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Riot On an Empty Street

Kings of Convenience

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Album Review

Riot on an Empty Street ends a long period of inactivity for Kings of Convenience. During their three-year layoff Erlend Øye could be found making solo records and DJing while Eirik Glambek Boe was finishing his psychology degree. Luckily for fans of beautiful vocals and thoughtful indie pop, they decided to get back together. What this band is all about is the sound of Boe and Øye's voices blended together in harmony. Their first album (in both incarnations) erred on the side of consistency. Here the band seems to have learned the all-important lesson of pace and variety. The arrangements are fuller too with pianos, strings, the occasional electric guitar, and lovely guest vocals on two tracks from Broken Social Scene member Leslie Feist. Not to say that they have gone crazy with change. They still stick pretty closely to the acoustic guitars and vocals path, and the tone of the album is autumnal and restrained as before. They have just added more songs like the gently driving "Misread," the lilting waltz "Stay Out of Trouble," and the downright peppy "I'd Rather Dance With You." Øye's side trip into electronica only rears its head on the non-electronic but modern-sounding "Love Is No Big Truth." No matter what the song, though, when their tender, fragile voices harmonize it can be breathtaking. And heartbreaking. The moment in "Surprise Ice" when Eirik is joined by Erland will raise goose bumps. There are many others like that on Riot, and they are what sells the record. If you sort of liked the first record but wished it was more interesting, that it had more punch of both the sonic and emotional variety, then your wishes have come true.

Customer Reviews

Charming and Sweet

Having had this album for some time and for it to suddenly come on my ipod, I was pleasantly surprised to hear some quite beautiful and melodic music. The album is quite complete with some particularly nice tracks including "I'd Rather Dance with You" and "Misread" entwining gentle vocals, subtle guitar melodies, strings and piano that resonates that feeling of Paris in the springtime. Turn up your stereo, open your windows, let the springtime breeze blow away those winter cobwebs and let the sunshine pour in!

Gentle observation, pathos and humour

This album is as delightful as is predecessor, 'Quiet is the New Loud'. The musicians' guitar playing and vocal harmonies are delicately beautiful, whilst their lyrics produce images in your mind of great beauty, albeit often relating to very humdrum situations. Having lost count of the number of times I have listened to this album my favourites are 'Homesick', a wistful tale of distraction and rootlessness; and 'I'd Rather Dance with You' a more upbeat and humorous story of a date at a noisy gig. The band are yet more appealing if you get the opportunity to see them perform live. Although their music can appear, at times, reminiscent of a modern day Simon and Garfunkel their stage act is a great deal more playful than the former. This is an album to cherish, and its appeal does not diminish with repeated playing.

gorgeous

bought this album on the strength of "i'd rather dance.." and promptly fell in love with the rest of the tracks. beautiful voices, harmonically interesting and just not too fussy.

Biography

Formed: Bergen, Norway

Genre: Rock

Years Active: '90s, '00s, '10s

Bergen, Norway-based indie pop duo Kings of Convenience teamed singer/guitarist Erik Glambek Bøe and guitarist Erlend Øye. After first earning notice thanks to a series of acclaimed European festival appearances during the summer of 1999, the twosome signed to American label Kindercore to issue their lovely eponymous debut the following spring. Quiet Is the New Loud was issued in early 2001 on Astralwerks. The album used many of the same tracks from the Kindercore release but reordered them and replaced...
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Riot On an Empty Street, Kings of Convenience
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