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Teen Dream

Beach House

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Avis sur l'album

There wasn't much room for Beach House to improve on Devotion, so instead, the duo improved the room in which they made Teen Dream. Victoria Legrand and Alex Scally recorded their Sub Pop debut in a converted church with producer/engineer Chris Coady, who has also worked with TV on the Radio and Blonde Redhead. The same dark lushness echoes through this album as those bands' works, with a spaciousness that's more like a beach mansion than a mere house (and Teen Dream’s DVD of videos for each song adds to its lavishness). The slightly squalid sound quality of Beach House and Devotion had a unique charm, as if the band had to record those albums not just on the cheap, but in secret. On Teen Dream, however, the hugeness previously implied in Legrand's lyrics and luscious vocals is made real, like tuning Beach House in at their full frequency. The duo's mix of retro electronics and chiming guitars is still as dreamlike and distinctive as ever — if anything, the tinny taps and hisses of their drum machine are even more present in Teen Dream's pristine settings, making the contrast between them and the molten slide guitars and rippling keyboards on “Norway” even more vivid. The songwriting is also more focused, using Devotion songs such as “You Came to Me” and “Heart of Chambers” as templates for the album's elegant longing. Like Teen Dream's title, these songs are wry and wise enough to know better about idealizing love, and romantic enough to still believe in it. “Zebra” positively swoons, while “Walk in the Park,” with its graceful coda and chorus lament “In a matter of time/it will slip from my mind/In and out of my life/you would slip from my mind,” makes losing sound beautiful, even if it's anything but a walk in the park. Despite the wintry sorrow that dominates Teen Dream and songs like “Used to Be” and “Better Times," in particular, Beach House lets a little hope into the album before it closes with “10 Mile Stereo” and “Real Love.” Though it's not as eclectic and whimsical as their earlier work, Teen Dream is some of their most beautiful music, and reaffirms that they're the among the best purveyors of languidly lovelorn songs since Mazzy Star.

Avis des utilisateurs

Un chef d'œuvre

Beach House nous livre la un album parfaitement léché, une pop douce et envoutante qui atteint des sommets sur "take care", "norway", ou "walk in the park", des petits bijoux. L'atmosphère de ce disque respire l'hiver, elle distile des mélodies aériennes.
Tout comme Merriweather Post Pavillon d'Animal Collective, cet album frappe fort, très tot dans l'année. Je ne saurais pas surpris de le voir sur le podium de pitchfork dans un an.

Somptueux

Très belle découverte, je consulterais plus les recomandation Genius a l'avenir ^^. cet album est tout simplement magnifique. Très pratique pour se reposer, on a l'impression d'etre dans un hamac sous un cocotier au bord d'une plage paradisiaque en écoutant cet album. Je le conseille fortement, a consommer sans modération pour tout publique ^^ Zebra, Silver Soul, Norway, Walk In The Park, Use To Be sont mes préférés =)

Dream

De quoi faire de jolis rêves

Biographie

Formé(s) : 2005 à Baltimore, MD

Genre : Alternative

Années d'activité : '00s, '10s

Despite its summery name, Beach House creates music that is dark, dreamy, and alluringly hypnotic. Baltimore residents Alex Scally and Victoria Legrand (the niece of French composer Michel Legrand) formed the duo in 2005, with Legrand's hushed, Nico-like vocals and Scally's delicate instrumentation paving the way for their first batch of songs. Within a year, Beach House had charmed indie music enthusiasts across the blogosphere with its languid songcraft, and the eerie warmth of "Apple Orchard"...
Biographie complète

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