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The Great Fire

Bleeding Through

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Album Review

Orange County metalcore outfit Bleeding Through's seventh studio album wastes little time in pulling the meat off of the bone. Opening with the instrumental cut "The March," which apes the intro to Michael Jackson's "Beat It" and then filters it through a spinning chainsaw blade, the 14 tracks on The Great Fire are predictably punishing yet expertly crafted. Brutal and efficient (the average song length clocks in at just under three minutes), the band can toss off savage breakdowns, dual guitar leads, and stadium-sized group vocals with the best of them, and on stand-out cuts like "Final Hours" and "Walking Dead," they sound like true pack leaders as opposed to hungry followers. The keyboard parts are handled with great confidence, maybe a tad too much, as they have a tendency to ride a little high in the mix. That said, they do add a distinct Norwegian metal patina to the whole affair, resulting in a listening experience that can feel a little like cueing up tracks from At the Gates, Black Flag, and Dimmu Borgir, and then pressing play on all three, which is not necessarily a bad thing.

Biography

Formed: 2000 in Orange County, CA

Genre: Rock

Years Active: '90s, '00s, '10s

Orange County, CA, sextet Bleeding Through formed in the year 2000, featuring vocalist Brandan Schieppati, guitarists Brian Leppke and Scott Danough, bassist Ryan Wombacher, drummer Derek Youngsma, and keyboardist Marta Peterson. Probably the county's biggest misfits, Bleeding Through don't play pop, ska, hardcore, or even punk (though they sure look like the latter), but rather crushing aggro-death-core popular among many post-millennial American post-screamo bands. Bleeding Through have ties to...
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The Great Fire, Bleeding Through
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