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Mellow Gold

Beck

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Album Review

From its kaleidoscopic array of junk-culture musical styles to its assured, surrealistic wordplay, Beck's debut album, Mellow Gold, is a stunner. Throughout the record, Beck plays as if there are no divisions between musical genres, freely blending rock, rap, folk, psychedelia, and country. Although his inspired sense of humor occasionally plays like he's a smirking, irony-addled hipster, his music is never kitschy, and his wordplay is constantly inspired. Since Mellow Gold was pieced together from home-recorded tapes, it lacks a coherent production, functioning more as a stylistic sampler: there are the stoner raps of "Loser" and "Beercan," the urban folk of "Pay No Mind (Snoozer)," the mock-industrial onslaught of "Mutherfuker," the garagey "F****n' With My Head (Mountain Dew Rock)," the trancy acoustic "Blackhole," and the gently sardonic folk-rock of "Nitemare Hippy Girl." It's a dizzying demonstration of musical skills, yet it's all tied together by a simple yet clever sense of songcraft and a truly original lyrical viewpoint, one that's basic yet as colorful as free verse. By blending boundaries so thoroughly and intoxicatingly, Mellow Gold established a new vein of alternative rock, one that was fueled by ideas instead of attitude.

Customer Reviews

About time!

Hooray, We've finally got Beck's starting point and it's one hell of an album. Most people will come by Mellow Gold download the chart topping "Loser" and move on, but the album doesn't end there. Beercan is a Brilliant song, along with Fuckin with my Head, Pay no Mind, Whiskeyclone and Mutherfucker, and the rest are pretty damn good This isn't just a slow start with a 1 hit wonder song, it's a brilliant collection and an album that should sit on the shelf of any true beck fan!

come on then!

shut up robbie, ye like no one wants to like hear u m8....

Biography

Born: 08 July 1970 in Los Angeles, CA

Genre: Alternative

Years Active: '80s, '90s, '00s, '10s

Initially pegged as something as a voice of a generation when “Loser” turned into a smash crossover success, Beck did wind up crystallizing much of the post-modern ruckus of the ‘90s alternative explosion, but in unexpected ways. Based in the underground anti-folk and noise-rock worlds, Beck encompassed all manners of modern music, drawing in hip-hop, blues, trash-rock, pop, soul, lounge music…pretty much any found sound or vinyl dug up from a dusty crate, blurring boundaries and encapsulating how...
Full bio

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