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Dig Your Own Hole

The Chemical Brothers

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Album Review

Taking the swirling eclecticism of their post-techno debut, Exit Planet Dust, to the extreme, the Chemical Brothers blow all stylistic boundaries down with their second album, Dig Your Own Hole. Bigger, bolder, and more adventurous than Exit Planet Dust, Dig Your Own Hole opens with the slamming cacophony of "Block Rockin' Beats," where hip-hop meets hardcore techno, complete with a Schoolly D sample and an elastic bass riff. Everything is going on at once in "Block Rockin' Beats," and it sets the pace for the rest of the record, where songs and styles blur into a continuous kaleidoscope of sound. It rocks hard enough for the pop audience, but it doesn't compromise either the Chemicals' sound or the adventurous, futuristic spirit of electronica — even "Setting Sun," with its sly homages to the Beatles' "Tomorrow Never Knows" and Noel Gallagher's twisting, catchy melody, doesn't sound like retro psychedelia; it sounds vibrant, unexpected, and utterly contemporary. There are no distinctions between different styles, and the Chemicals sound as if they're having fun, building Dig Your Own Hole from fragments of the past, distorting the rhythms and samples, and pushing it forward with an intoxicating rush of synthesizers, electronics, and layered drum machines. The Chemical Brothers might not push forward into self-consciously arty territories like some of their electronic peers, but they have more style and focus, constructing a blindingly innovative and relentlessly propulsive album that's an exhilarating listen — one that sounds positively new but utterly inviting at the same time.

Customer Reviews

prodigy < chemical brothers > fatboy slim

Block Rockin Beats : 9/10- it has a great bassline with some nice tight drumloops and great fill between, real craker. Dig Your Own Hole : 8.5/10- nice slap bass strong strong beat Elektrobank : 10/10- one of the two best songs on the album, guitar at begin sets pace, then booming bass with great vocals and a second part to the song that really gets the place jumping. Piku: 8.5/10- feels like a new york based song, a hip hop beat with crakling in the background great song. Setting Sun : 10/10- this and elektrobank make this album epic. the most pounding beat youll hear for a long long time and sirens beaming. Noel Gallagers vocals are perfect and not over used. It Doesn't Matter : 8/10- robotic vocals and uses same lyrics 'it doesn't matter' over and over agian with repeatative beats and enters with some booming bass Don't Stop The Rock : 7/10- good beat light but club scened. gets annoying after a while Get Up On It Like This : 8/10- fast and energetic, a song to listen to if running or going to work. Lost in the K-Hole : 9/10- absolulty stunning. the tightist of beats really really clean song. Where Do I Begin : 9/10 - A relaxing song great little riff lyrics are inch perfect and ends with pounding beats. The Private Pschedelic Reel : a real epic song build up is brilliant. album overall 9.5/10 you must buy.

Beats and Bleeps

Intelligent dance music? i suppose you could call it that. A mixture of guitars, loops and some really wierd samples hold this magnificent animal together. Rather than buy just the one track you are far better to buy it whole. It will make more sense that way. Especially when Beth Ortons voice trails into the last track. A rare treat!

Essential

The best album by The Chemical Brothers, a treat. If not one of the best dance albums from the last 20 years (along with Fat Of The Land.) You can listen to block rockin' beats and some of the other tracks and not get bored with them. An album like that should surley be worth the money

Biography

Formed: 1989 in Manchester, England

Genre: Electronic

Years Active: '90s, '00s, '10s

The act with the first arena-sized sound in the electronica movement, the Chemical Brothers united such varying influences as Public Enemy, Cabaret Voltaire, and My Bloody Valentine to create a dance-rock-rap fusion which rivaled the best old-school DJs on their own terms — keeping a crowd of people on the floor by working through any number of groove-oriented styles featuring unmissable samples, from familiar guitar riffs to vocal tags to various sound effects. And when the duo (Tom Rowlands...
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Dig Your Own Hole, The Chemical Brothers
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