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Bona Drag

Morrissey

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Album Review

As he was toiling on Kill Uncle, Morrissey released Bona Drag, a compilation of singles and B-sides, including "Everyday Is Like Sunday" and "Suedehead" from Viva Hate. While the record conveniently overlooks some rarities, the selections on Bona Drag are uniformly first-rate and many of the songs — "Picadilly Palare," "Interesting Drug," "November Spawned a Monster," "The Last of the Famous International Playboys," "Lucky Lisp," "Disappointed," "He Knows I'd Love to See Him," and "Ouija Board, Ouija Board" — are Morrissey classics, arguably making Bona Drag a more consistent and entertaining record than Viva Hate.

Customer Reviews

Reissue, repackage

Well after the re-release of Maladjusted and Southpaw now we have Bona Drag again which is was originally a collection of singles and B sides anyway. To be fair there are some great songs on this but any respectable Morrissey fan will already own them - many times over probably. Of the "new" additions "The Bed Took Fire" is the song "At Amber" just with a different name! (the music is very slightly different)
There is a longer version of "Let The Right One Slip In" but it does not really add too much.
None of the other "new" songs are up to much I am afraid - if they were not deemed good enough to release originally what makes them think they are now?
Sorry Morrissey - a few years ago I would have defended you to the hilt but I think this is one reissue too many.
Personally I hope he records one more album of new material and then I think it's best to call it a day.

Loved it then

Loved back then love it now.

Hated it back then

Still hate it.

Biography

Born: 22 May 1959 in Manchester, England

Genre: Alternative

Years Active: '80s, '90s, '00s, '10s

As the lead singer of the Smiths, arguably the most important indie band in Britain during the '80s, Morrissey's theatrical crooning and literate, poetic lyrics — filled with romantic angst, social alienation, and cutting wit — connected powerfully with a legion of similarly sensitive, disaffected youth. These fans turned The Smiths into stars in Britain, exerting tremendous pull over much of the country's guitar-based music for many years after their breakup, and even if the group remained...
Full bio

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