 10 | Cambodia | Hans Zimmer | 1:00 | $0.99 | View In iTunes |
| 11 | Research Montage | Hans Zimmer | 3:04 | $0.99 | View In iTunes |
| 12 | The Final Interview | Hans Zimmer | 2:19 | $0.99 | View In iTunes |
| 13 | Nixon Defeated | Hans Zimmer | 2:39 | $0.99 | View In iTunes |
| 14 | First Ideas | Hans Zimmer | 9:55 | $0.99 | View In iTunes |
| Total: 14 Songs |
iTunes Review
Hans Zimmer has written scores for more than a hundred movies, including Rain Man, Driving Miss Daisy, Thelma and Louise, The Lion King, and Gladiator. (One of his best scores to date is the brooding music he composed for Terrence Malick’s The Thin Red Line.) Ron Howard’s 2008 feature Frost/ Nixon focuses on the story centered around the famous 1977 series of television interviews that talk show host David Frost did with ex-President Richard Nixon three years after the Watergate scandal. Clock-like rhythms add urgency to several of the tracks, including “Watergate,” “The Numbers,” and “Pardon the Phlebitis.” Minimalism colors “Hello, Good Evening and Welcome,” which, by turns, conveys a sense of excitement and mystery. The somber “Status” opens with a handful of piano notes and a bed of brooding strings, but insistent marimba and chugging fiddles appear later. “Beverly Hilton” is marked by gamelan-like percussion and assertive, pop-flavored string writing, while “Frost Despondent” features glassy strings hovering above piano. The album closes with the ten-minute-long “First Ideas,” a quiet piece nicely shaded with muted drama.
Recent Customer Reviews
Great!
by classicmovies21This movie was fantastic! I'm shocked Michael Sheen didn't get an Academy nomination.
It's Okay...
by Nuclear Pancakes!Not a big fan of Zimmer, because all his scores sound virtually the same -- orchestration-wise. The score as heard in the film is barely even noticeable, which is kind of weird, but acceptable... to a point. The score does have moments of quality that allow the time to listen to its composition, but other than that it is slim pickings. Zimmer's music is pretty good, but had a grand opportunity to be so much more in terms of motifs and evolution, rather than the bland and predictable strings we're given. It's not bombastic, so fans of The Dark Knight who loved his contribution to that film will have to keep looking -- shouldn't be too hard seeing how most of his scores are all loud. Those looking for subtlety, well, here ya go; buy Frost/Nixon. Those looking for something worth the money, and provides intelligent orchestration, as well as a more unique sound to Zimmer's otherwise more juxtaposition-impaired scores of recent years should, perhaps, keep looking.
Some helpful advice: definitely see Frost/Nixon, it's a great film, and by watching (and listening) perhaps you'll find the score to your liking. I didn't.
Watergate
by Arthur VandelayOne of the best songs I've heard, period. Absolutely fantastic. Hans Zimmer outdid himself.
Biography
Born: September 12, 1957 in Frankfurt, Germany
Genre: Soundtrack
Years Active: '80s, '90s, '00s

