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Rubber Factory

The Black Keys

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iTunes Review

The Black Keys branch out on their third release. The songwriting on Rubber Factory is sharper, there’s more sonic variety, and all of their influences can be heard. The blues remain the foundation, but garage rock and shades of gritty R&B also erupt from their overheated amps. The Keys still stomp and shake like mad; they build on the ferocious attack of their first two releases, with Dan Auerbach’s heavy licks and Patrick Carney’s funky snare and cymbal shots as powerful as ever. Filthy hooks abound: just check out “10 A.M. Automatic,” “Just Couldn’t Tie Me Down,” and the slide guitar–driven “The Desperate Man” for starters. And for the first time in their discography, they deliver a ballad: “The Lengths,” a haunting track that combines acoustic guitar, lap steel, and unexpectedly tender vocals. The song also offers the space to take a breath, a dynamic luxury not available on The Big Come Up or Thickfreakness. Their spacious take on The Kinks’ “Act Nice and Gentle” is another surprise, and it's further proof that Auerbach is one dynamite singer. Three albums in, and The Black Keys are just getting better.

Customer Reviews

buy it now!

This album is amazing and should be a staple in anyones "good" music collection.

Diggity Nugz

This is easily one of the best albums in the last decade. However, that said you must like real drums and guitar as well as blues, 70's rock and classic sound. ie old tube amps, not much digital going on. Do yourself a favor buy it on a black disc thingy to truly enjoy this great sound. Nuff said!

Biography

Formed: 2001 in Akron, OH

Genre: Alternative

Years Active: '00s, '10s

It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities — their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos — but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. But that’s not to say that the Black Keys are blues traditionalists: even on their 2002 debut, The Big Come Up, they covered the Beatles’ psychedelic...
Full bio

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