iTunes

Ouverture de l'iTunes Store en cours...Si iTunes ne s'ouvre pas, cliquez sur l'icône de l'application iTunes dans votre Dock Mac ou sur votre bureau Windows.Indicateur de progression
iTunes

iTunes est le moyen le plus simple d’organiser et de compléter votre collection multimédia numérique.

iTunes est introuvable sur votre ordinateur. Pour écouter des extraits et acheter des morceaux de « Catacombs » par Cass McCombs, téléchargez iTunes.

Vous avez déjà iTunes ? Cliquez sur « J'ai déjà iTunes » pour l'ouvrir dès maintenant.

J’ai iTunes Téléchargement gratuit
iTunes pour Mac et PC

Catacombs

Cass McCombs

Ouvrez iTunes pour écouter des extraits, acheter et télécharger de la musique.

Avis sur l'album

On the album he released previous to 2009's Catacombs, Baltimore singer/songwriter Cass McCombs began moving away from the reverb-heavy, lo-fi sound and busy arrangements of his first two records in favor of a more direct sound with cleaner production. Here, McCombs strips away the remaining traces of his early bedroom-crafted indie pop sound and aims for something simpler that takes the focus away from the sound of the record and places it firmly on the wordy, emotionally charged songs and McCombs' vocals. The vocals are always up to the task; McCombs has ditched the jittery yelping he sometimes used on Dropping the Writ and instead settles into a warm and intimate style that instantly draws the listener in closer. The songs are mostly strong, too; almost uniformly quiet and introspective, they create a mood that lingers throughout the album like a melancholy haze. Tracks like the yearning "Dreams Come True Girl" or the tender, epic "Harmonia" cast a quietly desperate spell; in much the same way American Music Club did, only with less sarcastic wit and more resigned sadness. Only the lightly skipping "Prima Donna" breaks the feeling and adds some much-needed sunshine. The problem with creating an album this uniformly midtempo and hushed is that by the end, the listener may be screaming for a song to show some spunk or to kick the tempo up past the "lope" setting. It doesn't happen here, and it's not really a big problem because the songs and mood are so cleverly established and sustained. The bigger issue is that a couple songs are overly wordy or hook-free ("Don't," "Lionkiller Got Married," and "My Sister, My Spouse"), and this is where the album could use some instrumental coloring or production tricks to add some much needed distraction. For the most part, though, the album is an enjoyable addition to McCombs' catalog and shows him growing as an artist. While some fans of his early work may be left behind, most people who enjoy witty songs with tender emotion behind them will be satisfied with Catacombs and happy with the direction he's headed.

Biographie

Né(e) : 1977 à Concord, CA

Genre : Alternative

Années d'activité : '00s, '10s

Baltimore-based singer/songwriter Cass McCombs' moody but often surprisingly humorous music is aided and abetted by bassist Trevor Shimizu, keyboardist Natalie Conn, and drummer Dutch E. Germ (who has also played with Neil Michael Hagerty). Tours with the Oxes and Palace paved the way for McCombs' debut EP, 2002's Not the Way, which arrived on Monitor Records; A was released early the following year and was distributed in Europe and the U.K. by 4AD. McCombs and his band spent much of 2003 and 2004...
Biographie complète
Catacombs, Cass McCombs
Afficher sur iTunes

Note

Nous n’avons pas reçu suffisamment de notes pour pouvoir afficher la moyenne de cet article.

Précurseurs

Contemporains

Devenez fan des pages iTunes et App Store sur Facebook et bénéficiez d’offres réservées, d’informations exclusives sur les nouvelles apps et bien plus encore.