Live

Live rose to success on the strength of its anthemic music and idealistic, overtly spiritual songwriting, two hallmarks that earned the group frequent comparisons to U2. The group's roots stretched back to the early '80s, when future members Chad Taylor (guitar), Patrick Dahlheimer (bass) and Chad Gracey (drums) began playing together under the name "First Aid" while attending middle school in York, Pennsylvania. After losing an area talent contest, they decided to enlist singer Ed Kowalczyk, and as a foursome the group played under a series of names before settling on Public Affection.

After earning a rabid local following, Public Affection released a cassette, 1989's The Death of a Dictionary, on their own Action Front label. Show's at CBGB and other famed New York clubs followed, eventually earning them a demo deal with Giant Records which proved unsuccessful. The completed demo did earn them a deal with Radioactive, however, and before drawing their new name out of a hat, Live recruited Talking Head Jerry Harrison to produce their 1991 debut, Mental Jewelry. A collection of songs based on the writings of Indian philosopher Jiddu Krishnamurti, the record made Live one of the key players in the post-Nirvana alternative music scene thanks to singles like "Operation Spirit (The Tyranny of Tradition)" and "Pain Lies on the Riverside."

Three years later, Live returned with the muscular Throwing Copper, which lingered a number of months on the charts before pushing the group into the rock mainstream. After a series of popular singles like "Selling the Drama" and "I Alone," the album's slow build climaxed with the funereal "Lightning Crashes," which propelled the album to the top of the charts and paved the way for the subsequent hits "White, Discussion" and "All Over You." Secret Samadhi, the third Live LP, followed in early 1997 and failed to match the commercial success of Throwing Copper, although it nevertheless sold over two million copies.

Released in 1999, The Distance to Here went platinum on the strength of "The Dolphin's Cry," which peaked at number two on the Mainstream Rock singles chart. The bandmates continued to refine their ambitious, spiritual sound over the next four years, with both 2001's V and 2003's Birds of Pray cracking the Billboard Top 30 as a result. However, the band's seventh studio effort, Songs from Black Mountain, effectively spelled the end of Live's popularity in 2006, with less than 100,000 copies sold in America. The album fared considerably better overseas, prompting Live to devote more time touring Europe during the decade's latter half.