iTunes

Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
iTunes

iTunes is the world's easiest way to organise and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from South of Heaven, West of Hell (Songs and Score from and Inspired By the Motion Picture) by Dwight Yoakam, download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

South of Heaven, West of Hell (Songs and Score from and Inspired By the Motion Picture)

Dwight Yoakam

Open iTunes to preview, buy and download music.

Album Review

Dwight Yoakam's soundtrack for the gritty Western South of Heaven, West of Hell will only partially satisfy his fans. Although the album is nearly an hour long, half of the tracks are spoken segments from the film, and while this tactic has worked well for Quentin Tarantino's pop culture-brimming soundtracks, South of Heaven only serves to lose the listener with its ill-placed breaks and uninteresting dialogue. Aside from that rather major flaw, there are a handful of really good Yoakam tunes on hand including the loose, ambling opening track "Words" and a soulful version of "The Darkest Hour." The album also features a duet with Bekka Bramlett (Bekka & Billy), as well as the bluesy "The First Thing Smokin'" co-written with Billy Gibbons of ZZ Top and the pleading "What's Left of Me" co-written with Mick Jagger. While the album certainly has its strong points, it is no substitute for a complete Dwight Yoakam record. With the film release of South of Heaven, West of Hell, Yoakam has proven himself to be a fine actor and a fair director, but there are legions of country fans who will be happier when he steps out from behind the camera and back into the studio.

Biography

Born: 23 October 1956 in Pikeville, KY

Genre: Country

Years Active: '70s, '80s, '90s, '00s, '10s

With his stripped-down approach to traditional honky tonk and Bakersfield country, Dwight Yoakam helped return country music to its roots in the late '80s. Like his idols Buck Owens, Merle Haggard, and Hank Williams, Yoakam never played by Nashville's rules; consequently, he never dominated the charts like his contemporary Randy Travis. Then again, Travis never played around with the sound and style of country music like Yoakam. On each of his records, he twists around the form enough to make it...
Full bio

Become a fan of the iTunes and App Store pages on Facebook for exclusive offers, the inside scoop on new apps and more.