The World Beneath
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3.7 • 3 Ratings
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- $13.99
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- $13.99
Publisher Description
Once, Rich and Sandy were environmental activists, part of a world-famous blockade in Tasmania to save the wilderness. Now, twenty-five years later, they have both settled into the uncomfortable compromises of middle age — although they’ve gone about it in very different ways. The only thing they have in common these days is their fifteen-year-old daughter, Sophie.
When Rich decides to take Sophie, whom he hardly knows, on a trek into the Tasmanian wilderness, his overconfidence and her growing disillusion with him set off a chain of events that no one could have predicted. Instead of respect, Rich finds antagonism in his relationship with Sophie; and in the vast landscape he once felt an affinity with, he encounters nothing but disorientation and fear.
Ultimately, all three characters will learn that if they are to survive, each must traverse not only the secret territories that lie between them but also those within themselves.
PUBLISHERS WEEKLY
In Australian Kennedy's (Dark Roots) chick friendly debut novel, 15-year-old anorexic Sophie Reynolds comes of age in a fast-paced, well-observed study of family relationships. Sophie's mother, former hippie Sandy, trundles toward middle age with hennaed hair and a flagging jewelry business. Then Rich, Sophie's father, reappears to offer a week-long backpacking trip in Tasmania that Sophie sees as an opportunity to bond with her mysterious father, annoy her mother, and indulge her obsession with rigorous exercise. Rich, a deadbeat dad with a dead-end job, hopes to impress his wayward daughter with fancy hiking gear and borrowed music. But when he strays from the path without a map, stalking the perfect photo, he endangers them both. With Rich and Sophie missing, Sandy is forced to re-examine her life: her criticizing mother; her festering resentment of Rich; and her friends, who enjoy crises more than company. The pitfalls of nostalgia and the disappointment of everyday life contrast sharply with the ravishing Tasmanian landscapes Kennedy is excellent at painting, along with interpersonal terrain, but the novel wants to be more profound than it actually is.
