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Blue Valentine

Tom Waits

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Album Review

Two welcome changes in style made Blue Valentine a fresh listening experience for Tom Waits fans. First, Waits alters the instrumentation, bringing in electric guitar and keyboards and largely dispensing with the strings for a more blues-oriented, hard-edged sound. Second, though his world view remains fixed on the lowlifes of the late night, he expands beyond the musings of the barstool philosopher who previously had acted as the first-person character of most of his songs. When Waits does use the first-person, it's to write a "Christmas Card From a Hooker in Minneapolis," not the figure most listeners had associated with the singer himself. The result is a broadening of subject matter, a narrative discipline that makes most of the tunes story songs, and a coherent framing for Waits' typically colorful and intriguing imagery. These are not radical reinventions, but Waits had followed such a rigidly stylized approach on his previous albums that for anyone who had followed him so far, the course correction was big news.

Customer Reviews

Songs of sorrow and beauty

This is another great Waits album - much lusher production than most of his others and a real 'noir' feel about it. From the string-driven 'Somewhere' (West Side Story) to the mournful balladeering of the title track, there's not a moment wasted. Exquisite songwriting, mesmerising performances. If you can listen to 'Christmas Card from a Hooker..' without feeling moved, you should probably check your pulse.

Blue Valentine

This album is in my mind his best and has the most beautiful track - Kentucky Avenue. His style does change somewhat from earlier work, and if you had found some a bit harsh then this is a welcome change

devastating

worth it for the title track alone,the song practically oozes waits' heart into your room,whiskey,pianos and all....

Biography

Born: 07 December 1949 in Pomona, CA

Genre: Rock

Years Active: '70s, '80s, '90s, '00s, '10s

In the 1970s, Tom Waits combined a lyrical focus on desperate, low-life characters with a persona that seemed to embody the same lifestyle, which he sang about in a raspy, gravelly voice. From the '80s on, his work became increasingly theatrical as he moved into acting and composing. Growing up in Southern California, Waits attracted the attention of manager Herb Cohen, who also handled Frank Zappa, and was signed by him at the beginning of the 1970s, resulting in the material later released as The...
Full bio

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