A decidedly Goth atmosphere hangs over The Mary Onettes’ 2007 self-titled debut, permeating both its minor-key melodies and dark-tinted lyrics. If the Swedish foursome’s debt to the Cure and New Order is obvious, their ability to infuse ‘80s sounds with fresh vitality is also evident. The band loves to revel in stylish gloom — lines like “I’m the void, you can fall into me now” (from “Void”) catch their general tone. The Mary Onettes balance chilly synthesizer washes and somber vocal harmonies with a propulsive sense of rhythm, lending tracks like “The Companion” and “Under the Guillotine” some visceral kick. Singer Phil Ekstrom projects a melancholy sort of charisma — on “The Laughter” and “Still” he seems ready to succumb to pure despair. Adding some bursts of tuneful sunshine amidst the pervasive cloud-cover are “Pleasure Songs” and “Explosions,” both of which display a power-pop influence. The acutely moody “Lost” may be the best example of what the band is all about. Its sleekly ominous beat and neon-bright keyboards make its angst-filled lyrics feel energizing.