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Analog Worms Attack

Mr. Oizo

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Album Review

The album debut for Quentin Dupieux may not have received worldwide distribution had it not been for its most publicized track, the notorious Levi's advert and crossover hit named "Flat Beat." But it's doubtful Dupieux will turn into a one-hit wonder — and if he does, there's always his directing career — since Analog Worms Attack is an inventive album that somehow marries the experimental side of techno (Cristian Vogel, Laurent Garnier) with the outrageous flair of novelty tracks usually seen on, well, television commercials. Even including "Flat Beat" (which was wisely added only as a bonus track), the highlights are "Monophonic Shit" and "No Day Massacre," two tracks that blend surprisingly deep grooves and oddball effects. It's not so much a sense of humor that Dupieux displays here; it's closer to the playful side of quasi-pop electronica fashioned by Mouse on Mars and Like a Tim. Fans of the trademarked "Flat Beat" sound will find much to love as well ("Smoking Tape" and "Flat 55" are most similar to the hit), making Analog Worms Attack a left-field treat for both pop-culture seekers and genuine music fans.

Biography

Born: France

Genre: Electronic

Years Active: '90s, '00s

Though it's a sure bet he'll linger in the minds of most only for his omnipresent Levi's advert and 1999 European chart-topper "Flat Beat," music-video director Quentin Dupieux turned in some excellent electronic productions as Mr. Oizo. Far from the madding crowds of ad-oriented hipster trance or jungle, "Flat Beat" was a midtempo techno production with heavily distorted effects and a playful nature that fit perfectly with the visual focus, a sock puppet. While still a teenager, Dupieux began directing...
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Analog Worms Attack, Mr. Oizo
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