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Secondary Protocol

Wildchild

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Album Review

In 1999, the Lootpack's Soundpieces: Da Antidote set forth the crew's cure for whack MCs and non-believers. Four years later, they return with their Secondary Protocol — another demonstration of the group's collaborative skill in delivering their vision of hip-hop purity. This time, though, the crew supports fellow founding member Wildchild, who perpetrates his cutting rhymes in a solo setting. The original Lootpack are here, though: Madlib produces half the tracks and DJ Romes provides the cut, but Secondary Protocol also shows off the crew's unofficially expanded lineup as OH NO (Madlib's brother) produces half the tracks. True, this isn't technically a Lootpack record, but it tends to sound like one — Madlib's left-field production style continues to support a straightforward dialogue. On Secondary Protocol, though, Wildchild's relentless delivery carries most of the weight — and he's obviously up to the task; however, in retrospect, Da Antidote's strength was in Madlib's ability to lay down rhymes that brought the focus down to more relaxed territory, whereas on Secondary Protocol, things can get a bit hectic with Wildchild's constant barrage. With that said, this record is full of highlights. Tracks like "Kiana," "Knicknack 2002," "Bounce," and "Puttin' in Work" create a serious upbeat and positive vibe that prove that the Lootpack haven't gone anywhere.

Biography

Born: 1971 in Southampton, England

Genre: Dance

Years Active: '00s

Roger "Wildchild" McKenzie was the author of the big-beat club anthem "Renegade Master," which became a British hit upon its release in 1995 but gained considerably more worldwide exposure in 1998, more than two years after his untimely death. Based in Southampton before he moved to the future big-beat capital of Brighton around 1991, McKenzie worked as an underground house DJ and recorded four EPs for Loaded Records, each subtitled Wildtrax. Indebted to the sampladelic hip-house of Todd Terry, singles...
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Secondary Protocol, Wildchild
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