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Skream!

Skream

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Album Review

In 2006, dubstep took center stage in the U.K. and firmly knocked grime off as the underground music of the moment. At the forefront of the movement was Skream with dubstep's signature single, "Midnight Request Line." The straight-ahead combination of subterranean bass, reverbed drums and spooky ambiance on "Midnight Request Line" brought dubstep out of the London suburb of Croydon and onto the international scene. Skream's first full-length follows "Midnight Request Lines" pattern and delivers stripped down dub music with just enough nods to the genre's roots in Jamaica. Minor chords and an Upsetters' sample from Blackboard Jungle Dub are a nice touch that helps to balance out the tinges of R&B and some weak MC'ing that seem unnecessary. At the album's weakest point, Skream throws in some grime beats that show just how limited that genre was, and how painful the U.K.'s taste for dance beats can be. When Skream sticks to bass heavy ambient dub, there's hope that dub can been reborn as a bedroom producer's genre. In a way, you wish Bill Laswell would have made this album 15 years ago. Skream strips down the pretension that crept into Laswell's records throughout the '90s and lets the low frequencies speak for themselves. Tracks like "Rutten" show that "Midnight Request Line" wasn't just a flash in the pan 12," and that dubstep is a genre that can work in an album format.

Customer Reviews

Absolutely banging album

Its a brilliant album you can tell by the popularity of alot of the tunes. it sums up dubstep in a nutshell.
every tune gives me butterflies and and excites me. The true sound of london underground.
other than midnight request line, my favouraite tunes on the album are; rutten, check it, stagger and blue eyez. dont know why blue eyez popularity isnt up there with the others.

Painful

Really painful to listen to.

Good old dubstep

A classic album by Skream. Really sums up the early dubstep scene before it branched of in all the different directions you hear today. Songs such as midnight request line are now classics in the uk electronic scene. I highly reccomend this album.

Biography

Born: 1987 in London, England

Genre: Electronic

Years Active: '00s

Ollie Jones had the good fortune to be working at the Big Apple record store when he first started making beats at age 15 and armed with a cracked copy of the Fruity Loops music-making software. Big Apple was at the center of the early development of U.K. garage's dark, half-speed offshoot dubstep before it was even called dubstep, and it was at Big Apple that Jones, who recorded as Skream, met fellow beatsmiths Benga and Hatcha. Hatcha was a DJ at the seminal club Forward and was only too happy...
Full bio
Skream!, Skream
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