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Blue Valentine

Tom Waits

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Album Review

Two welcome changes in style made Blue Valentine a fresh listening experience for Tom Waits fans. First, Waits alters the instrumentation, bringing in electric guitar and keyboards and largely dispensing with the strings for a more blues-oriented, hard-edged sound. Second, though his world view remains fixed on the lowlifes of the late night, he expands beyond the musings of the barstool philosopher who previously had acted as the first-person character of most of his songs. When Waits does use the first-person, it's to write a "Christmas Card From a Hooker in Minneapolis," not the figure most listeners had associated with the singer himself. The result is a broadening of subject matter, a narrative discipline that makes most of the tunes story songs, and a coherent framing for Waits' typically colorful and intriguing imagery. These are not radical reinventions, but Waits had followed such a rigidly stylized approach on his previous albums that for anyone who had followed him so far, the course correction was big news.

Customer Reviews

Great bluesy tunes.

Tom Waits is a man of many talents. Singer, songwriter, multi-instrumentalist and sometime actor, he has created a musical world all his own, which can be weird and wonderful at times. Even if you haven't heard him, you may have heard some of his songs sung by others, such as Jersey Girl or Downtown Train.

Tom Waits has a bit of a cult following, and I am a devotee - at last count I had 11 of his albums nestling in my iPod. Which brings me to Blue Valentine.

In some ways this is the easiest entree into the world of Tom Waits and his music - Blue Valentine, while definitely quirky, is not quite as eccentric as some later albums - indeed it begins with a lushly orchestrated version of Somewhere, from West Side Story. The first indication that this might be something different is when you hear Tom's gravelly, husky voice - with a sound somewhere between Louis Armstrong and a lion's roar.

The rest of the album is a mix of bluesy tunes, and songs with a strong narrative lyric, such as Red Shoes by the Drugstore, Christmas Card from a Hooker in Minneapolis, $29.00, and Romeo is Bleeding. These songs evoke the seedier side of life- hoodlums, wastrels and drug addicts. The instrumentation is sparse, loose and incredibly hip.

Waits' has a finely honed blues sensibility- his vocals are exquisitely timed, and delivered with a lot of soul.

The final song on the album- Blue Valentines, is a wonderful Jazz ballad, and a fine way to end what is truly a great record, that repays much listening.

Biography

Born: 07 December 1949 in Pomona, CA

Genre: Rock

Years Active: '70s, '80s, '90s, '00s, '10s

In the 1970s, Tom Waits combined a lyrical focus on desperate, low-life characters with a persona that seemed to embody the same lifestyle, which he sang about in a raspy, gravelly voice. From the '80s on, his work became increasingly theatrical as he moved into acting and composing. Growing up in Southern California, Waits attracted the attention of manager Herb Cohen, who also handled Frank Zappa, and was signed by him at the beginning of the 1970s, resulting in the material later released as The...
Full Bio

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