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In The Heart Of The Moon

Ali Farka Touré & Toumani Diabaté

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Album Review

In the Heart of the Moon is a duet recording by Malian guitar slinger Ali Farka Toure and Mandé lineage griot Toumani Diabate on kora. There are a few other players who contribute percussion here and there, and Ry Cooder plays a Kawai piano on a couple of tracks and a Ripley guitar on one, but other than these cats, this is a live duo set without edits or enhancements of any kind. There were three sessions in the conference room of the Mande Hotel in Mali, the first of which was on the eve of Farka Toure being elected mayor of his town, Niafunké. Most of the music here dates back to the Jurana Kura (translated as new era) cultural movement, which was part of the independence struggle in the 1950s and early '60s. The music created by the Jurana Kura for the guitar created a entirely new style of rhythmic fingerpicking. For those familiar with Farka Toure's blazing lead style, this disc may come as a shock. While he does solo many times here, he is also playing in balance with Diabate, whose kora has the larger lyric and harmonic palette, so he is in a supporting role. It doesn't matter. Whether the song is "Kaira" (written and performed by Diabate's father in the '50s and the earliest recorded track on the album, from before the Mande sessions), "Ai Ga Bani (I Love You)" and "Soumbou Ya Ya" (both written for young people during the Jurana Kura), or one of Farka Toure's originals near the end of the set, such as "Gomni," the style is the same. Everything echoes this earlier era because it has informed all Malian and Guinean music since. The purpose was to make people aware not only of its existence but to inspire and exhort. The music is insistent but not strident. It contains a gentleness and tenderness that seem to drip from the region, one of the poorest in the world. The players' focus and intensity are captured, but they make it all come off so easily that the listener gets lost in the pleasure of these gorgeous melodies and the call-and-response style of interaction between the players. Simply put, In the Heart of the Moon is nothing short of remarkable, and one of the best offerings World Circuit/Nonesuch have ever released.

Customer Reviews

An album of astounding longevity

I bought this album almost as soon as it came out last year, and I can honestly say that it gets better each time I listen to it. It is rare that an album packs such longevity, but the subtlelty and layered beauty of these inspired, improvised arrangements ensures that this album never becomes tired or over-simple.

Absolutely stunning

I am still in love with this album after 6 months of listening to it! Naweye toro takes me to a happy happy place where there are no worries. Kadi kadi says to me -go on live! Soumbou says to me- you need to be alone sometimes. Simbo says to me-you need a Margarita! Mamadou boutiquier makes me wish i could meet Ali F so i can ask him what he was thinking. A stunner of an album.

paradise.

the soundtrack to a lazy summer's afternoon by the river with nothing to do, nowhere to go and only a bottle of fermented grape juice to keep you company. a man among men was he. this is his finest moment. rip ali.

Biography

Born: 1939 in Timbuktu

Genre: World

Years Active: '70s, '80s, '90s, '00s

One of the most internationally successful West African musicians of the '90s, Ali Farka Touré was described as "the African John Lee Hooker" so many times that it probably began to grate on both Touré's and Hooker's nerves. There is a lot of truth to the comparison, however, and it isn't exactly an insult. The guitarist, who also played other instruments such as calabash and bongos, shared with Hooker (and similar American bluesmen...
Full bio
In The Heart Of The Moon, Ali Farka Touré
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