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The Blue Note Years: The Best Of Herbie Hancock

Herbie Hancock

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Album Review

Composer and pianist Herbie Hancock enjoyed a long and fruitful relationship with Columbia Records as a leader. His volume in Sony's super budget Playlist series (these are all signified by possibly the worst design job in recorded music history) contains a decent, well considered representation of his time at the label. His work with the stellar V.S.O.P. band kicks things off with a reading of his own "Maiden Voyage" and is followed by "Song," with saxophonist Dexter Gordon from the soundtrack of Bertrand Tavernier's brilliant film 'Round Midnight. It then moves into electric territory documenting albums such as Mr. Hands, the monumentally influential Head Hunters (two cuts), Thrust, Man-Child, and his later smash title track from the funkfied post-disco hip-hop of Rockit. The only complaint is that there isn't a cut from Sextant here with the Mwandishi band (which morphed into the Headhunters band) as a replacement for either "Butterfly" or "Hang Up Your Hang Ups." It would have showcased all of Hancock's phases with the label. That caveat aside, this is a solid intro to one big slice of his career after Blue Note and Warner Brothers and before the really uneven Verve years, but this set is strictly for the novice.

Customer Reviews

One of the best

Bought the album after seeing a fabulous Herbie Hancock gig at the Sage, Gateshead. Went because I have Maiden Voyage and love that. This album lives up to all expectations. Fabulous playing from all musicians, great tunes, great improvisations and solos. A real masterclass from one of the best in the world.

The Blue Note Years: Herbie Hancock

The best track on this album is 'Watermelon Man'. Except no substitute versions Herbie's is 'top notch.'

Biography

Born: 12 April 1940 in Chicago, IL

Genre: Jazz

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

Herbie Hancock will always be one of the most revered and controversial figures in jazz — just as his employer/mentor Miles Davis was when he was alive. Unlike Miles, who pressed ahead relentlessly and never looked back until near the very end, Hancock has cut a zigzagging forward path, shuttling between almost every development in electronic and acoustic jazz and R&B over the last third of the 20th century and into the 21st. Though grounded in Bill Evans and able to absorb blues, funk,...
Full bio

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