iTunes

Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
iTunes

iTunes is the world's easiest way to organise and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from More Songs About Food and Revolutionary Art by Carl Craig, download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

More Songs About Food and Revolutionary Art

Carl Craig

Open iTunes to preview, buy and download music.

Album Review

After conquering the dancefloor during 1995-1996 with his Paperclip People project, Carl Craig turned back to the electronic mood music of Landcruising and created a work of gorgeous, exquisite electronic listening music. It's a difficult record to digest, but more deserving of Jeff Mills' oft-quoted tag concerning techno being something you've never heard before than any techno record of the '90s. Craig largely wrote his own production playbook, seemingly taking the words written on the cover as a challenge: "Revolutionary art is determined...by how much it revolutionises our thinking and imagination; overturning our preconceptions, bias and prejudice and inspiring us to change ourselves and the world." After a short introduction, "Televised Green Smoke" floats in on a haze, working through the classic blueprint of dance music — the gradual addition of layered, complementary elements — until it reaches a soft peak. "Red Lights" works a slow-grind breakbeat, cycling through the Paperclip People oscillator with strings in the background and an atmosphere reminiscent of The Godfather. "Dreamland" and "Butterfly" are closer to "traditional" Detroit productions, sharp and focused but rather melancholy; the former is a reach-out to the British-Detroit axis (As One, Black Dog, B12), while the latter evokes the classic late-'80s productions of Craig's friend Derrick May (who co-produced a later track, "Frustration"). The Maurizio dub "Dominas" is nocturnal and unhurried, even despite the insistent beat and a female vocal sample repeating the title one word after another. Another classic, "At Les," balances a few gently cascading chords with a rhythm program that keeps pushing the track forward and faster. More Songs About Food and Revolutionary Art thumbs its nose at the growing ranks of intelligent techno blowhards, and arguably bests anything the IDM crowd mustered before or after it.

Customer Reviews

Electronic - no, musical - Masterpiece

This album changed my musical life. There are very few records I can say that about. ES30 brings us into the world of this album with its gentle and beautiful sounds before Televised Green Smoke takes us deeper. The intro to this tune is impeccable, as each additional drum sound changes the emphasis of the beat. It is obvious even this early in the album that we are in a true dream world of musical excellence. Goodbye World still sounds fresh today (as does the whole album), I don't think that much electronic music like this has ever been made. Red Lights is a downbeat heavier tune, related to Goodbye World with some of its sounds. It ends with a disturbing, repetitive synth line which is broken beautifully by the opening chords of Dreamland - a classic Detroit tune. Butterfly send the melancholic over the edge, a sad but contented tune again in a more classic Detroit style. The remix of Maurizio's Dominas is also a detroit classic, clickety-clack hats riding over a dubbed-out bass line and ethereal chords. At Les is a true classic, predating much of the Nu-Jazz / broken beat genre. Suspiria is an older sounding tune, and As Time Goes By is a rare vocal outage which only got real kudos when it was reissued a couple of years ago. Attitude is a freestyle jazz vocal, followed by Frustration (co-written with Derrick May) which again is classic Detroit. Food and Art finishes the album, a 202 sounding synth line carrying the tune through jazzed rythms. The album ends exploding with a beautiful synth burst (one sound sounding like a Sitar) which brings you back to the real world much in the same way that ES30 brought you into the world of the album. I wish Carl Craig would make more music like this and Landcruising instead of solely concentrating on club tunes like he seems to have been doing this last few years. If you like electronic music please get this!

Biography

Born: 22 May 1969 in Detroit, MI

Genre: Electronic

Years Active: '80s, '90s, '00s

Dancefloor experimentalist and top Detroit techno producer Carl Craig has few equals in terms of the artistry, influence, and diversity of his recordings. Few others have recorded so much quality music in such a variety of styles as has Craig, who jammed distorted beatbox samples into lo-fi electro riggings, crafted epic house tracks like his remix of Tori Amos' "God," and recorded the most sublime Detroit techno since godfathers Juan Atkins and Derrick May were at their peak. After an apprenticeship...
Full bio

Become a fan of the iTunes and App Store pages on Facebook for exclusive offers, the inside scoop on new apps and more.