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Finisterre (Deluxe Edition)

Saint Etienne

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Album Review

A return or a retread? Regardless of where you stand with this group as a fan (whether you detest Good Humor and Sound of Water or not), it's a bit of both. Those who've been waiting nearly a decade for the group to return to the messy but masterful patchwork anti-formula formula of the first three albums should be happy with this one. Like So Tough and Foxbase Alpha, the flow of the album is charmingly disjointed and seemingly made up of tangents — albeit the kind of tangents for which most pop groups would happily exchange their Sarah discographies in order to call just one their own. In that sense, Finisterre is a return, forsaking the unified approaches taken on both Good Humor and Sound of Water. But the album resembles what many longtime fans would call a blatant return — a return in lieu of new ideas (to borrow). The group's bright and shimmery dance-pop instincts are practically oozing out of one-third of these songs, though none of them quite scale the heights of the group's best material. If another third of the album didn't sound like it could've only been made in the wake of the electro (not electro) revival, it could've been released at any point during the latter half of the '90s. The remainder of the album, along with some of the electro-leaning material, mines melancholy and occasionally dark territories. In fact, there are no sweeping string arrangements, no delicately strummed acoustic guitars, and nary a whistle-worthy melody within the album's last four songs. Still, Saint Etienne remain England's best pop group — they only look bad when they're compared to themselves, and this album, for all its shortcomings, has a handful of moments capable of making you think that they are the best pop group to have ever existed. [The 2010 double-disc reissue adds a second disc of stray tracks, songs from singles and EPs, and four previously unreleased songs. Also making the set worth picking up are the liner notes, which are made up of reminiscences from the band.]

Biography

Formed: 1988 in Croydon, London, England

Genre: Pop

Years Active: '90s, '00s, '10s

Like most bands formed by former music journalists, Saint Etienne were a highly conceptual group. The trio's concept was to fuse the British pop sounds of '60s London with the club/dance rhythms and productions that defined the post-acid house England of the early '90s. Led by songwriters Bob Stanley and Pete Wiggs, and fronted by vocalist Sarah Cracknell, the group managed to carry out their concept, and, in the process, Saint Etienne helped make indie dance a viable genre within the U.K. Throughout...
Full bio
Finisterre (Deluxe Edition), Saint Etienne
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