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Axis Of Evol

Pink Mountaintops

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Album Review

Lo-fi indie rock is alive and well in 2006, as evidenced by the arrival of the sophomore effort by Pink Mountaintops, Axis of Evol. Stephen McBean returns once more with a set of tracks that sound akin to an amalgamation of John Frusciante's early solo work and the great Skip Spence. McBean certainly has a thing for psychedelic sounds — it's hard not to listen to "Slaves" and not feel like you're about to start hallucinating yourself, while "Cold Criminals" brings to mind the Velvet Underground. But it's not a retro sound that Pink Mountaintops specialize in entirely, as evidenced by the electro beats on "Lord Let Us Shine," and the Sonic Youth-like guitar strumming on "New Drug Queens." And you can't get more minimalist and melancholy than on both the album opening and closing tracks, "Comas" and "How We Can Get Free," respectively. It's good to see that there are still artists out there who march to the beat of their own drummer, and could care less about penning songs in hopes of landing a beer commercial. And for that, you are certainly applauded, Mr. McBean.

Biography

Formed: 2003 in Vancouver, British Columbia, Cana

Genre: Alternative

Years Active: '00s

The "trippy country meets stoner rock" of Vancouver's Pink Mountaintops is the brainchild of Stephen McBean, who is also the singer/songwriter/guitarist for Black Mountain, which was formerly known as Jerk with a Bomb. McBean's solo project was also known by another name, One Easy Skag. He began playing with Jerk with a Bomb in the late '90s, and the band issued three albums and a 7" under that name. By late 2003, both Jerk with a Bomb and One Easy Skag were rechristened with their mountainous names,...
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Axis Of Evol, Pink Mountaintops
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