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Are You Ready

Blue Rodeo

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Album Review

The Canadian band's tenth studio album follows 2002's Palace of Gold, which found Blue Rodeo reinvigorated and ready to occasionally break out of the country-pop-rock mold that they are inextricably linked to. The ostentatious horns and strings of the group's previous release are gone (except for the stray solo trumpet on the closing two tracks), replaced with a British Invasion feel for the opening cuts. But after the twangy guitars appear on the third song, Rodeo play to their strengths. That's not a bad thing, though, as both founding guitarist/vocalists Greg Keelor and Jim Cuddy have crafted some particularly earnest and soulful country-rock that stands with their best work. Cuddy's clean-cut, ageless voice, somewhat similar to Jackson Browne, sounds terrific on strummy ballads such as "Great Lakes," "Rena," "Runaway Train," and the beautiful "I Will," all tunes that will sound familiar to established fans. Similarly, Keelor's "Stuck on You," "Up That Cloud," and "Phaedra's Meadow" glow with his traditional scruffy, moody resignation, highlighted by Paddy Malone's somber tin whistle and Uilleann pipes on the latter. His epic for the album is the six-plus-minute "Tired of Pretending," a somber piece that grows in edgy intensity and volume as it progresses, with Keelor shifting from a whisper to a hoarse howl. It's the opening songs that signal the most distinctive break with Blue Rodeo tradition, as both "Can't Help Wondering Why" and the title track tap into retro British Invasion territory with tough garage rocking results, somewhat like what Tom Petty occasionally plays. Ultimately, though, this is another in a long line of quality Blue Rodeo albums that takes enough chances to keep the band from getting stale while also staying the course. It may not win many new listeners but will please the group's existing admirers, and it provides Blue Rodeo with a handful of tracks that are as powerful and moving as anything in their extensive catalog.

Customer Reviews

Better than the radio gives it credit for

Listening to the local rock and pop stations, I heard just about none of this new album. This has been par for the course with recent Blue Rodeo albums and I have to admit, sometime's they are hit or miss. This album is a hit. It took the horn experimentation from Palace of Gold and did it right. Yet another Blue Rodeo reinvention, but at the same time it still sounds familiar. Like "The Days in Between" I think this album is an overlooked gem. And my fiancée agrees. Having said that, it is certainly nowhere near as perfect as Five Days in July. If you buy nothing else, get "Tired of Pretending." Greg Keelor in his best performance since "Diamond Mine."

Breaking Hearts

Blue Rodeo is in a comfortable place. Their new record sounds like a band sure of itself, relaxed and having fun. Jim Cuddy’s romantic love letters to family and friends abound on this disc. Jim’s sweetness is tempered by Greg Keeler’s laments for friends and lovers going and gone. There is a simpleness, and openness to the arrangements that we haven’t heard since Five Days in July. The band paints beautiful melodies and solos using pedal steel, 12 string guitars, tin whistle, trumpets, harmonica, ride cymbal and a pump organ to gently support each song. We’re not breaking new ground here, but it will break a few hearts.

Biography

Formed: 1985 in Toronto, Ontario, Canada

Genre: Rock

Years Active: '80s, '90s, '00s, '10s

Canada's most popular roots rock band, Blue Rodeo, became a veritable institution in their home country, although they never quite moved beyond cult status in the U.S. Their sound was a basic blend of country, folk, and rock, but with a definite pop appeal that underlined their devotion to later-period Beatles, in addition to expected touchstones like Gram Parsons, Bob Dylan, and the Band. Consistency was the hallmark of Blue Rodeo's output, both in terms of sound (which followed much the same blueprint...
Full bio

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