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Chulahoma

The Black Keys

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iTunes Review

Released between Rubber Factory and Magic Potion, the Chulahoma EP covers six songs written by Junior Kimbrough, the late Mississippi bluesman whom The Black Keys cite as a primary influence (they were on the Fat Possum label together for a time). As the Keys covered Kimbrough songs on each of their first two releases, this homage makes natural sense—yet the Keys still put their own twist on things. Rather than faithfully recreate Kimbrough’s versions, the duo taps into the feel and trace-like groove of the originals while injecting the sophisticated hard-rock crunch of Dan Auerbach’s guitar and Patrick Carney’s thundering drumming. Further setting the songs apart is the hazy production. Psychedelic touches (such as the swirling organ on “Have Mercy on Me,” the moody vibe of “Meet Me in the City,” and the creeping drone of “Junior’s Instrumentals”) do the songs justice while sounding definitively like The Black Keys. Even Auerbach’s soulful vocals tap into the lusty wail at the heart of Kimbrough’s music. Overall, it’s a worthy tribute from a band with the chops and sincerity to pull it off.

Customer Reviews

damn fine

uhh the other guy is too poetic about his love for the black keys i can't really compete with him.

Chulahoma

I first heard 'My Mind Is Ramblin'' on a university radio station in Calgary Alberta and ended up driving around for the duration of the song within a block radius of my house so that the minute it ended I could find out who the artist was and get right inside, buy it and listen to it again.

I was so impressed by the music that I ended up buying nearly the entire discography. It gives you the same sort of heady rush you got as a child when you were allowed to stay up late and listen to the adults talk over coffee. It makes you feel... not older, but wiser. The guitar speaks with the weight of earth behind it, a dirty, rusted sound that is a melodic representation of the collective experience of the earth. The drums are a blacksmiths hammer, taking the rawness of the earth and beating it into something to be wielded by man. At times the two could seem disconcordant but the vocals never let it happen, holding the three together like a holy trinity of disconcordant sound.

Overall the band is mesmerizing and this album in particular is as raw as war and as elegant as a spiderweb. A good thing it's the year it is, else you'd have to buy many cassettes as they'd be worn out one by one with use. Worth every penny and more.

yeah!

this is the best black keys album of all time in my opinion. blows all the others out of the water.

Biography

Formed: 2001 in Akron, OH

Genre: Alternative

Years Active: '00s, '10s

It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities — their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos — but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. But that’s not to say that the Black Keys are blues traditionalists: even on their 2002 debut, The Big Come Up, they covered the Beatles’ psychedelic...
Full bio

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