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Congratulations

MGMT

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iTunes Review

On MGMT’s hugely successful debut, Oracular Spectacular, they declared, “This is our decision, to live fast and to die young.” Luckily they stuck around long enough to produce another deeply satisfying full-length work, one that feels even more expansive, and dare we say more mature than Oracular — and we mean that only in the best way possible. Rather than stuffing it full of easily digested pop baubles, Congratulations brims and bristles with over-the-top prog-rock and psychedelic space oddities (with both of those genres responsible for the audacious “Siberian Breaks”). There are insightful musings on their own success (“Flash Delirium,” “Congratulations”), and loving musical tributes (“Song for Dan Treacy” effectively conjures the troubled Treacy and his work with the Television Personalities; “Brian Eno” is a pinwheeling nod to the great musician, with a slight Bowie flavor). Recorded with Sonic Boom of Spacemen 3, and again with Dave Fridmann at the mixing helm, this work — from clever arrangements to the pointed lyrics — is a stellar step in MGMT’s bold career. Congratulations, all around.

Customer Reviews

Ignorance

It is instantly obvious that the people who are writing this album off are the musically-retarded pop fans that listen to the kind of crap that lies and pitch-corrects it's way into the charts nowadays. This is NOT a crap album, if you like the band then you will like this album; if you want something more like "Kids" or "Time to Pretend" then you're not going to get it because the band themselves admitted that those songs were not "them." This band is a psychedelic rock band, and it's good to see that the true spirit of music is still flickering away with bands like this; so if you don't like it then go back and listen to some of that profit-orientated chart crap like Lady GaGa.

Good album

But by the standards set by MGMT on Oracular Spectacular it's not even half as good as their first. There's not a standout song, as was the case first time round with 'Kids', 'Time to Pretend' etc. It's a solid album, and listenable, but there's no highlight or a song to look forward too when listening. I'm extremely dissapointed, but still a good album.

Not a patch on their debut

Whereas MGMT's debut, Oracular Spectacular, offered such mellifulous, anthemic and absorbing gems as Time to Pretend, Electric Feel, Kids etc, I was dissapointed with this fairly lifeless affair. This is synth indie pop: surprisingly nonchalant and forgettable. Of course, there will be those that love it - but if you're looking to hear MGMT at their best, I say go back to the beginning.

Biography

Formed: 2002 in Brooklyn, NY

Genre: Alternative

Years Active: '00s, '10s

Finding an unlikely middle point between Suicide's hostile, proto-electro punk art noise and the sardonic, pop-friendly sound of the Flaming Lips, MGMT started as electroclash musical terrorists but quickly grew into an eclectic, brainy pop group with psychedelic overtones. MGMT first formed in 2002, during Ben Goldwasser and Andrew Van Wyngarden's freshman year as art students at Wesleyan University in Middletown, CT. The band was initially known as the Management, and its shows consisted mostly...
Full bio

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