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Shine Through (Bonus Track Version)

Aloe Blacc

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Album Review

The most frustrating thing about Aloe Blacc's debut solo album, Shine Through, is that it starts out with such amazing potential. Not a typical complaint, it's true, but the opener, "Whole World," with trip-hoppish beat blended with Blacc's smooth voice and the necessary neo-soul references to musical heroes (Marvin Gaye, Stevie Wonder, Ella Fitzgerald), is quite affecting, and it's followed by an even better track, an adaptation of Sam Cooke's "A Change Is Gonna Come" (titled "Long Time Coming" here) that sounds absolutely nothing like the original. Produced by Oh No, the song's a haunting mix of layered harmonies, drums, and hollow chimes, taking a classic and giving it a real modern and darker sensibility without losing any of the power found in Cooke's version. That's why it's so disappointing when Blacc slips into more generic sounding R&B. He's a talented musician, that much is clear — he handles almost all of the production (labelmate Madlib takes the reigns on "One Inna,") the instrumentation, and the vocals himself — and he proves this right away, and nothing on Shine Through is bad; it's just not as good as it initially seemed it was going to be. But should an artist be faulted for setting expectations that might never be reached, by teasing listeners with brilliance and then backing down? It's hard to say. Blacc still sounds great, there are a lot of good songs on Shine Through ("Busking" is another that comes to mind), and the production is superb and never predictable. He wears his Panamanian heritage proudly, and many of the tracks take a strong, if not explicit, Latin flavor (the two bonus tracks included are Palenque's "Severa" and an excellent Spanish-language cover of John Legend's "Ordinary People"). But he also shows himself to be human, especially lyrically, where he falls short more often than in other categories and doesn't end up creating an album made up of 16 excellent songs. Indubitably this is putting a lot of pressure upon the young artist, but only because he's hinted that he can handle it, that he can make something that really is that good. And he still might. Shine Through is only his first solo album, and so hopefully, by the time the next one comes out, he will have found a way to make it truly flawless.

Customer Reviews

Aloe Blacc Shines Through

The opening moments of Shine Through are a bit of a trick. The first song, "Whole World", starts with chilly, desolate keyboards, then a dash of sci-fi synths. It sounds like an iceberg-- an odd choice for one of the year's warmest albums. Aloe Blacc is a Southern California-born multitasker. He sings, raps, plays trumpet and piano on his formal solo debut-- sometimes all during the same song. And he's managed to weave his broad vision of music, encompassing salsa and broken-beat and hip-hop and 70s-style soul, into an optimistic, effervescent piece of bedroom studio miscellany. Twenty-seven-year-old E. Nathaniel Dawkins, best known as the rapping half of longtime hip-hop duo Emanon with DJ Exile, doesn't yet have the songwriting chops to sustain a sprawling 16-song effort like this, but his flashes of keen musical interpolation signal some sort of greatness. Whether turning Sam Cooke's "A Change Is Gonna Come" (here called "Long Time Coming") into a strung-out funhouse mirror cover or not getting caught up in the icky meta-ness of recording a song called "Busking" at a bus stop whilst busking, Blacc is clearly willing to take risks. But the post-salsa jaunt "Bailar-- Scene I" and "Patria Mia", a dedication to his parents' home country of Panama, are steeped in traditional styles, recorded without camp or irony. His admiration for institutions is audible. And "Nascimento (Birth)-- Scene II", an ode to Brazilian sweet-voiced samba icon Milton Nascimento, is a subdued forum for his majestic Terence Blanchard-esque trumpet playing. But this is more than that. The unadorned title track is more than just an interlude, it's the warning shot of a Mayfield-in-the-making, his stunning falsetto on full display despite bargain-basement recording. Aloe Blacc's really crept up on me this year, presenting himself at first as a genre oddball, unsure of where he wants to take his sound. Then he seemed merely an aesthete, unable to wrangle his loves into a cohesive whole. But time has uncovered a feeling composer unbound to the rigors of formatting. And while Shine Through has some fat on its edges, there's at least anticipation now for a new sort of soul artist.

Biography

Born: 1979 in Los Angeles, CA

Genre: R&B/Soul

Years Active: '00s, '10s

Born to Panamanian parents in Los Angeles in 1979, E. Nathaniel Dawkins (aka Aloe Blacc) first began playing trumpet in elementary school, and continued with the instrument throughout high school. There he also independently released Imaginary Friends, produced by DJ Exile, with whom he would go on to form the hip-hop group Emanon. While at college at USC, though his artistic endeavors were placed behind his scholastic goals, Aloe still managed to learn how to play the guitar and the piano, and after...
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Shine Through (Bonus Track Version), Aloe Blacc
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