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Shout It Out

Hanson

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Album Review

Back when “Mmm-Bop” mania swept through the land, Hanson were often praised for their deep roots in oldies, their sense of songcraft catapulting them beyond mere teeny bop sensations. As they got older, the craft naturally deepened at the expense of enthusiasm — it’s part and parcel of growing older — but they retained a sense of spunk, enough to give such latter-day records as The Walk a bit of juice. Contrary to its exuberant title, 2010’s Shout It Out doesn’t reverse this trend. Here, Hanson take their cues from the late-‘80s records of Steve Winwood and Billy Joel, and wind up with an album that has the punch of Roll with It and the flash of The Bridge. Craftsmen that they are, Hanson are sharp enough to keep things tight, the songs and the album itself never lasting any longer than necessary, and the music is finely honed.

Customer Reviews

Fantastic!

Fantastic tracks all the way through. There is normally at least 1 song that i don't like, but with this album EVERY song is brilliant, with great music & great lyrics.

They're back!

I've been a fan on and off of Hanson who have had a number of great albums since their original smash hit success Middle of Nowhere. Their more recent albums have been somewhat hit and miss. Their lyrics always clever, thoughtful with a good solid message. This album brings back the fun that was somewhat missing in my opinion on their previous two most recent releases. Fantastic effort and well worth a listen!

Awesome.

There have only ever been 2 albums on which I have loved every single song. KT Tunstall's Eye to the Telescope (Actually, she did it AGAIN with Tiger Suit, so 3 albums) and this one. Simply brilliant. I love Thinking 'Bout Something, Make it out Alive and Give A Little. All amazing songs.

Biography

Formed: 1992 in Tulsa, OK

Genre: Pop

Years Active: '90s, '00s, '10s

Sounding like a revamped Jackson 5 for the '90s, Hanson came storming out of Tulsa, OK, in 1997, blessed with photogenic looks and a surprisingly infectious sense of melody. Hanson had a sunny pop sense that stood in direct contrast to the gloomy grunge that had dominated the first half of the '90s, yet they also arrived with hip credentials — a handful of the cuts on their debut were produced by the Dust Brothers (Beastie Boys, Beck, Sukia), and the rest were produced by Steve Lironi, who...
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Shout It Out, Hanson
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