Classical: Solo/Chamber Music

Sometimes the simplest ideas can be the most beautiful. Whether it's the dancing tones of a lone oboe or the delicate finesse of a string quartet, it doesn't take a crowd to make great music. The evidence is here, as pianist Glenn Gould interprets J.S. Bach with customary brilliance, as do the Canadian Brass ("Goldberg Variations").

By virtue of intimacy, a solo performer or small ensemble can explore exquisite heights and soul-stirring depths that may be off limits to the massed ranks of an orchestra. Enjoy the virtuosity of these performances, like the delicate Chopin waltz played by pianist Vladimir Ashkenazy, or cellist Yo-Yo Ma's interpretation of Brahms.

Maestros of the piano usually exist in glorious isolation, alone under the spotlight. But Benjamin Frith and Peter Hill have formed an extraordinary piano partnership: Their four-handed version of Stravinsky's Rite of Spring is nothing less than sensational. Also cloaked in intricacy is the Classical guitar of Julian Bream.

The power of Classical music can be experienced in a number of ways. It's one thing to be awestruck by the overwhelming force of a full orchestra, yet quite another to be drawn — slowly but surely — into the intimate sphere of a soloist or chamber ensemble. Here, we've assembled a collection of pieces that showcase virtuosity and individual brilliance. Immerse yourself in our Essential melting pot of genius: be hypnotised by the cello of Mischa Maisky, the piano of Hungarian Jen Jandó, and the harpsichord of John Kitchen.