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Space Ritual

Hawkwind

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Album Review

Recorded live in December 1972 and released the following year, Space Ritual is an excellent document of Hawkwind's classic lineup, underscoring the group's status as space rock pioneers. As the quintessential "people's band," Hawkwind carried '60s countercultural idealism into the '70s, gigging constantly, playing wherever there was an audience, and even playing for free on five consecutive days outside the 1970 Isle of Wight Festival. The band's multimedia performances were the perfect accompaniment for exploring inner space and imagining outer space. While not concerned with rock's material trappings, Hawkwind were, ironically, among the hardest-working groups in Britain, averaging one show every three days during the year preceding these recordings. Given all that practice, it's not surprising that the performances collected here are incredibly tight (although, reportedly, a couple of tracks were edited). Incorporating most of Doremi Fasol Latido, the show for the Space Ritual tour was conceived as a space rock opera, its blend of sci-fi electronics, mesmerizing psy-fi grooves, and heavy, earthbound jamming punctuated with spoken word interludes from astral poet Bob Calvert. Although his intergalactic musings date the album, coming across now as camp futurism, they still provide fitting atmospheric preambles to Hawkwind's astounding, mind-warping sounds. Calvert's manic recital of Michael Moorcock's "Sonic Attack," for instance, is an exercise in tension that subsequently explodes on the stomping "Time We Left This World Today"; with Nik Turner's otherworldly sax, Dave Brock's guitar distortion, and the earth-moving rhythm section of Simon King and Lemmy, this track offers a blueprint for the album's most potent material. Another standout is "Orgone Accumulator," ten minutes of hypnotic (Wilhelm) Reich & roll that could be the missing link between Booker T. and Stereolab. A 1973 advertisement described Space Ritual as "88 minutes of brain damage"; that characterization still holds true.

Customer Reviews

Bringing back the memories - I was there!

In my time I have owned this album as 2 sets of vinyl (wore both out), the first 2 CD set - rough mix, the second 2 CD remastered (stolen) and finally the ITunes download (always with me). I was at this concert (well the Brixton bit not the Liverpool bit) and listening to this brings December 1972 back as clear today as it was 33 YEARS ago!!!! You may be an old crusty like me or just dicovering Hawkwind now - get this album for the power and ebergy. Unfortunately you will miss Stacia's dancining on stage (memorable) but like me- close your eyes and wander into space - you will be there too.

One note, but a good one

In the unlikely event that you are ever asked to drive from London to Edinburgh at exactly 40 m.p.h and then back again, this album would make the perfect accompaniment. It's rock at a consistent speed, with the inevitibility of a motorway unwinding in your rear-view mirror. Hawkwind play incredibly tightly and reliably, producing a comfortable noise with some quirky twists that is always enjoyable but not easy to get over-excited about. A bit of a national treasure and if you like rock at all it will sneak into your affections and remain forever.

Space Music!

This saw me through my years at college and into the dawn of house/techno. This still stands up today as a tripped-out album of acid-fried-spaced-out-trippsville - highly recommended

Biography

Formed: 1969 in England

Genre: Rock

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

Any sci-fi fan with long memories probably remembers those 1970's DAW paperback editions of Michael Moorcock's sword-and-sorcery novels, with their images of heavily armored, very muscular warriors, carrying large swords and standing against eerie land- and starscapes. Take that imagery, throw in some terminology and names seemingly lifted from the Marvel Comics of the era (The Watcher, etc.) and particle physics articles of the period, translate it into loud but articulate hard rock music, and that's...
Full bio

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