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24 Hours

Tom Jones

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Album Review

To quote an earlier comeback record from Tom Jones (not that he ever left), he not only has the lead but he knows how to swing it. While it's true that 24 Hours appears close to 50 years after Jones first started playing with local Welsh beat groups, there's still plenty of evidence that this is the same singer who caused timid radio broadcasters to reconsider playing his records and women to throw uncountable pairs of knickers toward the stage. Helmed by production team Future Cut — also behind tracks by Lily Allen, Estelle, and Kelis, among others — the record charts a perfect balance between the type of throwback soul that would appeal to fans of the artists mentioned above (plus Amy Winehouse or Nikka Costa) as well as those who treasure his beefy late-'60s productions. After all, not many listeners want to hear a refined Tom Jones. They want the power and bravado of "It's Not Unusual" and "What's New, Pussycat?" And, fortunately, that's exactly what they get here, from the knockout first single "If He Should Ever Leave You," the opener "I'm Alive," the aggressive and flirtatious "Sugar Daddy," and "In Style and Rhythm." Often, when performers attempt to update their sound, they end up sounding hopelessly lost or bewildered, but Jones has changed with the times throughout his career. Just as importantly, he's always chosen collaborators who can pinpoint how his classic sound would work in a contemporary context. Here, it's a pounding and drum-heavy production that still allows room for organic touches (blazing horns, stinging brass, twanging guitars). The quality of the songs is high, and most are kept in-house, so they match his persona well. Besides Future Cut, Tom Jones also gets help on a pair of tracks from two other great producers: Betty Wright and Nellee Hooper. The latter appears on "Sugar Daddy," an excellent song written for Jones by Bono and the Edge, and it also features both of them playing on the track. Best of all, Jones' voice is still strong, only rarely betraying his 68 years on the planet.

Customer Reviews

The god father is back

I have to admit a certain biased love of Tom Jones's music and always find at least a few songs from his albums to love. However, not since Reload have I enjoyed almost everyone of the songs on an album of his. In an era of sound studios and electronics lifting sub-standard voices, it's great to see a real legend showing the rest what a real voice can do

Great Man!

Absolutely love 'If He Should Ever Leave You' ... such an amazing song... already sounds like a classic!

Tom The Magnificent!

This is a simply stunning album. Tom's voice is in magnificent form: strong, emotive, fluid & flexible & with a maturity & rawness that comes with age & experience. Many of these songs were co-written by Tom, & they have a fabulous 60s feel but with modern beats & production. There is not a weak track on here, but, for me, one of the outstanding highlights is a Bruce Springsteen song, 'The Hitter'. Tom gives a world-weary, heart-felt performance that is heart-stopping. This album is essential for fans & for anyone who appreciates top class vocals, excellent songs & a great production.

Biography

Born: 07 June 1940 in Pontypridd, Wales

Genre: Pop

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

Tom Jones became one of the most popular vocalists to emerge from the British Invasion. Since the mid-'60s, Jones has sung nearly every form of popular music — pop, rock, show tunes, country, dance, and techno, he's sung it all. His actual style — a full-throated, robust baritone that had little regard for nuance and subtlety — never changed, he just sang over different backing tracks. On-stage, Jones played up his sexual appeal; it didn't matter whether he was in an unbuttoned...
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24 Hours, Tom Jones
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