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Forever Young

Alphaville

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Album Review

Alphaville's 1984 debut, Forever Young, deserves to be viewed as a classic synth pop album. There's no doubting that Germans are behind the crystalline Teutonic textures and massive beats that permeate the album, but vocalist Marian Gold's impressive ability to handle a Bryan Ferry croon and many impassioned high passages meant the album would have worldwide appeal. Indeed both "Big in Japan" and the touching, sad change-of-pace "Forever Young" raced up the charts in multiple continents. Borrowing inspiration from Roxy Music's detached theatricality and Kraftwerk's beats and rhythms, Gold and company hit upon a magic formula that produced here an album's worth of impossibly catchy tunes that could almost serve as pure definitions for the synth pop genre. The hits race straight for one's cranium and embed themselves upon impact. "Big in Japan" feels like a more serious cousin to Murray Head's "One Night in Bangkok," as a slow-pounding beat spars with Gold's desperate voice. "Forever Young," a stark, epic song that would become essential for every post-1984 high school graduation, drips sadness and never fails to cause a listener to nostalgically reflect on life and loss. Outside of these hits, the remainder of the songs rarely falter, mixing emotion, theater, and of course electronics into a potent, addictive wave of synth euphoria. It's likely every fan could pick his own favorite of the other should-have-been-hits, but "Fallen Angel" deserves special mention. It begins with spooky, funny warbling and icy keyboards, and then explodes and transforms into a startling, romantic epiphany at the chorus. If its lyrics are a bit goofy or juvenile, it only adds to the heartfelt love the song expresses. Alphaville stick firmly to their synths and sequencers on Forever Young, but they keep things interesting by incorporating motifs from funk, Broadway, Brazilian jazz, and even hip-hop. Even when the band takes itself too seriously, the songs' catchy drive and consistently smart production cover any thematic holes. Forever Young is a technically perfect and emotionally compelling slice of 1980s electronic pop/rock music. It's also a wonderfully fun ride from start to finish.

Customer Reviews

Addictive

Back in 1984, this album was years ahead of its time. Totally listenable from start to finish, this is the only album I have purchased 4 times, 2x on vinyl, 1 x on cassette and finally CD. I wore out the vinyl and cassette versions. :) 5 stars!!!

Hey Wow!

Hey! I started watching synth pop on you tube for a kicks, but these guys really kick! I always though this sort of thing was lame, but wow! You cannot deny the catchy punch of these tracks.

synthtopia

This record is to synth pop what Autobahn is to 20 minute electronica songs about...autobahns...I listened to a lot of synth pop and, you know, a lot of it holds up really well, but Alphaville went a step beyond here with one of the finest pop records ever. It sounds even better today than it did then, and is really, like, you know, groovy, warm and rocking you like a hurricane baby!

Biography

Formed: 1983 in Munster, Germany

Genre: Pop

Years Active: '80s, '90s, '00s, '10s

German synth pop group Alphaville enjoyed major success in the United States with their early hits "Forever Young" and "Big in Japan," and went on to a lasting career in Europe, South America, and Asia. Alphaville were formed by vocalist and lyricist Marian Gold and keyboard player Bernhard Lloyd, both of whom were members of the Nelson Community, a multimedia art collective based in Berlin. Gold and Lloyd were part of a short-lived band called Chinchilla Green (other members went on to form the...
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Forever Young, Alphaville
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