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ObZen

Meshuggah

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Album Review

On first listen, the sound on Obzen, Meshuggah's sixth full-length, is startling, not for its trademark rapid-fire key and tempo changes, or for the intricate, insanely knotty riffs that careened over 2002's Nothing or 2005's Catch Thirty-Three. Instead, it is the rampaging charge that leads off the set on "Combustion," a balls-out sprint that recalls the band's earlier catalog albums like Contradictions Collapse, Destroy Erase Improve, and even Chaosphere. Power, focus and attention to the bone-crushing power are at the center of Obzen. That said, it loses nothing in terms of the band's keen focus of musical or technical innovation or drummer Tomas Haake's songwriting. What it does leave behind is some of the mathy quick-change-for-the-sake-of-it annoyances that were more a show-off of athletic prowess than actual compositional tropes. The melodic orchestration of Catch Thirty-Three has all but disappeared, and in its place is a direct, almost machine-like sense of communication. What's most remarkable is the live drum kit work by Haake. He's constant and startling — the completely crazy bass pedal work on "Bleed" would leave most drummers in the dust. You have to wonder, since the last album featured so many triggered laptop tooled drums. Again: power, compositional ethics, and musical acumen are all tied to one thing, building a foundation that just gets wider, deeper, and more intense as the album wears on. Check the frenetic slash and burn ethos in "Pineal Gland Optics," where both guitars stagger their rhythmic attack keeping vocalist Jens Kidman on the money the whole time. It gives way to the unwound pummeling drum and guitar solo riff that introduces "Pravus," with its sense of taut dynamics, hair-trigger tensions, and an explosiveness that is literally unequaled. This is sheer attack metal, played by a band that has run from simplicity to excess and incorporated them both into a record that is on a level with anything else they've done, even if not all the elements marry perfectly yet. Just get it.

Customer Reviews

Intense

Never seeking to amaze, Meshuggah have done it once again!! Who'd have thought - a drummer that can write music?!

number 2 i think...

I dont think this surpasses 'chaosphere' overall, but it ties a close second with 'destroy erase improve' before i heard the album i had been warned about how good 'bleed' was and i would say, it is the stand out track. If your going to just sample the album, buy that one, its actually one of the most amazing metal tracks ever constructed. If you've ever listened to meshuggah at all, you need to buy this album, you will not regret it.

Masterpiece

I can't pronounce their name, but I love this band and I love this album! Combustion - What a way to begin! 10/10 Electric Red - Not too fussed I have to say. 7.5/10 Bleed - The first song that started my love affair with this band, addictive. 10/10 Lethargica - This grew on me a masive amount. 10/10 Obzen - Where would this album be without it? 10/10 This Spiteful Snake - You could go either way on this one. 8/10 Pineal Gland Optics - A bit boring (dare i say it!). 7/10 Pravus - This one grew on me a lot too. 10/10 Dancers to a Discordant System - What can I say? 9/10 It feels wrong rating these songs somehow. You might ask why I have given this 5 stars when all the songs aren't 10/10 but for me this album just works, and is like nothing I've ever heard before. Buy it!

Biography

Formed: Sweden

Genre: Rock

Years Active: '80s, '90s, '00s, '10s

Offering a complex form of metal that combined the sweeping adventurism of math rock, the oddball tempos of experimental jazz, and the stunning brutality of thrash metal, Meshuggah raised the bar for metal bands everywhere upon their debut. The roots of Swedish metal band Meshuggah were planted in 1985; originally named Metallien, the founding lineup included frontman Roger Olofsson, guitarists Peder Gustafsson and Fredrik Thordendal, bassist Janne Wiklund, and drummer Örjan Lundmark. After a few...
Full bio

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