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War Stories (Bonus Track Version)

UNKLE

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Album Review

James Lavelle's UNKLE project has offered virtually everything to its fans and the listening public — virtually everything, except for great music. UNKLE full-lengths seem primed to make a major impact on music and culture. They're packed with high concept, dense with thematic elements ripped from the headlines (especially the war in Iraq), and this time out, include an artwork-packed booklet (featuring Massive Attack's Robert del Naja, Ben Drury, and Will Bankhead). The fact that the music has never fulfilled its expectations, despite the undeniable talents of everyone involved, points to a too-many-cooks problem. War Stories finds the group, a core duo of Lavelle and Richard File, enlisting major production help from Chris Goss. Goss' work with Masters of Reality and Kyuss made the California/Arizona desert a haven for progressive metal, and its influence is all over this record. Fellow desert rat Josh Homme reprises his role from the last UNKLE full length, along with del Naja (as 3D), indie rockers Autolux, English neo-garage band the Duke Spirit, and finally, Ian Astbury (like Lavelle, another Englishman apparently fascinated with the American Southwest). Astbury's vocals on "Burn My Shadow" and "When Things Explode" make for a pair of highlights; they're one of the few points on War Stories when a hint of personality threatens to overwhelm the many tenebrous guitars and gloomy, plaintive vocals. Newcomer Gavin Clark also shines as a stand-in for Jeff Buckley, but amid the many features and incredible dynamism that mark every UNKLE full-length, there are no songs to grab onto and little of real essence. [Some editions also included a bonus disc with instrumentals.]

Customer Reviews

genius!

War Stories see UNKLE take another step into the land of rock. The sound is reminiscent of T Minus 50's "Digital Scars" album with some tough guitars mixed up with some neo-industrial textures and filmic soundscapes. The whole record is a lot more live sounding that 2003's "Never, Never Land" but still maintains a beautiful balance between full-on rock assaults and smoother, mellower groove-outs. Stand out tracks: Burn My Shadow, Mayday and Lawless. Another stunning album from Lavelle, File and guests. Looking forward to seeing the live extravaganza at Glade 07.

Totally, ummmm, rocks...

This is a definite and distinctive departure for UNKLE, meshing more styles than the overtly hip-hop or electro Psyense or NNL releases. It's not a rock album per se, as some press reviews claim, but rock inspired; at points sounding like a homage to a the late 80’s early 90’s Manchester sound (Hold My Hand), before diving into chill out territory (Twilight). The changing styles make for an eclectic record which is something fabulous and rare given that so many bands produce the same old tripe. The two previous records sit proudly at the top of my playlists, and War Stories is a worthy and fantastic addition.

BRILLIANCE

Once in a while an album comes out that brings a huge smile across my face. This is one of them. I defy anyone not to be blown away by the 4th track 'Restless'. That guitar squeeling is spine tingling. Quite simply one of the best tunes for the last couple of years. The rest are superb too. Enjoy.

Biography

Formed: 1994 in London, England

Genre: Electronic

Years Active: '90s, '00s, '10s

Experimental hip-hop outfit UNKLE were one of the original artists releasing material through noted U.K. label Mo' Wax, which helped launch the instrumental mid-'90s downtempo breakbeat revival eventually termed trip-hop. Though hardly the label's highest-profile group (at least until the long-delayed release of their debut LP in 1998), UNKLE's members included label head James Lavelle, who formed Mo' Wax while still in his teens as an antidote to the increasingly stale acid jazz/Northern soul scene....
Full bio

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