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Album Review

Coming off their work on Dntel's beautiful This Is the Dream of Evan and Chan, Jimmy Tamborello and Death Cab for Cutie's Ben Gibbard team up again for their full-length debut as Postal Service, Give Up. Instead of covering that EP's territory again, with this album the duo crafts a poppier, new wave-inflected sound that recalls Tamborello's work with Figurine more than Dntel's lovely subtlety. However, Ben Gibbard's famously bittersweet vocals and sharp, sensitive lyrics imbue Give Up with more emotional heft than you might expect from a synth pop album, especially one by a side project from musicians as busy as Tamborello and Gibbard are. The album exploits the contrast between the cool, clean synths and Gibbard's all-too-human voice to poignant and playful effect, particularly on Give Up's first two tracks. "The District Sleeps Alone" bears Gibbard's trademark songwriting, augmented by glitchy electronics and sliced-and-diced strings, while "Such Great Heights"' pretty pop could easily appear on a Death Cab for Cutie album, minus a synth or two. Despite some nods to more contemporary electronic pop, Give Up's sound is based in classic new wave and synth pop, at times resembling an indie version of New Order or the Pet Shop Boys. Songs like "Nothing Better," a duet that plays like an update on Human League's "Don't You Want Me?," and the video-game brightness of "Brand New Colony" sound overtly like the '80s brought into the present, but the tinny, preset synth and drum sounds on the entire album recall that decade. Sometimes, as on "Recycled Air" and "We Will Become Silhouettes," the retro sounds become distracting, but for the most part they add to the album's playful charm. The spooky ballad "This Place Is a Prison" is perhaps the most modern-sounding track and the closest in sound and spirit to Gibbard and Tamborello's Dntel work. The crunchy, distorted beats and sparkling synths recall both This Is the Dream of Evan and Chan and Björk's recent work; indeed, this song, along with the "All Is Full of Love" cover Death Cab included on their Stability EP, could be seen as an ongoing tribute to her. Overall, Give Up is a fun diversion for Tamborello, Gibbard, and their fans. It doesn't scale the heights of either of their main projects, but it's far more consistent and enjoyable than might be expected.

Customer Reviews

addicted

Give Up is one of very few cd's i could put on repeat and listen to all day. I love the music, i love the lyrics and i love the uniqueness that is only the postal service. I recommend this cd to anyone who enjoys music in general because it is refreshingly good and one of a kind. If you hear one song you will want to hear them all, because beyond Give Up, all of their music is worth listening to and worth passing on to a friend. It always makes my day because it makes me think, but at the same time it's down to earth and makes perfect sense. Buying this cd will cost you a small fortune but it will be will worth your time to listen to over and over again because it is just that good!

Unbelievable....

What can I say? I was introduced to this group by my friend, Alex, back in the end of 2004 and all I can say is Thank You. This is one of the best albums i've ever heard. The songs are eeriely haunting. What really does it is Ben Gibbards voice and how melodic it sounds. The songs are soo captivating. I have yet to be bored with it and this is after a year and a bit of listening to it quite often. Highly recommended. If I could go more than 5 stars I would, it's that good. Buy it. You'll be happy you did.

Best Album of 2005 So Far

Too bad I didn't discover it when it was released. This album is so fantastic. I only got onto this after I saw the video. I thought Death Cab for Cutie was great, this is even better. Every single song is a sonic masterpiece.

Biography

Formed: 2001

Genre: Electronic

Years Active: '00s

Named for the courier service that allowed them to trade song ideas while living in different locales, the Postal Service were a short-lived supergroup featuring Jimmy Tamborello (leader of the electronica bands Dntel and Figurine) and Death Cab for Cutie's Ben Gibbard. Adding to the project's star status were Rilo Kiley's Jenny Lewis and former Tattle Tale member Jen Wood, both of whom contributed backing vocals to the band's mix of bubbling electronica and indie pop. Tamborello and Gibbard first...
Full bio

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