Maestro: Independent Classical Spotlight
By Maestro Classical
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Podcast Description
A monthly podcast dedicated to the best of independent classical musicians, composers, and labels from around the world. Each episode is typically 2 or 3 tracks, and includes a brief narrative. The music is always superb.
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CleanMaestro 034: Schubert | Maestro Classical 034: Schubert John Elwes, Kenneth Slowik, Franz Schubert "Die schöne Müllerin, D. 795" (mp3) from "Schubert: Die schöne Müllerin, D. 795" (Dorian Recordings) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Kenneth Slowik and John Elwes deliver an exciting rendition of Franz Schubert’s first song cycle using the beautiful Graf fortepiano from the Smithsonian’s collection. This instrument is the type for which the work was originally intended. The Atlantis Ensemble "Trio in B-flat, op. posth. 99" (mp3) from "Schubert Piano Trio in B flat, Op.99" (Musica Omnia) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album The first of two releases devoted to the piano trio repertoire of Franz Schubert. It is performed by the Atlantis Trio: Jaap Schroder (violin), Penelope Crawford (fortepiano) and Enid Sutherland (cello), using instruments of Schubert's time. Milwaukee Symphony Orchestra & Andreas Delfs "SCHUBERT: Symphony No. 8 "Unfinished"" (mp3) from "SCHUBERT: Symphony No. 8 "Unfinished"" (MSO Classics) Buy at Amazon MP3 Buy at iTunes Music Store More On This Album Commonly known as the "Unfinished Symphony," this piece was started in 1822 but was left with only two movements known to be complete, even though Schubert would live for another six years. Antonio Meneses "Fünf Stücke im Volkston, Op. 102 for Cello and Piano" (mp3) from "Schumann / Schubert: Schumann & Schubert" (AVIE Records) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album For all the differences between their personalities, their music, and the epochs in which they lived, Franz Schubert and Robert Schumann in many ways represent two sides of the same coin. Both were incomparable masters at composing song, bringing to new levels of sophistication the art of word-colouring and emotion-conveying. Both explored and expanded Classical forms, allowing them to convey an expansive, personal, Romantic sensibility. And both compose music about themselves, Schubert's later work often conveying poignant tension between memories of youthful gay abandon - in all senses, it's now thought - and the terrible knowledge of an imminent, tragically early death, while Schumann's work frequently reflects his turbulent, possibly bi-polar, psychological condition, as often tempestuously dramatic as poetically content. Oleg Marshev "Piano Sonata no. 21 in B flat Major, D960" (mp3) from "Schubert: The Late Schubert" (Danacord Records) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album A riveting performance of the late piano works by Schubert. | 9 2 12 | Free | View In iTunes |
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CleanMaestro 033: Sonatas for the New Year | Happy new year listeners. Welcome to indie classical spotlight. Today’s episode we will be playing several sonata pieces from our classical collection. After 35 years of success the world over, including many award-winning recordings and newly commissioned works, the Kalichstein-Laredo-Robinson Trio continues to dazzle audiences and critics alike with their performances. The Kalichstein-Laredo-Robinson Trio, Joseph Kalichstein, Jaime Laredo, Sharon Robinson "Trio in B-flat Major, D. 898: I. Andante moderato" (mp3) from "Franz Schubert: The Piano Trios and Arpeggione Sonata" (Bridge Records, Inc.) More On This Album An Oregon native, Marcia Hadjimarkos received degrees in piano performance and French literature from the University of Iowa. She has been devoted to the fortepiano and clavichord since the 1980s, and studied with Jos van Immerseel at the Paris Conservatoire National Supérieur de Musique in 1993-94. Marcia Hadjimarkos "16 Deutsche Tänze, D 783" (mp3) from "Franz Schubert: Sonata & Dances for Fortepiano" (Arabesque Recordings) Buy at Amazon MP3 More On This Album From the beginning of the first movement in Sonata No. 1, you can hear a tender, restrained longing behind the notes, which in turn helps illuminate the passionate outbursts that erupt in the First and especially the Third Sonatas. Zina Schiff has the emotional equipment to convey her powerful reading of these works. Zina Schiff, Cameron Grant "Violin Sonata No. 1 in G Major, Op. 78" (mp3) from "Brahms: Sonatas for Violin and Piano" (MSR Classics) Buy at Amazon MP3 More On This Album Robert Quinney is a sub-Organist of Westminster Abbey. In addition to his work at the Abbey, he has a busy freelance career as soloist, ensemble player, and writer on music. In 2002 Quinney was named Royal College of Organists Performer of the Year. Robert Quinney "Sonata I in E Flat Major BWV 525" (mp3) from "Bach: Trio Sonatas For Organ" (Coro) Buy at Amazon MP3 More On This Album | 6 1 12 | Free | View In iTunes |
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CleanMaestro 032: Holiday Special 2011 | Happy Holidays listeners! To observe the holiday season, we will be playing 6 holiday tracks from our classical collection. The London Fox Players "Deck The Halls" (mp3) from "Christmas - Woodwind" (Classic Fox Records) Buy at Amazon MP3 More On This Album Parthenia / A Consort of Viols "Pavans, Galliards, Almains and other short Aeirs" (mp3) from "As It Fell on a Holie Eve - Music for an Elizabethan Christmas" (MSR Classics) More On This Album Stile Antico "Ave Maria" (mp3) from "Puer Natus Est - Tudor Music for Advent and Christmas" (harmonia mundi) Buy at Amazon MP3 More On This Album The Sixteen, Harry Christophers "Masters in this Hall" (mp3) from "A Traditional Christmas Carol Collection from The Sixteen, Vol. II" (Coro) Buy at iTunes Music Store More On This Album Elaine Funaro "A Baroque Christmas" (mp3) from "Harpsichord at the Holidays: Christmas Carols Past and Present" (Arabesque Recordings) Buy at Amazon MP3 More On This Album Johanni van Oostrum, Metropole Orchestra, Dick Bakker, Ockert Vermeulen, Evert van Niekerk, Peter Forrester "Ding, dong! Merrily on high" (mp3) from "A Christmas Present" (Omnium) Buy at Napster Buy at iTunes Music Store Buy at eMusic Delivery Buy at Rhapsody Stream from Rhapsody Buy at Amazon MP3 More On This Album | 2 12 11 | Free | View In iTunes |
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CleanMaestro 031: CORO 10 Year Anniversary | This month we have a very exciting feature. We will be celebrating the 10th year of the recording label CORO which was established in 2001. Bringing together live concerts and recording plans has allowed The Sixteen to develop a glittering catalogue which now boasts over ninety releases, spanning six hundred years of sacred choral music from the earliest plainsong through to contemporary composers such as James MacMillan. The back-catalogue contains some of the most magnificent choral works ever written including Handel’s Messiah, Allegri’s Miserere, Fauré’s Requiem and Tallis’s Spem in Alium - all of which are best sellers. Added to this list are the entire Eton Choirbook, Bach’s Mass in B minor and Victoria’s Requeim of 1605 all of which have received critical acclaim worldwide. Many of the CDs on CORO are award-winners and many more have been nominated for awards. The accolades include a MIDEM Award, two Gramophone Awards, three Diapason d’Or and four Schallplattenkritiks as well as two Grammy® nominations. We will be celebrating with pieces from 5 of CORO's albums today. ?The Sixteen/Harry Christophers "Stabat Mater Dolorosa" from "Allegri - Miserere/Palestrina - Missa Papae Marcelli" (Coro) Buy at Napster Buy at iTunes Music Store Buy at eMusic Buy at Rhapsody Stream from Rhapsody Buy at Amazon MP3 Buy at mTraks The Sixteen / Harry Christophers "Libera Nos" from "Philip & Mary: A Marriage of England & Spain" (Coro) Buy at Napster Buy at iTunes Music Store Buy at eMusic Buy at Rhapsody Stream from Rhapsody Buy at Puretracks Buy at Amazon MP3 Buy at mTraks The Sixteen/ Harry Christophers "Magnificat in D major (BWV 243)" from "Vivald: Gloria in D major / Bach: Magnificat in D major" (Coro) Buy at Napster Buy at iTunes Music Store Buy at eMusic Buy at Rhapsody Stream from Rhapsody Buy at Puretracks Buy at Amazon MP3 Buy at mTraks The Sixteen, Harry Christophers "Messiah" from "Handel: Messiah" (Coro) Buy at Napster Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody Buy at Puretracks Buy at Amazon MP3 Buy at mTraks Handel & Haydn Society, Harry Christophers, Elizabeth Watts, Phyllis Pancella, Andrew Kennedy, Eric Owens "Requiem, K. 626" (mp3) from "Mozart: Requiem" (The Sixteen Productions Ltd.) Buy at Amazon MP3 | 3 11 11 | Free | View In iTunes |
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CleanMaestro 030: Bridge Records 30th Anniversary | Bridge Records was founded in 1981 by the classical guitarist David Starobin, and his wife, the violinist, Becky Starobin. The company celebrates its 30th anniversary with a catalog of more than 400 CD and DVDs, as well as a music publishing arm and an artist management division. Both of the Starobin's children, Robert Starobin and Allegra Starobin, work for the company, as well as a staff of engineers, designers and allied personnel. Bridge now issues between 35 to 40 discs per year, across a broad spectrum of classical music, contemporary music and jazz. The Washington Post wrote that "Bridge is a company with a highly selectiveand consistently excellent catalog". It is this selectivity that has led to 25 Grammy nominations and numerous awards from the international critical press. New Orford String Quartet "String Quartet No. 15 in G Major, D. 887, Op. 161: I. Allegro molto moderato" (mp3) from "New Orford String Quartet performs Schubert and Beethoven" (Bridge Records, Inc.) Buy at Amazon MP3 More On This Album The New Orford Quartet is a brilliant all-star group from Canada. The quartet includes the concertmasters of the Montreal and Toronto Symphonies. This is the debut recording of the New Orford- a recording which has been receiving rave reviews in the critical press. Susanna Phillips, Myra Huang "Poemes Pour Mi: VII. Les Deux guerriers" (mp3) from "Susanna Phillips: Paysages" (Bridge Records, Inc.) Buy at Amazon MP3 More On This Album Susanna Phillips is a spectacular young mezzo-soprano. Ms. Phillips is the winner of the Metropolitan Opera's 2010 Beverly Sills Award. Her solo debut recording on Bridge is called Paysages (Landscapes) and includes French songs by Messiaen, Debussy and Fauré. Here we listen to a track from Olivier Messiaen's magical song cycle Poemes pour Mi. The Budapest String Quartet "String Quartet No. 3 in D Major, Op. 18, No. 3: IV. Presto" (mp3) from "Beethoven: The Early Quartets" (Bridge Records, Inc.) More On This Album One of the special parts of the Bridge catalog is the company's historical recordings, many released by Bridge for the first time ever. These include 25 volumes of concerts played at the Library of Congress, between 1940 and the present day. Famous names on the Bridge series include George Szell, Leopold Stowkowski, Leontyne Price, Samuel Barber and the Budapest String Quartet. Here the Budapest String Quartet performs from a 1944 concert. Garrick Ohlsson "Sonata in B Minor, S. 178: IV. Allegro energico" (mp3) from "Garrick Ohlsson: Liszt Recital" (Bridge Records, Inc.) More On This Album Bridge has a long history of recording many of today's leading soloists. Among pianists in the Bridge catalog you'll find names like Rudolf Serkin, Richard Goode, Peter Serkin and Garrick Ohlsson. Here we listen to Garrick Ohlsson's recent Liszt recording, which celebrates the 200th anniversary of Liszt's birth. BBC Symphony Orchestra, Sir Andrew David "Concerto In Pieces - Purcell Variations: I. Theme and Variation I, Vivace Maestoso" (mp3) from "Concertos of Melinda Wagner and Poul Ruders" (Bridge Records, Inc.) Buy at Amazon MP3 More On This Album BBC Symphony Orchestra, Sir Andrew David "Concerto In Pieces - Purcell Variations: II. Variation II, Vivace Scherzando" (mp3) from "Concertos of Melinda Wagner and Poul Ruders" (Bridge Records, Inc.) Buy at Amazon MP3 More On This Album Among the strengths of the Bridge catalog is a strong commitment to finding the leading composers of our own time, and recording large portions of their catalog. The Danish composer Poul Ruders has become known for his operas and orchestral music, much of which has been recorded on Bridge. Here we listen to his "Concerto in Pieces", played by the BBC Symphony Orchestra, conducted by Sir Andrew Davis. Joseph Alessi, Susan Narucki, George Crumb, Paul Cesarczyk, Warsaw Philharmonic Orchestra "Star-Child: IV. Musica Apocalyptica" (mp3) from "George Crumb E | 6 10 11 | Free | View In iTunes |
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CleanMaestro 029: Beethoven Symphonies | Today we will be showcasing some of Beethoven's symphonies, including two tracks from our very special featured release from Avie Records titled "Beethoven: Symphony Nos 6 and 8" performed by Manchester Camerata and Douglas Boyd. Brno Philharmonic Orchestra, Peter Tiboris "Symphony No. 9, Op. 125 in D Minor -1895 Gustav Mahler Edition: III. Adagio molto e cantabile" (mp3) from "Beethoven's 9th Symphony: 1895 Gustav Mahler Orchestration" (Bridge Records, Inc.) Buy at Amazon MP3 More On This Album Mahler’s grand expansion of Beethoven’s Ninth Symphony employs an extra 4 horns and an extra set of Timpani, revoicing many passages of the venerable masterpiece. Mahler adds occasional counter-melodies and thickens the scoring in order to create his own heightened dynamic scale. Of his own performances of this re-scoring, Mahler wrote: "Far from following any arbitrary purpose or course, but also without allowing himself to be led astray by tradition, (this conductor) was constantly and solely concerned with carrying out Beethoven’s wishes in their minutest detail, and ensuring that nothing the master intended should be sacrificed or drowned out amid the general confusion of sound." San Francisco Symphony, Michael Tilson Thomas "Symphony No. 5 in C minor, Op. 67" (mp3) from "Beethoven: Symphony No. 5 and Piano Concerto No. 4" (San Francisco Symphony) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album The San Francisco Symphony and Michael Tilson Thomas present Beethoven's Symphony No. 5 and Beethoven's 4th Piano Concerto featuring pianist Emanuel Ax. Jan Willem de Vriend, The Netherlands Symphony Orchestra "Symphony no. 7 op. 92 in A major: Allegro con brio" (mp3) from "Beethoven: Symphonies nos. 7&8 - Complete symphonies vol.3" (Challenge Classics) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Manchester Camerata, Douglas Boyd "Symphony No. 6 in F Major, Op. 68 - "Pastoral"" (mp3) from "Beethoven: Symphony Nos. 6 & 8" (AVIE Records) More On This Album Manchester Camerata lodges the latest release in its acclaimed Beethoven Symphony cycle. Like the previous releases in this cycle these live recordings capture the spirit and freshness of these remarkable, genre-busting works, as well as the excitement, atmosphere and energy of the chamber orchestra under Music Director Douglas Boyd. Manchester Camerata has become one of the finest, most innovative chamber orchestras in the UK, and Douglas Boyd has proven to be an eminent Beethovenian. Conducting the composer’s Fidelio at the 2009 Garsington Opera Festival, The Times (London) noted “his grasp of Beethovenian idiom” and “pungent underlining of orchestral detail”, praising the musical performance as “sublime and exultant”. This is the penultimate release in the Douglas Boyd-Manchester Camerata Beethoven Symphony cycle. The Ninth “Choral” Symphony will be released in November 2011. | 14 9 11 | Free | View In iTunes |
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CleanMaestro 028: Romantic Period Pieces | This month on Maestro Independent Classical Spotlight we have a selection of four Romantic Period pieces from our classical collection. Amber Yiu Hsuan Liao "Piano Sonata No.18 in E-flat major, Op.31, No.3" (mp3) from "Beethoven: Piano Sonata No.18; Granados: Goyescas; Schumann: Humoreske" (MSR Classics) Buy at iTunes Music Store More On This Album The three pieces in this recording were all written during difficult times in the lives of their composers. Beethoven composed the E-flat major sonata in the same year he wrote the Heiligenstadt Testament. Goyescas was created shortly after Granados learned about both the death of his close friend Issac Albéniz, and the Tragic Week, a bloody confrontation between the working class of Barcelona and the army. When Schumann composed Humoreske, he was an aspiring composer trying to win the approval of Clara’s father, and was staying in Vienna away from home and his beloved. It is touching to hear how the composers rose above the pain, anxiety and desperation in their lives with such grace. They transcended their suffering, and created these beautiful pieces that have enriched the lives of many others in future generations. Pianist Amber Yiu Hsuan Liao has given recitals and solo performances throughout United States and Taiwan. Recent engagements include recitals at the Bruno Walter Auditorium at Lincoln Center and the Freeport Memorial Library, and the world premiere of Between Stream and Hills III for piano solo by Chih-Chen Wei. Ms. Liao has been invited to participate in several music festivals in Europe, including Courchevel Academie Musicale in France, Internationale Sommerakademie Mozarteum in Salzburg and New Millennium Piano Festival in Gijón, Spain. She has also been selected to perform in the master classes of distinguished artists such as Leon Fleisher, Dmitri Bashkirov, John Perry, Leslie Howard, Oxana Yablonskaya, Michel Béroff and Robert McDonald. As a chamber musician, Ms. Liao’s collaborations with vocalists and instrumentalists have led to performances in the CAMI Hall, Symphony Space and the Lenox Athenaeum, among others. She was the pianist in the Emerald Quintet, a group dedicated to both standard repertoire and the works of contemporary composers. Ms. Liao started her early music training in Taiwan. As a teenager, she was the prize winner of several regional and national composition competitions. She continued her studies in piano performance in the United States under the tutelage of Boris Slutsky and Arkady Aronov. A winner of the Rose Marie Milholland Award and the President’s Award, she received her Master of Music from the Peabody Institute and Doctor of Musical Arts from the Manhattan School of Music. She currently maintains a private studio in New York City, and is on the faculty of Seton Hall University in New Jersey. Budapest String Quartet, Artur Balsam "Piano Quartet No. 1 in G Minor, Op. 25: I. Allegro" (mp3) from "Brahms and Schumann Recital" (Bridge Records, Inc.) More On This Album The Budapest String Quartet was a string quartet in existence from 1917 to 1967. It originally consisted of three Hungarians and a Dutchman; at the end, the quartet consisted of four Russians. A number of recordings were made for HMV/Victor through 1938; from 1940 through 1967 it recorded for Columbia Records. Additionally, several of the Quartet's live performances were recorded, at the Library of Congress and other venues. More info on Budapest String Quartet. Artur Balsam (1906-1994) was a highly versatile pianist who was born in Poland and became established as an accompanist for Yehudi Menhuin on a 1932 tour of the United States. After being hounded out of Europe during the Nazi period, Balsam settled in New York and began both teaching and recording. Balsam was a very flexible artist who proved himself quite capable in piano repertoire ranging from the Baroque to ultra-modern works. Balsam was well-known locally in New York City | 8 8 11 | Free | View In iTunes |
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CleanMaestro 027: Opera Works & Songs | Today's episode will be centered around Opera Works & Songs from our classical collection. We have 4 pieces for you today, and we will end with a piece from our featured release, "Donizetti: Lucia di Lammermoor." Nicolai Ghiaurov, Sesto Bruscantini, Alfredo Kraus, Gundula Janowitz, Sena Jurinac, Walter Monachesi, Dimitri Petkov, Olivera Miliakovic "Don Giovanni" (mp3) from "Mozart: Don Giovanni" (Opera d'Oro) Buy at Napster Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody Buy at Amazon MP3 More On This Album Steven Kimbrough, Wolfgang Schmid, Andreas Kreisel "Kommt wieder aus der finst'ren Gruft" (mp3) from "Geistliche Lieder - Sacred Songs of Bach (from the 1736 Songbook of Georg Schemelli)" (Arabesque Recordings) Buy at iTunes Music Store More On This Album Inessa Galante, Vladimir Choclov, Janis Bulvas "A idise mame" (mp3) from "Goldins: Jewish Folk Songs - Rachmaninov: Romantic Songs" (Campion) Buy at Napster Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Valery Gergiev, Natalie Dessay, Sergei Skorokhodov, Ilya Bannik, Vladislav Sulimsky, Mariinsky Chorus, Mariinsky Orchestra from "Donizetti: Lucia di Lammermoor" (Mariinsky) More On This Album The Mariinsky label’s opera recordings have garnered acclaim and awards from around the world, most recently for Valery Gergiev’s recording of Parsifal released in 2010. For the label’s fifth opera, Gergiev conducts Donizetti’s masterpiece with a magnificent cast led by Natalie Dessay. Donizetti’s tragic opera in three acts depicts a family feud set in the Lammermuir hills of Scotland. The opera was premiered on 26 September 1835 at the Teatro San Carlo in Naples, with the coloratura soprano Fanny Tacchinardi Persiani, and a revised version in French followed suit in 1839. Inspired by Sir Walter Scott’s novel The Bride of Lammermoor, the central character of Lucia Ashton (Dessay) is in love with Edgardo di Ravenswood, her brother Enrico’s sworn enemy. With his fortune waning, Lord Enrico plots to force Lucia to marry Lord Arturo Bucklaw, in order to guarantee his continued power. Torn between her family and true love, Lucia submits to her brother’s desires but in turn loses her mind. Lucia’s delicate disposition is tested and results in the famous ‘mad scene’ where Lucia kills her new bridegroom Arturo. Natalie Dessay is one of the world’s most sought-after sopranos and an admired interpreter of lyric heroines. She is particularly renowned for her interpretation of the role of Lucia, which she has performed at the Metropolitan Opera, Royal Opera House and the Mariinsky Theatre. Future engagements include Verdi’s La Traviata with the LSO at the Aix-en-Provence Festival in July and at the Wiener Staatsoper in October. Piotr Beczala is rapidly establishing a reputation as one of today’s leading lyric tenors. He has recently sung Edgardo with the Metropolitan Opera in New York and on tour in Japan, and this summer will perform at the Bayerische Staatsoper and Salzburg Festival. Valery Gergiev recently won the Disc of the Year Award from BBC Music Magazine for his LSO Live recording of Prokofiev’s Romeo & Juliet. In July, Gergiev will conduct the Mariinsky Ballet at New York Metropolitan Opera and in August he conducts at the Edinburgh Festival and BBC Proms with the Mariinsky Orchestra before opening the LSO’s 2011-12 concert season. In October he embarks on a major tour of the USA and Canada with the Mariinsky Orchestra, including residencies at Carnegie Hall and Berkeley. Forthcoming releases include the final instalment in his Mahler cycle on LSO Live featuring Symphony No 9 and the Mariinsky label’s first DVDs and Blu-Ray Discs. Natalie Dessay appears courtesy of Virgin Classics. | 7 7 11 | Free | View In iTunes |
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CleanMaestro 026: Joseph Haydn | Welcome to the Maestro Classical Podcast. This is episode number 26 and we are featuring music from Joseph Haydn, with performances by the Philharmonia Baroque Orchestra, the Austro-Hungarian Haydn Orchestra, the Royal Philharmonic Orchestra, and the Milwaukee Symphony Orchestra & Andreas Delfs. More information on this episode can be found at www.maestroclassical.com. Philharmonia Baroque Orchestra, Nicholas McGegan "Symphony No. 88" from "Haydn: Symphonies Nos. 104, 88, 101" (Philharmonia Baroque) More On This Album Milwaukee Symphony Orchestra & Andreas Delfs "Haydn: Symphony No. 96" (mp3) from "Haydn: Symphony No. 96" (MSO Classics) Buy at Napster Buy at iTunes Music Store Buy at eMusic Buy at Rhapsody Stream from Rhapsody Buy at Amazon MP3 More On This Album Royal Philharmonic Orchestra, Sir Thomas Beecham "Symphony No. 100 in G, 'Military'" from "Haydn: Symphonies No. 99 & 100" (Discover Classical Music) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Austro-Hungarian Haydn Orchestra "Symphony No. 6 In D Major Le Matin" from "Great Haydn Symphonies" (Nimbus Records) Buy at Napster Buy at iTunes Music Store Buy at eMusic Buy at Amazon MP3 More On This Album Royal Philharmonic Orchestra, Jane Glover "Haydn: Symphony #104 In D, H 1/104, "London" - 1. Adagio, Allegro" from "Haydn: Symphony No. 102, Symphony No. 104 "London"" (Royal Philharmonic Orchestra) Buy at Napster Buy at iTunes Music Store Buy at Amazon MP3 More On This Album | 2 6 11 | Free | View In iTunes |
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CleanMaestro 025: String Quartets | Welcome to Indie Classical Spotlight, where we feature independent classical artists, labels and composers. We have 5 pieces for you today, focusing on String Quartets. We also have a very special feature on the Hagen Quartett’s new anniversary album, “Hagen Quartett 30”. Each is a recent release from our classical collection. For more information please visit www.maestroclassical.com. Potomac String Quartet "String quartet No. 6" (mp3) from "Quincy Porter - String Quartets" (Albany Records) Buy at Napster Buy at iTunes Music Store Buy at eMusic Buy at Rhapsody Stream from Rhapsody Buy at Puretracks Buy at Amazon MP3 Buy at mTraks More On This Album FIRST RECORDINGS OF THE COMPLETE WORKS FOR STRING QUARTET BY QUINCY PORTER. Like Charles Ives, Quincy Porter was a die-hard Connecticut Yankee from a well-to-do family with strong ties to Yale University. In fact, both studied composition under Horatio Parker at Yale. And both of them were staunchly patriotic and nationalistic, although Ives was the more radical composer. Porter, as part of his "day job," served as an educator and administrator at many of the nation's most prominent schools: Cleveland Institute, Vassar College, New England Conservatory and, finally, Yale where he taught for two decades. It has been claimed that the String Quartets of Porter are "some of the most substantial contributions to that literature made by an American" in no less an authoritative source than the Grove Dictionary of Music and Musicians. Yet, until now, most of them have never been available commercially. The current recorded performances by the Potomac Quartet - a collection of all nine numbered Quartets as well as several shorter pieces - will offer most listeners their first opportunity to explore and access this inexplicably neglected body of work. This immensely important release is the follow-up to the Potomac Quartet's acclaimed cycle of the David Diamond String Quartets (TROY504, 540, 613 and 727) and is the perfect supplement to Albany's equally admired disc of Porter's orchestral music (TROY 574). Quatuor Antar "Quatuor en Ré Mineur, K421" (mp3) from "Mozart: Quatuor en Ré Mineur - Chostakovitch: Quatuor No. 8" (Integral Classic) Buy at iTunes Music Store More On This Album The musicians of the Quartet Antarès combine two cultures, two different worlds in a French-Italian formation. Their various knowledge (Italy for violins, France for the viola (alto) and the cello) and the personal experience which marks each personality are being expressed in this quartet, through a great sense of balance and a genuine complicity, " Four hearts in the only thought" (Piero Farulli, Italiano Quartet). Jerusalem Quartet "String Quartet no.17 in B flat major K.458 'The Hunt'" (mp3) from "Mozart: String Quartets" (Harmonia Mundi) Buy at Amazon MP3 More On This Album Jerusalem Quartet - Chamber ensemble After two widely acclaimed Hayden releases, the Jerusalem Quartet now logically turns to an exploration of Mozart and three distinct periods in his create life. Haydn is not totally absent from this recording, since the central quartet belongs to the glorious group of six which Mozart, now firmly established in Vienna, dedicated to his elder ins 1785. Twelve years earlier, the teenage composer was still amusing himself with the Sammartinian model in the third of his 'Milanese' Quartets". Click here to read more... Panocha Quartet "String Quartet No. 12 in F major American, Op. 96 (B.179), III. Molto vivace" (mp3) from "Dvořák: The Essential String Quartet" (Supraphon a.s.) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Every work of art is exposed to the inexorable test of time. In the case of the majority of composers, precious few works enjoy enduring popularity. Yet in this respect Dvořák is one of the glorious exceptions. When it comes to his 15 string quartets alone, more than one third of them | 6 5 11 | Free | View In iTunes |
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CleanMaestro 024: Spring | Welcome to Maestro Independent Classical Spotlight. On this episode we will be playing some pieces to celebrate the arrival of Spring. For more information on this episode, please read below. Carles Cases "Fotos" (mp3) from "Cine Español - vol.1 (Recomposed 6)" (Temps Record) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album It was during the nineties when Cases had more activity in the Panorama of Spanish Cinema. Many of those soundtracks were not edited in that moment, and now, using the same musicians as when he wrote them, he has made a reinterpretation of two movies: “Fotos” and “La Mujer de Mi Vida”. Emmanuel Rossfelder, Raphael Mata "Quintette G.448" (mp3) from "Danses pour Cordes - Works for Guitar & Cello" (Integral Classic) Buy at iTunes Music Store More On This Album FROM TEACHER TO STUDENT - “My early artistic career was shaped by an extraordinary encounter with Alexandre Lagoya who was my teacher and the best mentor that I could ever have dreamt of having. Guidance is essential, both on an artistic and a spiritual level, at every age and at every stage of life. Although Raphaël Mata was only six when I discovered him; his talent and joie de vivre had already left a mark on me. So he was my obvious choice for ‘gifted student’. Tristan’s performances are brilliant and subtle. This is what persuaded me to link the warm sounds of his cello to those of my guitar. His artistic talent makes him a cellist of astounding maturity. What is remarkable when we listen to this CD is that it is difficult to distinguish between the teacher and the student. What it boils down to is artists who express their emotions through instruments, through this invisible and fascinating art that is music.” Emmanuel Rossfelder Jean-Pierre Ferey "Suite en La (1706)" (mp3) from "Rameau: Suites de Pièces" (SKARBO) Buy at iTunes Music Store More On This Album San Francisco Symphony, Michael Tilson Thomas "Symphony No. 5 in C minor, Op. 67" (mp3) from "Beethoven: Symphony No. 5 and Piano Concerto No. 4" (San Francisco Symphony) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album The San Francisco Symphony and Michael Tilson Thomas present Beethoven's Symphony No. 5 and Beethoven's 4th Piano Concerto featuring pianist Emanuel Ax. | 6 4 11 | Free | View In iTunes |
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CleanMaestro 023: Choral Works | The Sixteen, Harry Christophers from "Monteverdi: Selva morale e spirituale, Vol. 1" (Coro) Buy at iTunes Music Store More On This Album Without doubt, Monteverdi was the greatest of the early baroque European composers. He revolutionized the music of the theater and the church by his dramatic and imaginative use of voices and instruments and by his daring harmonies and rhythms. Next to his Vespers of 1610, the Selva morale e spiritual of 1641 is his most significant and virtuosic collection of sacred music. Over the next few years we intend to record the complete publication with a variety of forces. His much performed Beatus vir is a mere appetizer for this delightful yet thrilling music. BYU Men's Chorus "Goin' Home" (mp3) from "The Pilgrim's Journey Home" (Tantara Records) Buy at iTunes Music Store More On This Album Lift your spirits with a brand-new collection of inspirational folk hymns and songs. Although life may be difficult, the youthful and energetic voices of the BYU Combined Choirs and Orchestra will inspire and strengthen you on your own journey home. Florilegium & Arakaendar Bolivia Choir, Ashley Solomon "Fuera, Fuera! Haganles Lugar!" (mp3) from "Bolivian Baroque Vol. 3" (Channel Classics Records) Buy at Napster Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Welcome to our third volume of Bolivian Baroque music which was, unusually, recorded in three different venues, in two different countries almost 6250 miles apart. This time the majority of the CD was recorded in Holland (in both the Waalse Kerk in Amsterdam and the Doopsgezinde Kerk in Deventer) during Arakaendar Bolivia Choirís first tour of Europe with Florilegium in 2008. In addition we have included a number of solo organ pieces from the Bolivian archives which James Johnstone recorded on the restored anonymous 18th century Blockwerk organ in the Mission Church of Santa Ana de Velasco. This is the first European recording on this remarkable instrument, its raw sound recorded here for posterity. The music on this volume differs considerably from the other two Channel Classics recordings (CCS 22105 & CCS 24806) as it mainly showcases Arakaendar Bolivia, the choir I set up in 2005. They continue to thrive and have shown tremendous commitment and determination in preparing this challenging and varied programme. We were delighted to be nominated by BBC Music Magazine for the best choir recording of 2008 for our last CD recording, as well as receiving our 5th Editorís Choice from Gramophone magazine. I hope this new volume is received as warmly. The Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson "Leroy Kyrie" (mp3) from "John Taverner: Sacred Choral Music" (Delphian Records) Buy at Napster Buy at iTunes Music Store Buy at Amazon MP3 More On This Album John Taverner brought the English florid style to its culmination and final flowering; his music is quite unlike anything written by his continental contemporaries and, viewed retrospectively, represents not only the culmination of one period but also the beginning of something new. In his debut recording with the critically acclaimed Edinburgh choir, Duncan Ferguson presents this music with forces akin to those of the sixteenth century ñ a small group of children and a larger number of men. The singers respond with their characteristic freshness, and an emotional authenticity born of the daily round of liturgical performance. Johann Sabastian Bach: Motets Vocalconsort Berlin, Marcus Creed from "Johann Sebastian Bach: Motets" (Harmonia Mundi) More On This Album Album will be availble online around March 22, 2011 The Vocalconsort Berlin was founded in 2003 and made its debut the same year in Monteverdi's LíOrfeo under the direction of RenÈ Jacobs at the Innsbruck Festival. The ensemble specialises in early and high Baroque repertoire, but also interprets Romantic and contemporary music. The Vocalconsort¥s compo | 4 3 11 | Free | View In iTunes |
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CleanMaestro 022: Valentine Special | We have a few pieces selected for our Valentines Special. Enjoy and feel the love! Valery Gergiev, London Symphony Orchestra from "Prokofiev: Romeo & Juliet" (LSO Live) Buy at Napster Buy at iTunes Music Store Buy at Amazon MP3 More On This Album LSO Live celebrates its tenth anniversary in 2010. The label's first release of the year features Prokofiev's spectacular score for the ballet Romeo & Juliet conducted by Valery Gergiev. Romeo & Juliet can lay a strong claim to being the greatest ballet score as well as the finest musical realization of Shakespeare. It shows Prokofiev at the absolute peak of his powers - a composer of immense creativity with an astonishing ability to capture drama in his music. Gergiev is a tireless champion of Prokofiev's music. In 2004 he conducted a complete cycle of the composer's symphonies with the LSO. LSO Live recorded the performances which were released by Philips and collected a Gramophone Award. Shortly afterwards Gergiev became Principal Conductor of the LSO and spent much of 2008 and 2009 touring Prokofiev's symphonies with the orchestra in Europe, Japan and the USA. London Symphony Orchestra Jill Crossland from "Jill Crossland plays Mozart and Beethoven" (Diversions) More On This Album This album was previously issued as Calico CCCR101 and now re-issed for worldwide distribution. Jill Crossland is a phenomenal pianist who specializes in the baroque and classical repertoire, Here she plays one very well known sonata, Beethoven's 'Tempest' op. 31/2, the lesser known but dramatic op. 110, and Mozart's 'hybrid' Sonata K533/494 in F. The original issue was well reviewed by the critics. ìA highly individual player, thoughtful yet compelling, she has the gift of spontaneity in the recording studio, to carry the personal insights of her interpretations, as at a live performance. She is very well recorded.î ñ Ivan March (Penguin Guide to Compact Discs) Jill Crossland Moonwinds, Joan Enric Lluna "II Andante" (mp3) from "Mozart Serenatas" (Temps Record) Buy at iTunes Music Store More On This Album Moonwinds The Moscovia Chamber Orchestra, Eduard Grach "Serenade" (mp3) from "Tchaikovsky: Serenade, Sextet "Souvenir of Florence"" (Russian Music Society) Buy at iTunes Music Store More On This Album Russian Music Society presents one of the best Russian violinists, People's Artist of Russia, Eduard Grach and The Moscovia Chamber Orchestra perform Tchaikovsky: Serenade, Sextet "Souvenir of Florence" Executive Producer: Cristina Botnari The Moscovia Chamber Orchestra Kara Kirkendoll Welch, Gabriel Sanchez "Sonata No. 1 in A major, Op. 13" (mp3) from "Ballade - Works for Flute and Piano" (MSR Classics) Buy at iTunes Music Store More On This Album MSR Classics | 4 2 11 | Free | View In iTunes |
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CleanMaestro 021: Grammy Nominations | Happy New Year! We want to celebrate the New Year by congratulating our Rightsholder for their Grammy nominations. To view a full listing of Grammy nominee, click here. Below we have what albums received which Grammy nomination. Enjoy the episode! Boston Modern Orchestra Project, Gil Rose, Rinde Eckert, Synergy Vocals, Catch Electric Guitar Quartet "Dreamhouse" from "Steven Mackey: Dreamhouse" (BMOP/sound) Buy at Napster Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Best Engineered Album, Classical Best Classical Album Best Orchestral Performance Valery Gergiev, Sergei Aleksashkin, Mariinsky Orchestra, Mariinsky Chorus "The Enchanted Wanderer" from "Shchedrin: The Enchanted Wanderer" (Mariinsky) Buy at Napster Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Best Contemporary Classical Composition Best Opera Recording Eliesha Nelson, John McLaughlin Williams "Speed Etude" from "Porter: Complete Viola Works" (Dorian Recordings) Buy at Napster Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody Buy at Amazon MP3 More On This Album Best Engineered Album, Classical Best Chamber Music Performance Best Instrumental Soloist(s) with Orchestra Ars Lyrica Houston "Marc Antonio e Cleopatra" from "Hasse: Marc Antonio e Cleopatra" (Dorian Recordings) Buy at Napster Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Best Opera Recording Sarah Schuster Ericsson "Sonata per Arpa, Op. 68" from "20th Century Harp Sonatas" (Dorian Recordings) Buy at Napster Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Best Instrumental Soloists Performance w/o Orchestra Marc Regnier, Marco Sartor "Suite Retratos for 2 Guitars" from "Gnattali: Solo & Chamber Works for Guitar" (Dorian Recordings) Buy at Napster Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Best Instrumental Soloist(s) Performance w/o Orchestra Ekaterina Lekhina, Marie-Ange Todorovitch, Deutsches Symphonie-Orchester Berlin, Kent Nagano "Deuxième acte. Deuxième tableau : L'Amour de loin. Le Pèlerin : "Rien ne vous oblige à l'aimer"" from "Kaija Saariaho: L'Amour de loin" (Harmonia Mundi) Buy at Napster Buy at Amazon MP3 More On This Album Best Opera Recording Judith Gauthier, Marianne Beate Kielland, Adrian Thompson, Mattijs van de Woerd, Konstantin Wollf, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss, Judith Gauthier (soprano), Marianne Beate Kiell "Golgotha " from "Martin: Golgotha" (Harmonia Mundi) Buy at Napster Buy at Amazon MP3 More On This Album Best Choral Performance Maximilian Schmitt, Freiburger Barockorchester, René Jacobs "I. Teil. 10. Chor "Stimmt an die Saiten"" from "Haydn: The Creation" (Harmonia Mundi) Buy at Napster Buy at Amazon MP3 More On This Album Best Choral Performance Estonian Philharmonic Chamber Choir, Paul Hillier "Three Folksongs" from "Baltic Runes" (harmonia mundi) Buy at Napster Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Best Choral Performance Isabelle Faust, Alexander Melnikov "Sonata for piano & violin no.5" from "Beethoven: Complete Sonatas for piano & violin" (Harmonia Mundi) Buy at Napster Buy at Amazon MP3 More On This Album Best Chamber Music Performance The Silk Road Ensemble "Ritmos Anchinos" from "Off the Map" (World Village) Buy at Napster Buy at iTunes Music Store Buy at Rhapsody Buy at Amazon MP3 More On This Album Best Classical Crossover Album Track 3: Étude No 03 in B minor 'after Paganini-Liszt' from "Hamelin: Etudes" Artist: Marc-André Hamelin Best Instrumental Solo Performance Track 9: Haec dies from "Ceremony & Devotion: Music for the Tudors" Artists: The Sixteen, Harry Christophers Best Small Ensemble Performance Michael Stern, Kansas City Symphony "Peter Grimes: Four Sea Interludes & Passacaglia" f | 5 1 11 | Free | View In iTunes |
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CleanMaestro 020: IODA Favorite Holiday Special | In this episode we wanted to celebrate the upcoming holidays with a few of our favorite pieces. We have also included a special sneak peak to Agustin Hadelich's new album, "Echoes of Paris"! We hope you enjoy the music. Everyone have a wonderful holiday and a fantastic New Year! Harry Christophers, The Sixteen "In Dulci Jubilo" from "A Traditional Christmas Carol Collection, Vol. II" (The Sixteen Productions Ltd.) There is such an abundance of festive music available to us that sometimes one wishes Christmas did not come but once a year! The Sixteen’s first volume of traditional Christmas carols contains some of our most favorite pieces but there is so much more wonderful festive music that deserves to be better known. So we decided to make a second volume. On this disc you will discover familiar seasonal favorites such as ‘Unto us a boy is born’ and ‘It came upon the midnight clear’ but we have also included some less well-known gems like ‘Cherry Tree Carol’ and ‘Gloucestershire Wassail’. Woody Phillips "Dance Of The Sugar Plum Fairy" (mp3) from "A Toolbox Christmas" (Gourd Music) Buy at Amazon MP3 Buy at eMusic More On This Album A Toolbox Christmas - Liner Notes: A Toolbox Christmas marks Woody Phillips' breathtaking debut into a world of repertoire and instrumentation only dreamed of by composers who have gone before him. True, Beethoven gave us the 'Hammer (klavier) Sonata' -- but Phillips has dared to explore the full range of the workbench's symphonic palette. Never before have your ears experienced the the exquisite marimba-like 2x4's in Jingle Bells ; the majestic table saw duet in Joy to the World ; the sensitive counterpoint provided by the power planer in I Saw Three Ships ; the filigreed ornamentation of the clanking pipes in We Wish You a Merry Christmas ; the uniquely persuasive percussion of the pneumatic nailer in Patapan ; the panoply of hand and power tools in The Twelve Days of Christmas -- listen and you'll know you're in a new and extraordinary realm of holiday music. Tchaikowsky's beloved Dance of the Sugar Plum Fairy may never sound the same to you again once you've experienced Phillips' ensemble of antique hand drill, mandolin, anvil, t-square, level and pipes. Will an eye remain dry as Auld Lang Syne, ethereal and poignant on the musical saw, shimmers over the drone of the shop vac? Phillips' ear is impeccable, perfectly attuned to nuances of tone and subtle differences of timbre among the various power tools, always employing the right tool for each job. Never, however, does Phillips disdain the traditional instruments of the concert hall. Though purists may balk at the sound of actual musical instruments on A Toolbox Christmas , when Phillips senses the need for a cello, mandolin, oboe or flute, in it goes, without regard for mere commercial considerations. His generous, all-encompassing love of beautiful sounds permits no petty divisions in his artistic kingdom. Above all, Phillips' true genius in A Toolbox Christmas has been to include the entire ambiance of the workshop on this recording. He has drawn not only on the incomparable sonorities of the tools themselves, but adds sounds every home-improver will recognize with delight: a tape measure retracting; duct tape tearing; the little ball bearing rolling as the spray paint can is shaken. He has created choirs of bottles and chiming sacks of 10d nails. Perhaps most inspired of all is his brilliant use of the perfectly-timed pop-top. The resulting magic awaits you in A Toolbox Christmas . Sir Colin Davis, London Symphony Orchestra "Messiah" from "Handel: Messiah" (LSO Live) Buy at iTunes Music Store Buy at Amazon MP3 Buy at eMusic More On This Album Handel's masterpiece uses short texts from the Bible to tell the story of Christ's birth, death and resurrection. Imbued with a deep humanity and written with the imagination of a composer at the peak of powers, Mess | 2 12 10 | Free | View In iTunes |
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CleanMaestro 019: New World Records | New World Records We will be featuring New World Records in today's episode. New World started in 1975; they were given a grant from the Rockefeller Foundation with a mandate to produce a 100-disc anthology of American music. New world continues to preserve neglected music of the past and support the creative future of American music with over 400 recordings, representing up to 700 American composers. Rick Benjamin from "Black Manhattan: Theater and Dance Music of James Reese Europe, Will Marion Cook, and Members of the Legendary Clef Club" (New World Records) Buy at iTunes Music Store More On This Album Theater and Dance Music of James Reese Europe, Will Marion Cook, and Member of the Legendary Clef Club The Paragon Ragtime Orchestra Rick Benjamin, director The Clef Club of New York City, Inc. was a fraternal and professional organization for the advancement of African-American musicians and entertainers; all of the composers on this recording were members or closely affiliated with the Club. The "Clef Club" was founded toward the end of 1909 in New York by James Reese Europe and his associates. Their mission to highlight the value, dignity, and professionalism of African-American performers was a great success and did much to change racial attitudes at all levels of white society. It quickly became a "who's who" of early twentieth-century black music and show business. With its reputation for reliability, gentility, and quality performances, the Clef Club soon gained the favor of the loftiest of New York's white society; it became the very height of fashion to announce that one had secured a genuine "Clef Club Orchestra" for an upcoming social event. The composers featured on this revelatory recording represent the cream of Black Bohemia's musical life-the movers and shakers who paved the way for the music of the better remembered "Harlem Renaissance" of the 1920s. And while their names are obscure today, all once enjoyed national reputations in white America as well, feeding its burgeoning interest in black music, theater, and dance. Taken altogether, the talent, persistence, cooperation, and courage of these pioneers is an amazing American story that deserves to be better known. The recording features nineteen works by ten composers and is accompanied by a 40-page booklet. In addition to those by Europe and Cook, highlights include works by Will Vodery, an acknowledged influence on Ellington, and the first instrumental rag ever published, Sambo: A Characteristic Two Step March (1896), by Will Tyers. Tom Varner from "Tom Varner: Window Up Above" (New World Records) Buy at iTunes Music Store More On This Album The Window Up Above: American Songs 1770-1998 Tom Varner, French horn; Pete McCann, guitar; George Schuller, drums; Lindsey Horner, bass; Mark Feldman, violin; Dave Ballou, trumpet; Steve Alcott, bass; Thirsty Dave Hansen, vocals "I wanted to do something different for this record. Instead of playing my own compositions, I wanted to simply explore a variety of songs that have an inner resonance, whether from family, religion, nation, or culture. " - Tom Varner What Tom Varner has attempted on The Window Up Above is nothing less than a survey of the whole American song book, a millenium review of the last three centuries-and he succeeds brilliantly. Every song he has chosen has that American "thing," and his approach to every song is patently jazz, even where he chooses to play the melody "straight" to let its qualities shine through. Highlights abound: The witty, off-center de- and reconstruction of the Revolutionary and Civil War smash hits "Stone Grinds All," "When Jesus Wept," "Kingdom Come, " and "Battle Cry of Freedom" will forever change the way you hear them; his understated, heartfelt renditions of "Lorena," "All Quiet on the Potomac," and "There is a Balm in Gilead" would make a stone weep; to say nothing of his splendid reimaginings of standards like "Over the | 28 10 10 | Free | View In iTunes |
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CleanMaestro 018: London Symphony Orchestra | London Symphony Orchestra Today's episode will be a special feature on the London Symphony Orchestra, also known as LSO. LSO is widely regarded to be one of the world's leading orchestras, with over 100 years of performing experience. LSO has performed all across the world and even recorded soundtracks for films, such as Star Wars: Revenge of the Sith and Harry Potter and The Goblet of Fire. In 2000, LSO launched their own classical label, LSO Live. Since then LSO Live has become one of the world's most talked about classical labels. Today we will be celebrating LSO Live's 10 year anniversary by playing samples from some of their best recordings and featuring a track from their newest release titled Verdi: Otello. Enjoy! video platform video management video solutions video player Sir Colin Davis, London Symphony Orchestra "Enigma Variations" from "Elgar: Enigma Variations" (LSO Live) Buy at iTunes Music Store Buy at eMusic Buy at Amazon MP3 More On This Album During his time as Principal Conductor of the LSO, Sir Colin Davis gained a reputation as the leading interpreter of Elgar’s music and recorded the composer’s symphonies and Dream of Gerontius for LSO Live. Elgar himself was one of the LSO’s first Principal Conductors and the orchestra premiered many of his works, including the Introduction & Allegro for Strings. June 2007 sees the 150th anniversary of Elgar’s birth. The Enigma Variations was Elgar’s breakthrough work and remains one of his most popular. Although it is often thought of as whimsical and the epitome of “Englishness”, in reality it is a thrilling and ravishingly beautiful masterpiece. Sir Colin Davis, London Symphony Orchestra "Messiah" from "Handel: Messiah" (LSO Live) Buy at iTunes Music Store Buy at Amazon MP3 Buy at eMusic More On This Album Handel’s masterpiece uses short texts from the Bible to tell the story of Christ's birth, death and resurrection. Imbued with a deep humanity and written with the imagination of a composer at the peak of powers, Messiah is intimate yet dramatic and includes some of Handel's best-loved music. Sir Colin Davis, London Symphony Orchestra "Má vlast" from "Smetana: Má vlast" (LSO Live) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Inspired by the mythology and pastoral beauty of his Czech homeland, Smetana’s six tone poems that form Ma vlást (My Fatherland) is one of the best examples of Nationalism in music. The stirring second movement depicts the river Vltava as it flows through the countryside and into Prague. Struck with deafness in 1874, Smetana would never hear a performance of what would become his most popular work. Concert Reviews ‘Colin Davis's performance of Smetana’s Má Vlast with the London Symphony Orchestra was an irresistible pageant of Czech patriotic fervor, a depiction of ancient battles and pastoral idylls, as well as a revelation of the work’s symphonic integrity ’The Guardian (UK), 12 May 2005 ‘the LSO’s unforced brilliance constantly shining forth … The players rose to the occasion with the virtuosity and commitment that are their hallmark. Under Davis’s direction, Smetana’s depiction of natural phenomena and rustic scenes sprang to life’ Evening Standard (UK), 11 May 2005 ‘Yet the Smetana itself holds no terrors, least of all for Sir Colin Davis and the London Symphony Orchestra. In the first poem, how proudly Vysehrad, the guardian rock of Prague, stood out fortissimo on the skyline! And few musical rivers have accelerated with the natural grace of Davis’s Vltava, or begun its course with such lightly charming trickling flutes’ The Times (UK), 12 May 2005 Valery Gergiev, London Symphony Orchestra, Elena Mosuc, Zlata Bulycheva, London Symphony Chorus "Symphony No. 2" from "Mahler: Symphony No. 2" (LSO Live) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album ‘F | 30 9 10 | Free | View In iTunes |
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CleanMaestro 017: harmonia mundi | harmonia mundi France harmonia mundi was born in 1958 in Paris. In 1986 the group moved to Arles France, where they are still headquartered today. This group has always been known for their support for independent artist and classical music. Additionally they have been growing recognition for various sections within the publishing business. Olga Kern "Piano Sonata No. 3, Op. 58" (mp3) from "Chopin: Piano Sonatas Nos. 2 & 3" (harmonia mundi) Buy at Napster Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Frederic Chopin's Piano Sonatas No.2 ("Funeral March") and No.3 are the product of the composer's maturity and boundless invention. Here they receive incandescent performances by the 2001 Cliburn Competition gold medalist Olga Kern. Olga Kern Javier Perianes, Javier Perianes (piano) "Sonata no.1 in C minor" (mp3) from "Blasco de Nebra: Piano Sonatas" (harmonia mundi) Buy at Napster Buy at Amazon MP3 More On This Album Javier Perianes invites us to discover the keyboard works of a composer who, like himself, was a native of Andalucia : the heir to Scarlatti in many respects, Blasco do Nebra magisterially combined his own natural heritage with the forms imported by the Hispano-Neapolitan composer. The sonata and pastorales presented on this disc shed light on the multiple facets of his creative genus, alas cut short all too soon: he died at the age of just thirty-four. Javier Perianes Paul Lewis, BBC Symphony Orchestra, Jirà Belohlávek "Piano Concerto No. 4 in G major, Op.58" (mp3) from "Beethoven: Complete Piano Concertos" (harmonia mundi) Buy at Napster Buy at Amazon MP3 More On This Album His complete set of the Beethoven sonatas enjoyed extraordinary acclaim in the UK, culminating in the prestigious 'Recording of the Year' award from Gramaphon magazine for the fourth volume in 2008. Encouraged by what has now become a worldwide success, Paul Lewis has chosen to turn his attention to the five piano concertos with these distinguished partners. Recorded between July 2009 and March 2010, these interpretations paint a portrait of Beethoven full of light and shade. Paul Lewis | 1 9 10 | Free | View In iTunes |
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CleanMaestro Classical 016: Nocturnes for Summer Nights | More about Nocturnes Leon Bosch, Sung-Suk Kang "Nocturne" (mp3) from "Virtuoso Double Bass" (Meridian Records) Buy at iTunes Music Store More On This Album The working relationship between Sung-Suk Kang and the distinguished double bass player Leon Bosch goes back to 1982, when both were students at the Royal Northern College of Music in Manchester, UK. Sung-Suk accompanied Leon during lessons and at scholarship auditions. 'At the end of our courses of study,' Leon remembers, 'the RNCM principal, Sir John Manduell, invited us to play two pieces together in one of the so-called principal's concerts. These were showcase events in which his ‘prize students’ were afforded a platform to perform in front of an audience of many distinguished invited guests, as well as the public. Sung-Suk and I performed two pieces by the great double bass player Bottesini, the Capriccio di Bravura and Fantasy Sonnambula. 'I'll remember that 1984 concert forever, for Sung-Suk’s magical playing throughout. There was one extended piano tutti in Sonnambula which was particular memorable for its unique delicacy and scintillating effervescence.' Sung-Suk picks up the story. 'After we left the RNCM, Leon and I lost contact with each other for twenty years. Then in the autumn of 2006, all of a sudden I received an SMS message from Leon on my mobile.....out of the blue. I called him back and discovered that at short notice he wanted me to play for him on a CD of pieces by Bottesini. After exchanging a few emails, I agreed.’ So what had inspired Leon to make the move? 'After Sung-Suk and I parted company back in 1984 I always thought of her whenever I played Sonnambula. I often wondered what had happened to her. I have a tape recording of that principal's concert and played it often over the years to reassure myself that it was indeed real and not just a grossly exaggerated and romanticised memory! 'Then when I was scheduled to record my first Bottesini disc, my pianist had to withdraw. After much thought, I resolved to try and find Sung-Suk, since she was the only person I felt I'd really be happy to work with. I put her name into Google and found her referred to on the website of the conductor, Nayden Todorov. With that lead, I traced her to Vienna.’ 'We began to rehearse as soon as I arrived in London!' Sung-Suk recalls. 'There wasn`t enough time to work on each piece in detail.... and we only had one and a half days to record all the repertoire for the CD. 'Playing with Leon wasn`t easy at first - he has a unique way of phrasing and his rubato is never predictable. And of course my ears had to concentrate so much on picking up the thick, deep lower register of the double bass sound. But during the recording sessions everything clicked and became completely natural. 'We tried to create a new atmosphere for each piece and then find the inspiration for a special interpretation at the end of the process. This was always different from what we'd prepared....music-making with Leon is always spontaneous! I love the full sound he makes, all the different colours he creates to express varied emotions in depth.’ As for Nocturne, it allows the piano to anticipate the main theme in the opening section but then gives it no share of the melodic line so expressively introduced and sustained by the double bass. It is, however, the piano which towards the end initiates the change from minor to major harmonies, just before double-bass harmonics magically project the melody into the soprano register. If Bottesini expected to be remembered by future generations he no doubt felt that it would be through his operas and sacred music. In fact, while they are forgotten, his posthumous reputation derives from an instrumental artistry which, though it died with him, survives in the hands of those few bassists who can do his compositions full justice. Nikolai Lugansky "Nocturne, Op. 55 No. 1" (mp3) from "Chopin: Piano Sonata No. 3, | 30 7 10 | Free | View In iTunes |
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CleanMaestro 015: Composers in 2010 pt. 2 | Maestro Classical Podcast 015: Composers in 2010 pt. 2 featuring Max Richter, Rachel Grimes and Quartet San Francisco Max Richter "infra 4" (mp3) from "Infra" (Fat Cat Records) More On This Album Originally conceived as a Royal Ballet-commissioned collaboration between composer Max Richter, choreographer Wayne McGregor and artist Julian Opie, Max Richter's gorgeous score to 'infra' is deservedly given life of its own in this album-length release from FatCat's instrumental/orchestral imprint 130701 Records. The initial setting for 'infra' was as a ballet - written in autumn 2008 and premiered in November of the same year at The Royal Opera House in London – although here Richter’s score is given the full scope of a standalone new album. Expanded and extended from the original piece, 'infra' comprises music written for piano, electronics and string quintet, including the full performance score as well as material that has subsequently developed from the construction of the album – more a continued reference to the ballet than as a "studio album" in the strictest sense. The composition resonates with Max's characteristic musical voice – majestic, involved textures; fluent and sweeping melodies; an enigmatic and inherently intellectual understanding of harmonic complexities that compels and mesmerizes. Richter's work on the ballet came initially from McGregor's invitation, a request for 25 minutes of music for his piece, inspired by T.S. Elliot's 'The Wasteland' and named after the Latin term for 'below'. This eventually became more collaborative as the project developed – Wayne would ask for Max to extend or alter certain passages of music in accordance with his own amendments to his choreography and concept, whilst logging the whole process for a BBC documentary (broadcast, along with the ballet in full, on BBC2 in November 2008). The dance performance was backed with digital images created by Julian Opie – observational scenes of street life, haunting and curiously balletic despite being of the everyday – and Max's score is an appropriately close reference to the traveling theme: "I started thinking about making a piece on the theme of journeys. Like a road movie. Or a traveler's notebook. Or like the second unit in a film - when the scene has been played, and the image cuts away to the landscape going by. This started me thinking about Schubert's devastating and haunting "Winterreise" (Winter Journey), so I used some melodic material from Schubert as a found object in parts of my new piece." Rachel Grimes "Every Morning" from "Books of Leaves for Solo Piano" (Violinjazz Recordings) Buy at Amazon MP3 More On This Album BBC Pioneering Neo-Classicist reveals her solo debut by Spencer Grady, October 13, 2009: "We owe Rachel Grimes big." "..with Music for Egon Schiele …found the conviction and confidence to match her voice.." "Her most wondrous gift was always her ability to paint the most evocative pictures in purest ivory and her lightness of touch allows majestic statements such as the Corner Room and Long Before Us to ring out, echoing with sensuousness and sentiment before drawing the listener back in." New York Times – Live Review by Allan Kozinn, October 14, 2009: "..offered glimpses of an alternate universe in which expansive, unified projects are everything." "..overall serenity.." "..her evident fascination with French music: Ravel and Debussy hover nearby (in the watery imagery and modal harmonies of "Bloodroot" for example)" Quartet San Francisco "Crowdambo" (mp3) from "Látigo" (Violinjazz Recordings) Buy at Napster Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Description of "Crawdambo" from Quartet San Francisco violinist, Jeremy Cohen: "I wrote this piece as an homage to my teacher and mentor, Anne Crowden, who passed away in 2004. Anne instilled in me a dedication to musical expression that truly became the basis of my violin-pla | 23 6 10 | Free | View In iTunes |
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Clean014: Solo Feature: San Francisco Symphony | Today’s episode will be our first ever, solo focus feature on the San Francisco Symphony aka SFS. SFS has a long history of presenting world premieres and receiving various awards. They recently received 3 Grammy awards for an album we will play today for Best Classical Album, Best Engineered Classical Album, and Best Choral Performance. www.sfsymphony.org SFS The Black and White Ball SFS Season Schedule and Tickets San Francisco Symphony, Michael Tilson Thomas "Symphony No. 3 in E-Flat Major "Eroica", Op. 55" from "Beethoven: Symphony No. 3 "Eroica"" (San Francisco Symphony) Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody Buy at Amazon MP3 More On This Album Album Notes This album is the companion concert recording for Keeping Score, the San Francisco Symphony's multi-media project on PBS, national public radio, web sites and education. For more information visit www.keepingscore.org. San Francisco Symphony, Michael Tilson Thomas "Symphony No. 4 in F minor, Op. 36" from "Tchaikovsky: Symphony No. 4" (San Francisco Symphony) Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody Buy at Amazon MP3 More On This Album Album Notes This album is the companion concert recording for Keeping Score, the San Francisco Symphony's multi-media project on PBS, national public radio, web sites and education. For more information visit www.keepingscore.org. Michael Tilson Thomas, San Francisco Symphony, San Francisco Symphony Chorus "Symphony No. 8 in E-Flat Major" (mp3) from "Mahler: Symphony No. 8 in E-Flat Major - Adagio from Symphony No. 10" (San Francisco Symphony) Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody Buy at Amazon MP3 More On This Album Michael Tilson Thomas, San Francisco Symphony, San Francisco Symphony Chorus "Symphony No. 8 in E-Flat Major" (mp3) from "Mahler: Symphony No. 8 in E-Flat Major - Adagio from Symphony No. 10" (San Francisco Symphony) Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody Buy at Amazon MP3 More On This Album Michael Tilson Thomas, San Francisco Symphony, San Francisco Symphony Chorus "Symphony No. 8 in E-Flat Major" (mp3) from "Mahler: Symphony No. 8 in E-Flat Major - Adagio from Symphony No. 10" (San Francisco Symphony) Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody Buy at Amazon MP3 More On This Album Michael Tilson Thomas, San Francisco Symphony, San Francisco Symphony Chorus "Symphony No. 8 in E-Flat Major" (mp3) from "Mahler: Symphony No. 8 in E-Flat Major - Adagio from Symphony No. 10" (San Francisco Symphony) Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody Buy at Amazon MP3 More On This Album Album Notes Mahler's Eighth Symphony is his largest-scale work and among music's most epic statements. Scored for huge orchestra, chorus, two children's choirs, and eight vocal soloists, Mahler 8 is sometimes called the Symphony of a Thousands — which is just a slight exaggeration. Fusing an ancient hymn of praise with Goethe's ecstatic story of Faust's redemption, Mahler 8 is an overwhelming musical experience. Description The San Francisco Symphony and Michael Tilson Thomas present Mahler's Adagio from Symphony No. 10 and Symphony No. 8 featuring soloists Laura Claycomb, Anthony Dean Griffey, Katarina Karnéus, Quinn Kelsey, James Morris, Yvonne Naef, Elza van den Heever & Erin Wall, the San Francisco Symphony Chorus, the San Francisco Girls Chorus and the Pacific Boychoir. Conductor: Michael Tilson Thomas Orchestra: San Francisco Symphony Soloist: Erin Wall, Elza van den Heever, Katarina Karnéus, Yvonne Naef, Anthony Dean Griffey, Quinn Kelsey, James Morris Chorus: San Francisco Symphony Chorus, Pacific Boychoir, San Francisco Girls Chorus | 18 3 10 | Free | View In iTunes |
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CleanMaestro 013: Composers in 2010 | Florent Ghys "Soli" (mp3) from "Baroque Tardif: Soli" (Cantaloupe Music) Buy at iTunes Music Store Buy at Napster More On This Album Album Notes: Cantaloupe Music continues its series of EPs. These are available via digital music services and in a limited edition physical pressing available to members of our subscription-only Cantaloupe Club. After receiving a traditional French diploma in music, Florent Ghys researched experimental and minimalist music--leading him to Bang on a Can's Summer Festival at MASS MoCA in 2007. Returned to his hometown in Bordeaux and missing the community he found around the summer festival, Ghys asked himself, "What would I write if I had to write for an ensemble in which I am the only player?" Ghys says of his process: "The reasons for this schizophrenic question are multiple. Returning to Bordeaux from Paris, I had the feeling of being musically isolated - of being out of tune with my new environment - and I couldn't stop writing. I was also interested in the idea of breaking the boundary between the composer and the musician. and the feeling I had of sitting in the audience while my music was being played onstage wasn't, to be honest, all that satisfying. "I didn't intend to compose a solo for myself playing the upright bass, nor did I intend to compose a piece for me and a fleet of clones, but I did intend to create a 'multiple-me' ensemble. "I know multi-track recording will never replace live recording, but multi-tracking was an interesting starting point to see if it would change my compositional process while writing strictly for me - after all, the instrumentation for the EP was linked only to the instruments I can actually play. I could have an upright bass, a bass, a guitar, an electric guitar, a voice. I could also use a pianino (a small 6 octaves piano) and hit some dishes in my kitchen." Baroque Tardif: Soli is the first in a series of three EPs from Florent Ghys. Olivier Manchon "Come Back" (mp3) "Memoires (feat. Gregoire Maret)" (mp3) from "Orchestre de Chambre Miniature - Volume 1" (ObliqSound) Buy at iTunes Music Store More On This Album Album Notes: Olivier Manchon > violin Hiroko Taguchi > viola Christopher Hoffman > cello Alan Hampton > double bass John Ellis > tenor saxophone (tks 1, 4, 7), bass clarinet (tk 3) Hideaki Aomori > clarinet (tk 5, 8), bass clarinet (tk 6) Gregoire Maret > harmonica (tk 2) Produced by Olivier Manchon. Description: Orchestre de Chambre Miniature - Volume 1 is the personal project of French violinist and composer Olivier Manchon, better known for his collaborations with indie acts My Brightest Diamond and Sufjan Stevens, and as co-leader of orchestral pop group Clare and the Reasons. With this mini chamber orchestra, Manchon showcases his skills as a gifted composer and arranger, creating a cinematic narrative of jazz and classical music performed on strings and woodwinds. The album also features John Ellis (Charlie Hunter, John Patitucci, Sting) on clarinet and saxophone and Gregoire Maret (Pat Metheny, Herbie Hancock, Marcus Miller) on harmonica. www.obliqsound.com | 16 2 10 | Free | View In iTunes |
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CleanMaestro 012: New Signings to IODA, feat: Violinjazz Recordings, The Philadelphia Orchestra | Quartet San Francisco "Take Five" (mp3) from "QSF Plays Brubeck" (Violinjazz Recordings) Buy at iTunes Music Store Buy at Rhapsody Buy at Amazon MP3 More On This Album In celebration of the 50th anniversary of the release of Time Out, QSF pays tribute to the mastery of Brubeck with the first-ever all Brubeck string quartet CD! Grammy nominees for their last two releases (2006 and 2007)and International Tango competition winners (New York , 2004), Quartet San Francisco expresses itself in its agility and standout virtuosic playing. Quartet San Francisco is Jeremy Cohen and Alisa Rose , violinists, Keith Lawrence, violist, and Michelle Djokic, cellist. As crossover specialists they excel in multiple styles ó from jazz to tango, pop to funk, blues to bluegrass, gypsy swing to big band and beyond . Nominee, 52nd Annual GRAMMY© Awards Best Classical Crossover Album Best Engineered Album, Classical NPR Weekend Edition, Sunday January 31, 2010 The Philadelphia Orchestra, Stewart Goodyear, David Bilger, Christoph Eschenbach "Piano Concerto No. 1 in C Minor, Op. 35" (mp3) from "Shostakovich: Piano Concertos Nos. 1&2" (The Philadelphia Orchestra) Buy at iTunes Music Store More On This Album Album Notes Composer: Shostakovich Piano Concerto Nos. 1 and 2 Composed in 1933 and 1957 Christoph Eschenbach: Conductor Steward Goodyear: Piano Recorded live October 13, 2006, Verizon Hall, The Kimmel Center for the Performing Arts It is not unusual for performers to play in challenging situations, however few situations are more challenging than the one captured on this recording. In a testament to his skill and artistry, Stewart Goodyear stepped in to play when the featured soloist for this concert canceled on the morning of the first rehearsal. Not only did Goodyear literally hop on a train to make it in time for an afternoon rehearsal, he stepped into the very challenging programmed repertoire without blinking. Two Shostakovitch Concertos on one program? No problem - and they are played with such passion and excitement that it was rightfully lauded in the press as one of the best concerts in recent memory. PRODUCTION CREDITS Producer: Charles Gagnon Balance Engineer: Charles Gagnon Recording Engineer: Charles Gagnon Editor: Charles Gagnon Christoph Eschenbach Bio Photo: Jessica Griffin Stewart Goodyear Bio Photo: Andrew Garn The Philadelphia Orchestra, Christoph Eschenbach "Symphony No. 9 in D Minor, Op. 125 "Choral"" (mp3) from "Beethoven: Symphony No. 9" (The Philadelphia Orchestra) Buy at iTunes Music Store More On This Album Symphony No. 9 in D minor, Op. 125 (ìChoralî) Composed from 1822-24: Ludwig van Beethoven Recorded live May 20, 2006, Verizon Hall, The Kimmel Center for the Performing Arts This is part of Christoph Eschenbach's 2005-06 season Beethoven cycle with the Philadelphia Orchestra. It was originally aired on NPR's Performance Today in a Beethoven "marathon" of consecutive symphonies, and has received wide public and critical acclaim. Of the three in the recorded history of The Philadelphia Orchestra, only the Eschenbach and the Muti are currently available. Album Notes Christoph Eschenbach Conductor Marina Mescheriakova Soprano Jill Grove Mezzo-soprano Vinson Cole Tenor Alan Held Bass-baritone The Philadelphia Singers Chorale David Hayes Music Director | 20 1 10 | Free | View In iTunes |
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CleanMaestro 011: feat. Apolkalypse Now’s new album Polkastra! | Polkastra from "Apolkalypse Now" (Ancalagon LLC) Buy at iTunes Music Store More On This Album Polkastra An eclectic and international cast of characters including a Canadian folk fiddler, the Met's contrabassoonist, an Israeli accordionist and percussionist, a jack-of-all-trades bassist, a French Horn playing record store clerk and an internationally renowned violin soloist met in a New Jersey studio to record a polka album just for fun. An idea that began as a lark quickly grew into an eccentric, virtuosic and energetic exploration of the roots of polka: folk, country, classical and jazz. Polkastra is a unique world music project that celebrates both the joy of music and the power of dance to unite cultures. From the American Midwest and the North of Canada to the mountains of Bohemia and the deserts of Israel - Apolkalypse Now poses the important question "Would you like sauerkraut, poutine, goulash or hummus with that?" http://www.facebook.com/pages/Polkastra/85797268829 http://www.polkastra.com Ama Deus Ensemble, Valentin Radu from "Beethoven: Symphony No. 9 & Die Ruinen von Athen" (Lyrichord) Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody More On This Album The Symphony No. 9 in D minor, Op. 125 “Choral” The last complete symphony composed by Ludwig van Beethoven. Completed in 1824, the Ninth Symphony is one of the best-known works of the Western repertoire, considered both an icon and a forefather of Romantic music, and one of Beethoven's greatest masterpieces. The composer struggled for more than ten years before completing the work, and turned to the mighty Missa Solemnis while he considered his final symphony. Using voices in an orchestral symphony had never been attempted before. Beethoven finally decided to incorporate part of the Ode an die Freude (“Ode to Joy”), a poem by Friedrich Schiller, with text sung by soloists and a chorus in the new symphony's last movement. It is, indeed, the first example of a major composer using the human voice on the same level with instruments in a symphony, creating a work of a grand scope that sets the tone for the Romantic symphonic form. Ludwig van Beethoven (1770-1827) Smetana Quartet from "Beethoven: String Quartets Nos 11-16 incl. Grosse Fuge / Smetana Quartet" (Supraphon Music a.s.) Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody More On This Album Album Notes Smetana Quartet Plays Late Beethoven (3 CDs) L. van Beethoven: String Quartets No. 11 in F minor, Op. 95, No. 15 in A minor, Op. 132, No. 14 in C sharp minor, Op. 131, No. 12 in E flat major, Op. 127, No. 13 in B-flat major, Op. 130, Grosse Fuge in B flat major, Op. 133, No. 16 in F major, Op. 135 The Smetana Quartet (1945-1989) played Beethoven's quartets 1490 times over the course of their career! The recordings which make up this complete collection are from the years 1961-70, and the performances were played from memory! The recordings glow with youthful energy and tireless searching. The Smetana Quartet has been called perhaps the best ensemble of the years 1960-80. London Symphony Orchestra, Bernard Haitink from "Beethoven: Symphonies Nos. 4 & 8" (LSO Live) Buy at iTunes Music Store Buy at eMusic Buy at Rhapsody Stream from Rhapsody Buy at Amazon MP3 More On This Album Symphony No. 8 in F Major, Op. 93 The work was begun in the summer of 1812, immediately after the completion of the Seventh Symphony. At the time Beethoven was 41 years old. As Antony Hopkins has noted, the cheerful mood of the work betrays nothing of the grossly unpleasant events that were taking place in Beethoven's life at the time, which involved his interference in his brother Johann's love life. The work took Beethoven only four months to complete, and was dedicated to the banker Count Moritz Fries, who, according to Karl Holz, paid Beethoven a regular subsidy for some years until his bankruptcy in 1825. The premiere took place | 7 8 09 | Free | View In iTunes |
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CleanMaestro 010: feat. Indie Classical Artists | George Zacharias "Nel cor pi√π non mi sento, Op. 38, MS 44" (mp3) from "Unaccompanied" (Divine Art) Buy at iTunes Music Store Buy at Rhapsody More On This Album Artist: George Zacharias It takes a particular and extreme level of skill and dedication to perform virtuoso works for unaccompanied solo violin; suffice it to say these are qualities held by George Zacharias without doubt. This is a tour-de-force of musicianship and technique - and wonderful music too. Bartok's Sonata is presented in its original version and of the two awesome Paganini works, the 'God Save the King' Variations are very rarely heard. Dejan Laziƒ?, London Philharmonic Orchestra, Kirill Petrenko "Concerto No. 2 in C Minor, Op. 18" (mp3) from "Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18 - Moments Musicaux, Op. 16" (Channel Classics Records) Buy at iTunes Music Store Buy at Rhapsody Buy at Napster More On This Album Artist: Dejan Lazic Pianist Dejan Lazic was born in Zagreb, Croatia, and grew up in Salzburg where he studied at the Mozarteum. He is quickly establishing a reputation worldwide as ìa brilliant pianist and a gifted musician full of ideas and able to project them persuasivelyî (Gramophone). The New York Times hailed his performance as ìfull of poetic, shapely phrasing and vivid dynamic effects that made this music sound fresh, spontaneous and impassionedî. As recitalist and soloist with orchestra, he has appeared at major venues in Berlin, Paris, London, Vienna, New York, Chicago, Tokyo, Buenos Aires and Sydney, and at the Edinburgh, Schleswig-Holstein, Verbier, Huntington and Menuhin/Gstaad Festivals. In the 2006/2007 season he gave his debut at the New York Lincoln Center and the Amsterdam Concertgebouw to great critical acclaim. Orchestral engagements included the Philharmonia Orchestra London with Vladimir Ashkenazy, Rotterdam and Hong Kong Philharmonic Orchestras, Australian and Netherlands Chamber Orchestras, Danish Radio Sinfonietta and Bamberg Symphony Orchestra. Upcoming engagements are with London Philharmonic Orchestra and Kirill Petrenko, Swedish Radio Symphony Orchestra, Atlanta and Indianapolis Symphony Orchestras and Basel Chamber Orchestra. He will be in season 2008/09 ìartist in residenceî at the Netherlands Chamber Orchestra. He has a growing following in the Far East where he returns in spring 2008 for engagements with the Sapporo Symphony and for recitals in Tokyo and Beijing as well as for an engagement with Seoul Philharmonic Orchestra. In 2009 a national Australian tour is planned with the Australian Chamber Orchestra. In the next season he will appear in recitals at the BBC Belfast, in Istanbul and Salzburg, Queen Elisabeth Hall London and at Vienna Musikverein to mention just a few. Alongside his solo career, Dejan Lazic is also a passionate chamber musician. He collaborates with artists such as Benjamin Schmid, Thomas Zehetmair, Gordan Nikolic and Richard Tognetti. Dejan records exclusively for Channel Classics. In autumn 2007 the first publication of the double portrait series with a Scarlatti/Bartok program is planned. The second CD will be released in 2008 with a Schumann/Brahms program as well as a recording of the Khachaturian Concerto and the Rachmaninov Paganini Rhapsody with the Bamberg Symphony Orchestra and a CD with the London Philharmonic Orchestra and the Rachmaninov Concerto No. 2. His last recording of Schubertís sonata D960 and his earlier one with Beethoven Piano Concerto No. 2 have earned rave reviews. His compositions include various chamber music and orchestral works. In 2007/08 he will premiere his ìKinderszenenî op. 15 for piano solo. Album Notes: You're going to compose your concerto. You will work with great ease. The concerto will be of excellent quality So spoke Dr. Nikolai Dahl, of one of the pioneers of psychiatry in Russia, and in this way he successfully restored Sergey Rachmaninov's concentration during a period of creative desp | 17 6 09 | Free | View In iTunes |
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CleanMaestro 009: feat. Indie Classical Artists-String Soloists | Fabio Biondi "Les Quatre Saisons (L'Ete)" (mp3) from "Violon X" (Naive) Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody More On This Album Fabio Biondi – violin: Born in Palermo, Fabio Biondi began his international career at the age of twelve, performing his first solo concert with the RAI symphony orchestra. Driven early on by an inexhaustible cultural curiosity, Fabio Biondi was introduced to pioneers of the new approach to baroque music, an opportunity that was to expand his musical vision and change the direction of his career. In 1990, Fabio Biondi founded Europa Galante, an ensemble which, in just a few years thanks to their worldwide concert schedule and extraordinary recording successes, became the most internationally renowned and awarded Italian ensemble of baroque music. Fabio Biondi and his ensemble have been invited to play at the most important world festivals and concert halls, from La Scala in Milan to the Accademia di Santa Cecilia in Rome, the Suntory Hall in Tokyo, the Concertgebouw in Amsterdam, the Royal Albert Hall in London, the Musikverein in Vienna, the Lincoln Center in New York and the Sydney Opera House. Lara St. John, The Simón BolÃvar Youth Orchestra of Venezuela, Eduardo Marturet (Ancalagon LLC) Lara St. John, The Sim√≥n Bol√≠var Youth Orchestra of Venezuela, Eduardo Marturet from "Vivaldi: The Four Seasons - Piazzolla: The Four Seasons of Buenos Aires" (Ancalagon LLC) Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody More On This Album Lara St. John – violin: http://www.larastjohn.com/index.php Canadian-born violinist Lara St. John has been described as "something of a phenomenon" by The Strad and a “high-powered soloist” by the New York Times . She has performed as soloist with the orchestras of Cleveland, Philadelphia, Minnesota, Seattle, Brooklyn, Toronto, Montreal, Vancouver, the Boston Pops and many more in North America. In Europe, she has played with the NDR Symphony (Hanover), Zurich Chamber Orchestra, Ensemble Orchestral de Paris, Bournemouth Symphony and the Amsterdam Symphony, among others. In Asia, solo appearances have included the Hong Kong Symphony, Tokyo Symphony, China Philharmonic in Beijing, Guangzhou Symphony and the Shanghai Broadcasting Orchestra. Lara has also performed with the Queensland Orchestra in Australia. The Los Angeles Times has written, “St. John brings to the stage personal charisma, an unflagging musical imagination and genuine passion.” Recitals in major concert halls have included New York, Boston, San Francisco, Ravinia, Washington DC, Prague, Berlin, Toronto, Montreal and in the Forbidden City. To learn more about Lara check out her website! Sara Sant'Ambrogio "Suite No. 3 in C Major, BWV 1009" (mp3) from "Bach: Suites for Solo Cello, Vol. 1" (Sebastian Records) Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody More On This Album Sara Sant'Ambrogio – cello: Grammy Award-winning cellist Sara Sant'Ambrogio first leapt to international attention when she won a medal at the Eighth International Tchaikovsky Violoncello Competition in Moscow, Russia. As a result of this prize, Carnegie Hall invited Sara to perform a recital that was televised nationally, as a part of a CBS News profile. The New York Times described her New York debut as “sheer pleasure”. Sara has appeared as soloist with many orchestras, including Atlanta, Boston, Chicago, St. Louis, San Francisco, Prague Chamber Orchestra, Beijing Philharmonic, and Moscow State Philharmonic. She has performed throughout the world at most of the major music festivals and centers such as Aspen, Concertgebouw in Amsterdam, Hollywood Bowl, Kennedy Center, Lincoln Center, Musikverein in Vienna, Marlboro, Great Mountain in Korea, and Orchard and Suntory Halls in Tokyo. As well as being featured in a broad range of international press, including Vanity Fair, Marie Claire, Glamour, The Wal | 22 5 09 | Free | View In iTunes |
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CleanMaestro 008: feat. Impressionistic Piano Works, Part 1 | Maestro 008: feat. Impressionistic Piano Works, Part 1 1. Anthony Goldstone "The Bumble Bee" (mp3) from "A Night at the Opera - Liszt, Gluck, Chopin, et al." (Divine Art) Buy at iTunes Music Store Buy at Rhapsody Buy at Napster Buy at appliedSB / Groupietunes Buy at Puretracks Buy at mTraks More On This Album "Flight of the Bumblebee" is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. The piece closes Act III, Tableau 1, right after the magic Swan-Bird gives Prince Gvidon Saltanovich (the Tsar's son) instructions on how to change into an insect so that he can fly away to visit his father (who does not know that he is alive). Although in the opera the Swan-Bird sings during the first part of the "Flight", her vocal line is melodically uninvolved and easily omitted; this feature, combined with the fact that the number decisively closes the scene, made easy extraction as an orchestral concert piece possible. Nicolas Rimsky-Korsakov was a Russian composer, and a member of the group of composers known as "The Five." Noted particularly for a predilection for folk and fairy-tale subjects as well as his extraordinary skill in orchestration, his best known orchestral compositions—Capriccio espagnol, Russian Easter Festival Overture, and the symphonic suite Scheherazade—are considered staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. 2. Marzia Ragazzoni, Fabiana Ragazzoni "Dalle Sei Burlesken, Op. 58 per pianoforte a quattro mani" (mp3) from "Cuore Ragione Ironia" (Materiali Sonori) Buy at iTunes Music Store Stream from Rhapsody More On This Album Max Reger was a German composer, conductor, pianist, organist, and teacher. During a composing life of little more than 25 years, Reger produced an enormous output in all genres, nearly always in abstract forms, although few of his compositions are well known today. Many of his works are fugues or in variation form, including what is probably his best known orchestral work, the Variations and Fugue on a Theme by Mozart (based on the opening theme of Wolfgang Amadeus Mozart's Piano Sonata, K. 331). He also wrote a large amount of music for organ, including the Fantasy and Fugue on BACH (this piece, based on the BACH motif, is considered one of the most difficult and demanding in organ literature). He was particularly attracted to the fugal form his entire life, once remarking: "Other people write fugues - I live inside them". He composed music in virtually every genre—opera being a notable exception. | 17 4 09 | Free | View In iTunes |
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CleanMaestro 007: feat. Tchaikovsky and J.S. Bach. Nutcracker Ballet Suite and Christmas Oratorio | Maestro Classical podcast: episode 7, a holiday celebration feat. Tchaikovsky and J.S. Bach. 1. The London Symphony Orchestra "Nutcracker Ballet Suite: Waltz Of The Flowers" (mp3) from "Tchaikovsky: Nutcracker Suite / 1812 Overture" (Everest Records) Pyotr Ilyich Tchaikovsky was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold C. Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony. Despite the compositional efforts of The Five, Tchaikovsky dominates 19th century Russian music as its greatest talent. While his formal conservatory training instilled in him Western-oriented attitudes and techniques, his essential nature, as he always insisted, remained Russian. This was true both in his use of actual folk song and his deep absorption in Russian life and ways of thought. His natural gifts, especially for melody (what he called the "lyrical idea"), give his music a permanent appeal. However, it was his hard-won though secure and professional technique, plus his ability to use it for the expression of his emotional life, which allowed him to realize his potential more fully than any of his major Russian contemporaries. The Nutcracker is one of Tchaikovsky's best known works. While it has been criticized as the least substantial of the composer's three ballets, it should be remembered that Tchaikovsky was restricted by a rigorous scenario supplied by Marius Petipa. This scenario provided no opportunity for the expression of human feelings beyond the most trivial and confined Tchaikovsky mostly within a world of tinsel, sweets and fantasy. Yet, at its best, the melodies are charming and pretty, and by this time Tchaikovsky's virtuosity at orchestration and counterpoint ensured an endless fascination in the surface attractiveness of the score. The Nutcracker, Op. 71, is a fairy tale-ballet in two acts, three scenes, by Pyotr Ilyich Tchaikovsky, composed in 1891–92. Alexandre Dumas père's adaptation of the story "The Nutcracker and the Mouse King" by E.T.A. Hoffmann was set to music by Tchaikovsky (written by Marius Petipa and commissioned by the director of the Imperial Theatres Ivan Vsevolozhsky in 1891). In Western countries, this ballet has become perhaps the most popular ballet, performed primarily around Christmas time. The composer made a selection of eight of the more popular numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, intended for concert performance. The suite was first performed, under the composer's direction, on 19 March 1892 at an assembly of the St. Petersburg branch of the Musical Society[1]. The suite became instantly popular; the complete ballet did not achieve its great popularity until around the mid-1960s. Among other things, the score of The Nutcracker is noted for its use of the celesta, an instrument that the composer had already employed in his much lesser known symphonic ballad The Voyevoda (premiered 1891).^ Although well-known in The Nutcracker as the featured solo instrument in the "Dance of the Sugar Plum Fairy" from Act II, it is employed elsewhere in the same act. Buy at iTunes Music Store Buy at eMusic Buy at Amazon MP3 More On This Album 2. The London Symphony Orchestra "Nutcracker Ballet Suite: Dance Of The Sugar Plum Fairy" (mp3) from "Tchaikovsky: Nutcracker Suite / 1812 Overture" (Everest Records) More On This Album 3. Boston Bach Ensemble "Chorus: Jauchzet, frohlocket" (mp3) from "J.S. Bach: Weihnachts-Oratorium - Christmas Oratorio, BWV 248" (Musica Omnia) The greatest musical setting of the Christmas story, compiled by Johann Sebastian Bach in 1734. Based on the Gospel of St. Luke, the text describes the nativity of Jesus and is adorned by some of Bach's most colourful and beautiful music. In modern performance, the piece is generally either pr | 4 12 08 | Free | View In iTunes |
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CleanMaestro 006 feat. Johann Sebastian Bach, Lara St. John, & Trevor Pinnick | Maestro Classical podcast - episode 006: Johann Sebastian Bach feat. Lara St. John & Trevor Pinnick Johann Sebastian Bach: (from Wikipedia.org) (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France. Lara St. John "Bach: The Six Sonatas & Partitas for Violin Solo" (Ancalagon) ALBUM NOTES Sei Solo a Violino senza Basso accompagnato (Six Solos for Violin without accompanying Bass) Completed: Cöthen, 1720 According to the date he inscribed on the title page of the manuscript, Johann Sebastian Bach completed his Six Solos for Violin without accompanying Bass sometime in 1720. On 21 March of that year, he turned 35. Already a father of four, for the past two and a half years Bach had been harpsichordist and director of the elite chamber orchestra at the court of the Prince of Cöthen. Bach reportedly "dearly loved" his employer, the young Prince Leopold (1694-1728), who was not only a committed music-lover but himself a keen amateur performer, and even occasionally a composer, who, according to Bach, "loved and understood" the art. And, as one of Leopold's best-paid court functionaries, Bach was highly valued in return. In May of that year, when the prince set out for his annual summer "rest cure" in the Bohemian spa town of Carlsbad (Karlovy Vary), his harpsichordist Bach, went with him, along with five other leading members of the court band. Away from his home, young family, and usual court responsibilities for almost two months at a time, Bach evidently made good compositional use of such relatively carefree summers as that of 1720, as he did of his time at Cöthen. In the space of less than six years residence at the court (from December 1717 to May 1723), Bach rolled out a dazzling stream of masterpieces across a no less amazing range of instrumental genres. The six Brandenburg Concerti (BWV 1046-1051), the crème of his new orchestral compositions for the Cöthen band, were finished in fair copy on 24 March 1721. The first volume of the Well-Tempered Clavier (BWV 846-869) was probably largely completed during 1722. The parallel sets of 15 Inventions (BWV 772-786) and 15 Sinfonias (BWV 787-801) date, like the violin Solos, from the very middle of his Cöthen stay, flanked in the years on either side, respectively, by the six English Suites (BWV 806-811) and six French Suites (BWV 812-817). From Cöthen, too, came the only other set of instrumental pieces that challenges the violin Solos on the grounds of sheer oddity: the Six Suites for Solo Cello (BWV 1007-1012), likewise scored without accompanying Bass. 1. Lara St. John "Partita No. 1 in B minor BWV 1002 (Corrente/Double)" (mp3) from "Bach: The Six Sonatas & Partitas for Violin Solo" (Ancalagon LLC) Buy at iTunes Music Store Buy at eMusic Stream from Rhapsody Buy at Amazon MP3 More On This Album 2. Lara St. John "Partita No. 2 In D minor, BWV 1004 (Sarabanda)" (mp3) from "Bach: The Six Sonatas & Partitas for Violin Solo" (Ancalagon LLC) Buy at iTunes Music Store Buy at eMusic Stream from Rhapsody Buy at Amazon MP3 More On This Album 3. Lara St. John "Partita No. 3 In E Major, BWV 1006 (Preludio)" (mp3) from "Bach: The Six Sonatas & Partitas for Violin Solo" (Ancalagon LLC) Buy at iTunes Music Store Buy at eMusic Stream from Rhapsody Buy at Amazon MP3 More On This Album Trevor Pinnick "Bach: Six Concertos for the Margrave of Brandenburg" ALBUM NOTES The Brandenburg Concertos While we know that Bach finished a sumptuous manuscript of six concertos (for 'plusieurs I | 6 11 08 | Free | View In iTunes |
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CleanMaestro 005 feat. Ludwig van Beethoven | Maestro Classical Podcast: episode 5 feat. Ludwig van Beethoven, movements from Symphonies No. 1, 5, & 9. Ludwig van Beethoven (16 December 1770 – 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time. Born in Bonn, he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gained a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose, and to conduct and perform, even after he was completely deaf. This is Symphony No. 1 in C Major, Opus 21. It was written in 1799 - 1800 and was premiered April 2, 1800 in Vienna, and is dedicated to Baron Gottfried van Swieten, an early patron of the composer. Here, the 3rd movement is performed by the USSR State Symphony, conducted by Konstantin Ivanov. Konstantin Ivanov "Symphony No. 1 in C Major, Op. 21" (mp3) from "Beethoven: Symphony No. 1, The Creatures of Prometheus Overture" (MUSIC ONLINE) Buy at iTunes Music Store Buy at Napster More On This Album Symphony No. 5 in C minor, Op. 67 was written in 1804 - 08. This symphony is one of the most popular and well-known compositions in all of European classical music, and is also one of the most often-played symphonies. First performed in Vienna's Theater an der Wien in 1808, the work achieved its prodigious reputation soon afterwards. The symphony, and the four-note opening motif in particular, are well known worldwide, with the motif appearing frequently in popular culture, from disco to rock and roll, to appearances in film and television. The Fifth stands with the Third Symphony and Ninth Symphony as the most revolutionary of Beethoven's compositions. Here, the first movement is performed by the Milwaukee Symphony Orchestra, conducted by Andreas Delfs. Milwaukee Symphony Orchestra & Andreas Delfs "Beethoven: Symphony No. 5" (mp3) from "Beethoven: Symphony No. 5" (MSO Classics) Buy at iTunes Music Store Stream from Rhapsody Buy at Amazon MP3 More On This Album Symphony No. 9 in D minor, Op. 125 "Choral" is the last complete symphony composed by Ludwig van Beethoven. Completed in 1824, it is considered both an icon and a forefather of Romantic music, and one of Beethoven's greatest masterpieces. It incorporates part of the poem "Ode to Joy" by Friedrich Schiller, written in 1785, with text sung by soloists and a chorus in the last movement. It is the first example of a major composer using the human voice on the same level with instruments in a symphony, creating a work of a grand scope that set the tone for the Romantic symphonic form. Further testament to its prominence is that an original manuscript of this work sold in 2003 for $3.3 million USD at Sotheby's, London. Stephen Roe, the head of Sotheby's manuscripts department, described the symphony as "one of the highest achievements of man, ranking alongside Shakespeare's Hamlet and King Lear." Here, the final movement is performed by Ama Deus Ensemble, conducted by Valentin Radu. Ama Deus Ensemble, Valentin Radu "Symphony No. 9 in D Minor, Op. 125 - "Choral"" (mp3) from "Beethoven: Symphony No. 9 & Die Ruinen von Athen" (Lyrichord) Buy at iTunes Music Store Buy at Napster Stream from Rhapsody More On This Album | 16 10 08 | Free | View In iTunes |
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CleanMaestro - 004 feat. Mozart's "Requiem" and Shostakovich's "Symphony No. 5 in D Minor, Op. 47" | Maestro Classical Podcast: Episode 4 feat. Mozart's "Requiem" and Shostakovich's "Symphony No. 5 in D Minor, Op. 47". 1. Sir Colin Davis, London Symphony Orchestra "Requiem" (mp3) from "Mozart: Requiem" (LSO Live) Buy at iTunes Music Store More On This Album 2. Chicago Symphony Orchestra "Symphony No. 5 in D Minor, Op. 47" (mp3) from "CSO Resound / Shostakovich: Symphony No. 5" (CSO Resound) Buy at iTunes Music Store Stream from Rhapsody Buy at Amazon More On This Album | 5 9 08 | Free | View In iTunes |
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CleanMaestro - 003: Austrian composers part I - Anton Bruckner | Austrian composers part 1: Anton Bruckner. 1. Milwaukee Symphony Orchestra & Andreas Delfs "Bruckner: Symphony No. 4" (mp3) from "Bruckner: Symphony No. 4" (MSO Classics) Buy at iTunes Music Store Buy at eMusic Buy at Amazon More On This Album 2. Carl Schuricht "Symphony No. 9 D minor" (mp3) from "Anton Bruckner: Symphony No.8 / No.9" (haenssler CLASSIC) Buy at iTunes Music Store Buy at eMusic Stream from Rhapsody Buy at Amazon More On This Album | 1 8 08 | Free | View In iTunes |
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CleanMaestro - 002: French Composers Part II - Piano Works | 1. Sviatoslav Richter, Kirill Kondrashin, Camille Saint-Saëns, Moscow Youth Orchestra "Piano Concerto No. 5 in F Major, Op. 103" (mp3) from "Saint-Saëns: Piano Concerto No. 5" (MUSIC ONLINE) Buy at iTunes Music Store Buy at Napster Buy at Amazon More On This Album 2. Jean-Pierre Ferey, Laurent Boukobza "Âmes d'enfant (Children's Souls)" (mp3) from "Ladmirault, Fauré, Cras, Ravel: Piano Works for Four Hands" (SKARBO) Buy at iTunes Music Store Buy at Napster Buy at mTraks Download More On This Album | 11 7 08 | Free | View In iTunes |
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CleanMaestro - 001: French Composers - Debussy, Rameau | 1. Elaine Comparone, Marsha Heller, Peter Seidenberg "Concert 1 - La Coulicam" (Jean-Philippe Rameau: Pieces de Clavicin en Concert) [Lyrichord Early Music Series] Elaine Comparone, Marsha Heller, Peter Seidenberg "Concert 1- La Coulicam" (mp3) from "Jean-Philippe Rameau 1683-1764: Pieces de Clavicin en Concert (1741)" (Lyrichord Early Music Series) Buy at iTunes Music Store Buy at eMusic Buy at Rhapsody Buy at Napster Stream from Rhapsody Buy at Amazon Buy at GroupieTunes Buy at mTraks Download More On This Album 2. Royal Concertgebouw Orchestra, Mariss Jansons "La mer, trois esquisses symphoniques"[RCO Live] Royal Concertgebouw Orchestra, Mariss Jansons "La mer, trois esquisses symphoniques" (mp3) from "Debussy: La mer, trois esquisses symphoniques - Dutilleux: L'Arbre des songes - Ravel: La valse, poème chorégraphique" (RCO Live) Buy at iTunes Music Store More On This Album | 6 6 08 | Free | View In iTunes |
| Total: 34 Episodes |
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