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The Social Network (Soundtrack from the Motion Picture)

Trent Reznor & Atticus Ross

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Albenrezension

The taut intelligence of The Social Network’s mix of competition, technology, and betrayal extends all the way to Trent Reznor and Atticus Ross' score. Artful sound design and textural interplay are dead giveaways that Reznor had a hand in this music, as are the carefully chosen motifs: spectral pianos pass through icy and brittle electronics and brush up against corrosive electric guitars. Reznor has been working with sounds like these for years, and with particular precision on later Nine Inch Nails albums like Year Zero. However, he and Ross use them with remarkable flexibility here, conveying apprehension and vulnerability on “Hand Covers Bruise”’s tentative melody, and almost sinister determination on “Eventually We Find Our Way”’s glowering tones. Reznor and Ross explore this divide between technology and all-too-human fragility throughout the score via caustic pieces like “A Familiar Taste” and “Carbon Prevails” and reflective ones such as the lovely “Painted Sun in Abstract.” The most abstract tracks feel like they were written by and for machines: “3:14 Every Night” finds Ross and Reznor crafting an entirely different kind of industrial music than what Reznor is usually associated with; it hums like a generator as electronics scuttle and strings shriek. Most exciting, though, are The Social Network's longest pieces, which play like an extended suite. “In Motion,” “Intriguing Possibilities,” and “The Gentle Hum of Anxiety” — which could be an alternate title for the whole score — are atmospheric but percolate with electronic sounds that suggest synapses firing and technology acting of its own accord. Throughout it all, there's a certain distance that reflects the virtual intimacy The Social Network comments on, coupled with an unease that comes to the fore on “Almost Home” and “Soft Trees Break the Fall.” Cerebral but with a very real emotional undercurrent, Ross and Reznor's score is perfect for a David Fincher film. While The Social Network may not be as iconic as the Dust Brothers’ score for Fincher’s Fight Club, it’s as impressive and listenable in its own way. Reznor fans and film score aficionados will find a lot to like here.

Kundenrezensionen

moaaar

Please more contribution to film from these two artists!

Its worth to download it only for the epic version of "In the Hall of the Mountain King""

Really Great Soundtrack for an awesome Movie. Fans from Nine Inch Nails MUST download it!!

Awesome

Awesome!

Biografie

Genre: Filmmusik

Jahre aktiv: '90s, '00s, '10s

British composer/producer/programmer Atticus Ross has worked steadily since the mid-'90s, collaborating with Tim Simenon's Bomb the Bass and Barry Adamson as a programmer, and performing with his own band with wife Claudia Sarne, 12 Rounds. The duo's first album, 1996's Jitterjuice, was released by Polydor in the U.K., but they were dropped by the label the following year; however, Nine Inch Nails' Trent Reznor signed them to his label Nothing Records, which released My Big Hero in 1998. This began...
Komplette Biografie
The Social Network (Soundtrack from the Motion Picture), Atticus Ross
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