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This Nation's Saving Grace

The Fall

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iTunes Review

One of the longest-running post-punk bands around (1977 to the present), the one mainstay in this Manchester-based act remains benzedrine-addled wordsmith Mark E. Smith, whose strange, shouted "white rapper" vocal delivery is the core of the band. On 1985's Saving Grace, the band continued in a more commercial direction, aided and abetted by Smith's Bennington-grad wife, the vocalist and keyboardist Brix E. Smith. Though sonically almost too pristine in spots, the album's remarkably varied. There's everything from outright dirges ("Bombast") to arty, detuned pop ("Barmy," "Gut of the Quantifier"), as well as psychobilly stompers ("Rollin' Danny"), almost radio ready alt-rock ("Spoilt Victorian Child"), atmospheric experiments (" "Paint Work"), and a quaint tribute to the greatest Krautrock singer ever ("I Am Damo Suzuki").

Customer Reviews

Smith's historic compromise

In my opinion, the mid-1980's were the most productive in The Fall's monumental catalogue of LPs. Dark, sinister, reflections of Thatcher's crumbling Britain ('Mansion', 'Bombast'), ominious visions of the US urban nightmare to come ('LA'), combined with the usual Smithsonian surrealism. However, Smith - ever one to surprise - also includes some excellent uptempo numbers which my fading memory recalls being very popular with the 'Indie Nite' crowd ('Cruisers Creek','Couldn't Get Ahead'). A particular gem is the reworking of Steve Alamo's early r&b hit 'Every Day I Have To Cry' ('To Nk Roachment: Yarbles'), which in 1 minute and 22 seconds sums up a decade. 1986's 'Bend Sinister' continued in a similar vein (the Peel Sessions of this period being particularly worth checking out). In later years, Smith would return to his deliberately obscurantist ways, smashing the band to peices - literally, on stage, in one infamous episode whilst on tour in the US. Whilst always worth hearing and even more worth seeing, The Fall have never quite scaled the heights of the mid-80s. They were my soundtrack of the derilict, boarded up, industrial wasteland that was 1980s Manchester. I better dust those LPs off again, because what goes around comes around.

Album of the year

Most reviewers of the time (1985 was difficult) look back on this album with fondness and respect. It was quite simply head and shoulders above anything else released that year. Listening to it today is still a joy.

Biography

Formed: 1977 in Manchester, England

Genre: Alternative

Years Active: '70s, '80s, '90s, '00s, '10s

Out of all the late-'70s punk and post-punk bands, none were longer lived or more prolific than the Fall. Throughout their career, the band underwent a myriad lineup changes, but at the center of it all was vocalist Mark E. Smith. With his snarling, nearly incomprehensible vocals and consuming bitter cynicism, Smith became a cult legend in indie and alternative rock. Over the course of their career, the Fall went through a number of shifts in musical style, yet the foundation of their sound was a...
Full bio

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