iTunes

Ouverture de l'iTunes Store en cours...Si iTunes ne s'ouvre pas, cliquez sur l'icône de l'application iTunes dans votre Dock Mac ou sur votre bureau Windows.Indicateur de progression
iTunes

iTunes est le moyen le plus simple d’organiser et de compléter votre collection multimédia numérique.

iTunes est introuvable sur votre ordinateur. Pour écouter des extraits et acheter des morceaux de « Interpreting the Masters, Vol. 1: (A Tribute to Daryl Hall and John Oates) » par The Bird and the Bee, téléchargez iTunes.

Vous avez déjà iTunes ? Cliquez sur « J'ai déjà iTunes » pour l'ouvrir dès maintenant.

J’ai iTunes Téléchargement gratuit
iTunes pour Mac et PC

Interpreting the Masters, Vol. 1: (A Tribute to Daryl Hall and John Oates)

The Bird and the Bee

Ouvrez iTunes pour écouter des extraits, acheter et télécharger de la musique.

Avis sur l'album

The very title of Interpreting the Masters suggests that the Bird & the Bee are digging into a catalog of a widely respected pop songwriter — a Burt Bacharach, perhaps, or a Jimmy Webb. That’s not the case: children of the ‘80s that they are, singer Inara George and producer Greg Kurstin have chosen Daryl Hall & John Oates for the first volume of Interpreting the Masters, a sly move that reveals both their age and intended audience — i.e., ex alt-rockers raised on new wave and now settling into a tasteful, hipster middle age, hauling around kids dressed in Ramones t-shirts — and a reflection of Hall & Oates’ increasing reputation as soul-pop songwriters and record-makers. The Bird & the Bee don’t dig deeply into Hall & Oates catalog — there’s none of the burnished folk-rock of Whole Oates, nor do they pluck album tracks like “Looking for a Good Sign” off of Private Eyes — they simply choose the biggest hits, then give them a slyly modern update, one that consciously recalls the modernist new wave productions of the duo’s biggest hits yet fits within the Bird & the Bee’s nicely tailored AAA pop. So if Interpreting the Masters, on the surface, provides no surprises, why is it such a wonderful surprise as a whole? Perhaps it’s because the Bird & the Bee manage to make these very familiar hits sound fresh without radically reinventing them. That in itself is a much trickier move than turning these all into slow acoustic dirges, but it’s better still because these arrangements are true to both Hall & Oates and George & Kurstin. The Bird & the Bee illustrate just how much they’ve learned with their introductory original “Heard It on the Radio,” a song about the tunes they’re about to sing that holds its own with the covers, but the heart of the album lies in these covers of ‘80s staples: they shift the spotlight just enough to prove how good both the original song and singles are, and by never drawing attention to their own performance and arrangements, the Bird & the Bee prove just how good they are too.

Avis des utilisateurs

The bird and the bee interpreting the master

album magnifique et tres bien interprete

Biographie

Formé(s) : 2004 à Los Angeles, CA

Genre : Pop

Années d'activité : '00s, '10s

Multi-instrumentalist Greg Kurstin and doe-eyed vocalist Inara George draw upon a fondness for jazz standards and '60s tropicalia to deliver the stylish tones of the Bird and the Bee. The two musicians were introduced in 2004 by mutual friend Mike Andrews, whom George had enlisted to produce her solo debut, All Rise. Needing someone to contribute piano to several tracks, Andrews called upon Kurstin, who had studied under renowned jazz pianist Jaki Byard during his college years. George and Kurstin...
Biographie complète
Interpreting the Masters, Vol. 1: (A Tribute to Daryl Hall and John Oates), The Bird and the Bee
Afficher sur iTunes
  • 9,99 €
  • Genres : Pop, Musique, Électronique, Pop/Rock, Rock, Alternative adulte
  • Sortie : 19 mars 2010

Note

Les Indispensables

Précurseurs

Du même style

Contemporains

Devenez fan des pages iTunes et App Store sur Facebook et bénéficiez d’offres réservées, d’informations exclusives sur les nouvelles apps et bien plus encore.