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The Best of Roxy Music

Roxy Music

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Album Review

Released to herald a reunion of the band and superseding several out-of-print predecessors, The Best of Roxy Music is an excellent summary of the group's hits and album highlights between 1972 and 1982. There are really two editions of Roxy Music, the glam rock unit that achieved widespread U.K. success from 1972 to 1975, and the more polished one that was a broader international success from 1979 to 1982. The compilers have dealt with the dichotomy and the more lasting popularity of the later recordings by presenting the compilation in reverse chronological order, so that soft rock hits like "Over You" and "Dance Away," which scored in America, come before U.K.-only hits like "Street Life" and "Virginia Plain," which rock much harder. But all the major hits are here (only a couple of less-successful British singles chart entries are missing), augmented by memorable album tracks like "Do the Strand" and "Mother of Pearl." In print or not, this is the best single-disc collection of Roxy Music, since it is more complete than earlier compilations like the 1977 Greatest Hits and 1983 The Atlantic Years (1973-1980) LPs, and, unlike later best-ofs such as Street Life: 20 Great Hits (1986), The Ultimate Collection (1988), and More Than This: The Best of Bryan Ferry and Roxy Music (1995) (the latter two U.K. releases), it is not divided between Bryan Ferry solo tracks and Roxy Music ones.

Customer Reviews

5 stars for the music, 1 star for the price

This album really demonstrates some of the amazing song writing, arrangments and use of sound from one of the 70's best art rock acts. What's annoying is that this is available for a fiver on the high st with artwork and box...if you have to download one track then it has to be Love Is The Drug. Love that guitar riff...

Not the best RM compilation - but the best available.

One of the first things I ever bought as a teenager was Roxy Music Greatest Hits back in the Seventies when EG's repetoire was licensed to Polydor and that was a better collection because it also revealed some of the group's less commercial work including Editions Of You and the somewhat underrated The Thrill Of It All. That said, that collection is lost to the mists of time so you have to live with what you can get. This collection does take quite a clever approach by going backwards in time from Avalon (possibly one of my least favourite RM tracks) to Re-Make/Re-Model which was probably one of the most vibrant debut tracks on any album, let alone an album released in 1972 when long-winded guitar solos were de rigeur and an oboe was certainly an oddity on any pop/rock record. This novel approach actually caused me to observe the the group's "musical DNA" in a different way; it's possible to spot the way the group evolved far more clearly as the layered subtlety (which was once described as "musical fog") that was present at the end of 1982 is regressively de-constructed and the music becomes a more 'angular' experience. I'd disagree with the iTunes review in one key point. There were actually three editions of Roxy Music: the first incarnation (with Brian Eno on the first two albums) was probably the truly glam/art-rock version of the band whilst the post-Eno version (in which he was replaced by Eddie Jobson, formerly of Curved Air) marked the development of a more conventional approach to songwriting. The final incarnation, from the reunion in 1979 to shutting up shop in 1982, was the slick studio-bound band in which Ferry's artistic approach to recording and mixing became mired in the power of the truly multi-track studio leading to a partial loss of immediacy and spontaneity in the music. That said, I would still queue in the rain for a new RM studio album.

Mmm

Fantastic effort. Must buy for all romantics ,new or old. Wish I could have been around for the earlier stuff. £4.99 what can i say?

Biography

Formed: 1971 in London, England

Genre: Rock

Years Active: '70s, '80s, '00s, '10s

Evolving from the late-'60s art-rock movement, Roxy Music had a fascination with fashion, glamour, cinema, pop art, and the avant-garde, which separated the band from their contemporaries. Dressed in bizarre, stylish costumes, the group played a defiantly experimental variation of art rock which vacillated between avant-rock and sleek pop hooks. During the early '70s, the group was driven by the creative tension between Bryan Ferry and Brian Eno, who each pulled the band in separate directions: Ferry...
Full bio

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