Four Fields
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- $15.99
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- $15.99
Publisher Description
In his first book since the acclaimed The Running Sky Tim Dee tells the story of four green fields. Four fields spread around the world: their grasses, their hedges, their birds, their skies, and their natural and human histories. Four real fields – walkable, mappable, man-made, mowable and knowable, but also secretive, mysterious, wild, contested and changing. Four fields – the oldest and simplest and truest measure of what a man needs in life – looked at, thought about, worked in, lived with, written.
Dee’s four fields, which he has known for more than twenty years, are the fen field at the bottom of his Cambridgeshire garden, a field in southern Zambia, a prairie field in Little Bighorn, Montana, USA, and a grass meadow in the exclusion zone at Chernobyl, Ukraine. Meditating on these four fields, Dee makes us look anew at where we live and how. He argues that we must attend to what we have made of the wild, to look at and think about the way we have messed things up but also to notice how we have kept going alongside nature, to listen to the conversation we have had with grass and fields.
Four Fields is a profound, lyrical book by one of Britain’s very best writers about nature.
Shortlisted for the 2014 Ondaatje Prize
PUBLISHERS WEEKLY
In the grand nature-writing tradition of examining the ways humanity and the land change one another how we are both intimately part of our environment and profoundly separate bird-watching explorer Dee (A Year on the Wing: Journeys with Birds in Flight) focuses on open fields around the world. Dee describes fields as "the most articulate description and vivid enactment of our life here on earth, of how we live both within the grain of the world and against it": spaces as ephemeral and hardy as grass. His explorations alternate among Kenya's hoof-trampled Masai Mara; the prairie battlefield of Little Bighorn, Mont.; an Exclusion Zone full of mutated animals at Chernobyl, Ukraine; and the seasonal changes of the fens near his home in England. Dee interlaces careful descriptions of his experience of being in these spaces with the human history that turned these lands to agricultural use and then permitted nature to reclaim them, winding lyrical stories of the interaction between person and place, history and physicality. Equally at ease with people, birds, and old guidebooks, Dee tells the story of the world's survival, with us and despite us, urging us to see our deep influence on the world we have created, and to credit it for much of what we are.
