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La Folie (Expanded Edition)

The Stranglers

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Album Review

La Folie is a welcome album in the Stranglers' oeuvre, mainly a collection of tight, punchy songs that often suggest the forthright approach of American new wave bands. With one exception, the songs are shorter and more pointed, harking back to the comparative conciseness of some of the tunes on the band's first two albums, Rattus Norvegicus and No More Heroes, though acidic lyrics still predominate. "Non-Stop" is a typical example, featuring a half-spoken vocal that suggests Lou Reed, a Cars-influenced organ sound, and a bouncy, dance-derived drum beat; this particular song is atypical, however, because it employs a blues-oriented progression. An interesting excursion is encountered in the song "Golden Brown," a subdued, jazz-influenced number with purring vocals, a coolly executed synthesizer/harpsichord backing texture, and a periodically stumbling beat. Only the plushly understated title track suggests the sprawl typical of the group's immediately preceding releases. This fine album is well worth purchasing.

Customer Reviews

Great UK Bands #4

Eternally uncool, and all the better for it, The Stanglers sang with a working intelligence that accurately portrays the 70's (and 80's / 90's) UK mindset. Often accused of being punk bandwagon-jumpers, they really were from a culture of hard-working pub-rock that happened to be pressganged into the punk movement, along with Ian Dury, Dr Feelgood and others. Truth be told, they brought a musicianship and originality to punk that was needed yet (inevitably) resented, and their songs are integral to understanding popular culture in the late 20th Century (regardless of current reactionary readings of their political or social stance). They were too old to be punks and therefore written off by the pretentious (perennial) art-pop journos of their time. But their musical influence has resounded much, much more than the Pistols and perhaps even The Clash. Still one of my favourite bands with a good song/bad song ratio of 5/1. And they were prolific. Which puts them up there with the best in my book.

Biography

Formed: 1974

Genre: Rock

Years Active: '70s, '80s, '90s, '00s, '10s

The Stranglers formed as the Guildford Stranglers in the southern England village of Chiddingfold (near Guildford) in 1974, plowing a heavily Doors-influenced furrow through the local pub rock scene — such as it was. Of the four founding members, only Hugh Cornwell had any kind of recognizable historical pedigree, having played alongside Richard Thompson in the schoolboy band Emil & the Detectives. According to Thompson, their repertoire stretched from "Smokestack Lightning" and...
Full bio

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