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Working On a Dream (Deluxe Version)

Bruce Springsteen

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iTunes Review

Bruce Springsteen has it both ways here. He manages to speak for the tenor of the nation with the album's title track and attempts a western epic with the eight-minute "Outlaw Pete," but elsewhere dials down the drama with short, compact pop songs that enjoy their modest surroundings. Producer Brendan O'Brien keeps the band on a tight leash, marshalling a wall of sound that's dense with ringing guitars and stealth keyboards. Springsteen yearns for his younger days with the pangs of simple infatuation on "Queen Of the Supermarket" and offers basic platitudes for "What Love Can Do." In his desire to turn an album around quicker than he has in some time, he's left his lyrics a bit ragged, but makes up for it with an immediacy of tone. His confident vocals identify every track from the jaunty roadhouse jam of "Good Eye" to the somber crawl of "The Wrestler," featured in the Mickey Rourke film of the same name. "My Lucky Day," "Kingdom Of Days" and "Surprise, Surprise" sing out with a sincerity that recalls the AM guitar pop of the mid-'60s with Bruce looking back and figuring that some old- fashioned musical values might vault him ahead into the future.

Customer Reviews

THE BOSS KEEPS GETTING BETTER WITH AGE!!!!!

This album is a testament to the song writing skills of Bruce Springsteen!!!EXCELLENT body of work...Working On A dream and The Wrestler are true hits!!!!!!Can't wait to see the concert in May at Air Canada Centre in Toronto!!!!Way to go Bruce and congrats on the Golden Globe Award win for best song,The Wrestler!!!!

BRUCE PLAYS THE CANDY-COLOURED CLOWN

I enjoyed Bruce's bid to craft a Brian Wilson-style pop song on MAGIC's "Girls in Their Summer Clothes," but that was one stylistic indulgence on an otherwise traditional-sounding Springsteen album; throughout WORKING ON A DREAM, though, he sounds like someone trying awfully hard to sound like anyone but himself, as if to demonstrate that, like Billy Joel or Elton John, he can adopt any musical style and produce something catchy. That may be true, but it's a formulaic approach to songwriting and the final creation becomes more about 'product' than passion.

In that vein, then, we find Bruce mining the sound of The Mamas and the Papas and The Beach Boys (again!) with "This Life," early Elvis ("Tomorrow Never Knows"), and Roy Orbison (the title cut). On "Surprise Surprise" we even get a snatch of Bobby Sherman! All these songs are exquisitely crafted and executed with typical E-Street efficiency, but none are very personal, and Springsteen's greatest gift has always been his ability to make music his audience can relate to. The three-star rating I have given this release is really a nod to the crackling musicianship of the E-Street Band on display here; the songs themselves are kind of...weird ("Queen of the Supermarket?!"). Even opening rouser "Outlaw Pete," for all its epic production, sounds like the theme to a western parody; is Bruce just having us on?

Upon first listen, I can't tell if he's serious or not...

Biography

Born: September 23, 1949 in Freehold, NJ

Genre: Rock

Years Active: '70s, '80s, '90s, '00s, '10s

In the decades following his emergence on the national scene in 1975, Bruce Springsteen proved to be that rarity among popular musicians, an artist who maintained his status as a frontline recording and performing star, consistently selling millions of albums and selling out arenas and stadiums around the world year after year, as well as retaining widespread critical approbation, with ecstatic reviews greeting those discs and shows. Although there were a few speed bumps along the way in Springsteen's...
Full bio

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