On Masquerade, Leila Broussard proves herself adept at stinging putdowns as well as bubbly and upbeat tunes. The Louisiana native’s effusive vocal style and barbed songwriting wit (at times recalling Regina Spektor and Feist) radiate confidence. Broussard comes across as a free spirit looking for love but refusing to surrender her independence. Songs like “Spiderwebs” and “Satellite” have a breezy energy about them, conveyed by their sparkling lyric lines and buoyant deliveries. The wistful regret of “Rosey” and the hopeful affirmation of “Shoot for the Moon” further enhance her self-portrait as an artist of unstoppable spirit. The title track and “Hipster Bitch” revel in acid portrayals of stuck-up phonies and artsy poseurs. Broussard’s vulnerable and aggressive sides come together in ”You’re Not Fooling Anyone,” a survivor’s ballad with a celebratory chorus. Musically, the album benefits from Dan Romer’s punchy production, bristling with layered guitars, oddball keyboard touches, and killer percussion hooks. Masquerade achieves an ear-catching mainstream pop sound without sacrificing Broussard's individuality or emotional bite.