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Album Review

The African kora, which is like a cross between a lute and a harp, is one of the world's most beautiful instruments. It isn't as sweet as a harp and, with some of the quick action of a lute or guitar, it is as much a "classical" instrument as it is a "folk" one. On Djelika, Diabate is accompanied by Keletigui Diabate on balafon, an instrument like the xylophone which usually acts as a rhythm section, and Basekou Kouyate on the ngoni, a small instrument thought to be the ancestor of the banjo whose sharp timbre provides a contrast with the kora. The songs are simply beautiful. The title cut is a jazzy piece that slyly quotes the soundtrack "The Good, the Bad, and the Ugly." Keletogui sits out on "Cheick Oumar Bah," a traditional song in honor of one of Mali's spiritual leaders. It is thoughtful and dignified. "Kandjoura," on the other hand, is just fun, fast, and whimsical. It sounds like it's based on an Afro-pop song. The three musicians, each a virtuoso on his instrument, do a wonderful job providing sonic variety to keep the ear intrigued. Djelika is true African art music and should be sought out not only by fans of "world music," but also by aficionados of jazz and Western classical music.

Customer Reviews

Opening Up On Africa.

This is wonderful music, played on instruments that are unfamiliar to my European ears. For all that I found it easily accessable, found myself not only enjoying its complexities but swaying as they unfolded. Any notion of 'discovering Africa' is strictly personal, of course. I bought this album after editing a book called 'A Bend in the Nile' which is about Sudan, more accurately Nubia. Mali is a long way from Sudan, and Sudan is actually bigger than Europe, so the connection might not be immediately obvious. What these links mean, I guess, is that thanks to modern means Africa is feeding back into Europe like never before. There is an opening-ness to these processes that I love, a productive interaction working in favour of understanding and integration. 'Development' is mutual and perpetual, and listening and enjoying are part of it.

not enough words

Beautiful album, music to lift your spirits and make you feel alive..... a true master at work

Biography

Born: 1965 in Bamako, Mali

Genre: World

Years Active: '90s, '00s

A master of the kora (21-string West African harp), Toumani Diabaté has brought the traditional music of his native Mali to the attention of an international audience with a series of well-received solo albums and some unlikely, but acclaimed, collaborations. Although he came from a family of musicians, Diabaté (born August 10, 1965) taught himself to play the kora from an early age, as his father, who also played the instrument, was often away touring. He developed a style of playing that, while...
Full bio
Djelika, Toumani Diabaté
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  • £5.99
  • Genres: World, Music, Africa
  • Released: Oct 1995

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