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World Container

The Tragically Hip

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Album Review

World Container, the Tragically Hip's eleventh studio LP, finds the Canadian quintet going for their biggest sound to date. Sure, their previous two albums — 2002's In Violet Light and 2004's In Between Evolution — found the band experimenting with a larger guitar-driven sound, but not in the same way that World Container reaches for the brightest sound imaginable. This ten-song set comes off with as much fever as the band's live shows, and frontman Gordon Downie finally captures his bona fide rock star appeal as a performer on record! Songs such as "Yer Not the Ocean" and "In View" retain that intoxicating energy that's made the Tragically Hip one of the decade's favorite concert draws. Working with veteran rock producer Bob Rock (Mötley Crüe, Metallica), was one smart move. As he did with Mötley Crüe's Dr. Feelgood album, Rock zeroed in on what makes the Tragically Hip such a vital rock band — the dual guitar attack of Paul Langlois and Rob Baker, and Downie's clever and poetic state of mind as expressed in his singing — and drew it in, forcing the Tragically Hip to embrace a sonically richer sound while doing some soul searching for what rock & roll ultimately means to them. The swaggering hard rock leanings of "The Drop-Off" are as classic as anything from Day for Night, while gritty, anthemic moments like "The Kids Don't Get It" and "Luv (sic)" define the band's newfound rawness. "The Lonely End of the Rink," which debuted on Hockey Night in Canada one week prior to the album's Canadian release in October 2006, continues on that path with its U2-like, arena-sized guitar riffs, and Downie, too, has never sounded better. The poetic obliqueness that's carried his lyrics since the Tragically Hip's 1983 inception has obviously made him a Canadian celebrity, but Rock tossed such dramatics aside, encouraging Downie to really rip it all apart and say things in a more straightforward fashion. Getting back to a simple approach might have been a difficult find at first, but World Container does it all without losing sight of what the Tragically Hip have achieved in their 20-plus years in the business, once again solidifying their mark on alternative rock.

Customer Reviews

Best yet? - I wouldn't go that far..........

..........but I have to say that it is definately a improved effort over more recent Hip releases. I almost hesitated to write this at first since Hip albums have a way of growing on me (I didn't care for Day for Night at all at first). I'm sure this won't be an exception but what a start for the first listen. It might be said that this record is more consistant from beginning to end and works more like an old fasioned LP this time 'round, each song lending to the next. The band as a whole has come together, once again, to reveal for all what we Canadians have always known them to be, musical craftsman without comparison. A standout, for me, is "The Kid's Don't Get It" which somehow manages to bring across at least some of the energy that The Hip have always been able to bring to their live performances. It's another lyrical gem from Downie for sure. The best yet, probably not, but definately the best since Phantom Power at least. Give it a listen!

Back to the well

Solid clean vocals, tight, straight ahead drums, and the expected crisp guitar work that the Hip are famous for, but what really works is the feeing that the band has taken a fresh look at what makes them click as a group. It's nice to see a band not content with revisiting all of their previous work for inspiration (see- Nickleback) instead the confidence they show in experimenting with funk, reggea, and dare I say it a keyboard on a few tracks gives a new vibrancy to the CD that is surprising. Ultimatly what comes through is the musicianship and creativity of a bunch of guys have played together forever and have managed not to sound derivative of tired. This is a great band, and make no mistake, a band still creativiy and artisticly relivant and .progressive.

Band continues to develop

Once again the Hip manage to put out an album that I completely enjoy the first listen-through. While some bands start to get weak and unoriginal, the Hip are the opposite. They continue to try new things and for their fans, it works. Its refreshing to have a group like this that will consistently release new-sounding music with intelligent lyrics. Something new in this one is the use of the piano, which while sort of 'mellowing-out' a couple tracks, the Hip still do a good job of letting their rock roots through. My first impression - better than the previous 3 albums, their best since Phantom Power. Tracks to check out: Pretend, Rink (great lyrics), Yer Not The Ocean, and Fly (classic Downie)

Biography

Formed: 1983 in Kingston, Ontario, Canada

Genre: Rock

Years Active: '80s, '90s, '00s, '10s

Formed in 1983 in Kingston, Ontario, the Tragically Hip came together with childhood friends Gordon Downie (vocals), Bobby Baker (guitar), Paul Langlois (guitar), Gord Sinclair (bass), and Johnny Fay (drums). The bandmembers took their name from a Michael Nesmith video entitled Elephant Parts and focused on making a name for themselves in the local scene during the mid-'80s. While performing Toronto's Horseshoe Tavern, MCA Records president Bruce Dickinson was impressed by the Hip's infectious live...
Full bio

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