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Duty Now for the Future / New Traditionalists

Devo

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Album Review

Virgin combined two of Devo's early albums, Duty Now for the Future and New Tradtionalists, on one disc in 1994. Most of the aural weirdness on Duty Now for the Future comes from the band's experiments with homemade synthesizer technology. As a result, both the guitars and jerky rhythms play a lesser role in their sound. Although it isn't quite as interesting, it's still appropriately strange, and Devo still doesn't sound quite like anyone else. Duty is loosely structured around the theme of everyday corporate drudgery and its effects on individuals. Pegged as a novelty act after the mainstream success of "Whip It" and "Freedom of Choice," Devo apparently decided to emphasize their underlying ideas about American culture as an antidote. From the opening statement of purpose, "Through Being Cool," New Traditionalists presents those views in a more straightforward way, with the unfortunate result that Devo is not nearly as absurdly amusing or interesting. The band often comes off as heavy-handed (pointing out on the otherwise terrific "Beautiful World" that the lyrics are intended to be ironic, just in case you didn't get the rather obvious point), as though they want to make Serious Artistic Statements — but this isn't how Devo's best music works. Furthermore, the band's tendencies toward minimalistic, synth-centered arrangements and melodic deficiencies are much more pronounced here, making the music itself less interesting. New Traditionalists does have some very worthwhile moments, but it is disappointing, and it marks the beginning of the band's decline.

Customer Reviews

Fun Fun Fun

Don't believe what the boring critic says above about New Traditionalist, this record is very funny, ironic and as demented as their other records and if very commercial (as commercial as Yello), it's still have great musical moments and inventivity. You also have to see the amazing videos they did for the singles exctracted from this album. Duty for the future should not disappoint anybody, it's pure Devo, weird, experimental and witty.

Devo

The critic is probably not old enough to have been here when the albums were originally released. Devo were one of the pioneers of synthesiser music and actually invented the Keytar, which many bands subsequently employed. The Mothersbaugh brothers who founded Devo were very bright and as rightly pointed out Devo's music was actually statements regarding how Americans lived in the 70s and 80s.

Mark Mothersbaugh went on to write music for various tv shows most notable of which was the Nickleodeon staple "Rug Rats". You'll also see his name is in various film credits. Devo were very popular in the 70s skateboard scene. The best tracks in my opinion they ever wrote were "Gut Feeling", "Mongoloid" (not very PC now!) and "Come Back Jonee!" Their version of the Stones' "Satisfaction" is superb. The critic doesn't even realise that DEvo were the first band in the world to produce a video to accompany their song. This is a fact recognised by both Godley and Creme and David Bowie.

Anyway, if you like listening to something with a bit of hit to it, Devo is the band to take you there.

Biography

Formed: 1972 in Akron, OH

Genre: Alternative

Years Active: '70s, '80s, '90s, '00s, '10s

One of new wave's most innovative and (for a time) successful bands, Devo was also perhaps one of its most misunderstood. Formed in Akron, OH, in 1972 by Kent State art students Jerry Casale and Mark Mothersbaugh, Devo took its name from their concept of "de-evolution" — the idea that instead of evolving, mankind has actually regressed, as evidenced by the dysfunction and herd mentality of American society. Their music echoed this view of society as rigid, repressive, and mechanical, with appropriate...
Full bio

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