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Waterbugs & Beetles (Re-mastered)

Anton Barbeau

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Album Review

Todd Rundgren, the mad power-pop genius — the kind who locks himself in his home studio and crafts multi-layered pop gems, playing all the instruments himself — has long been one of the favorite archetypes of record collectors. Anton Barbeau fits into that tradition quite well, growing out of the Scott Miller/Game Theory branch of the power-pop family tree. Miller himself appears on Waterbugs & Beetles, the second album from Barbeau, and he's not alone — there's several cameos, harmony vocals, extra guitarists and even cellists scattered throughout the record, but it remains Barbeau's show. And what a strange show it is, with its "Beautiful Bacon Dream," "Complicated Umbrella Piece" and "Vomit Song." It certainly is the work of someone who has spent a little bit too much time alone in a darkened room, hunched over an old guitar, jotting down cryptic impressionistic lyrics. As such, it's a bit hard to warm to the album, even when his tremulous voice delivers a catchy melody, but for power-pop fans willing to enter Barbeau's private universe, there's some curious things to be heard.

Biography

Born: CA

Genre: Alternative

Years Active: '90s, '00s

The term "cult hero" was practically created for Anton Barbeau, whose offbeat yet tuneful guitar pop bears the stamp of predecessors like XTC and Robyn Hitchcock. In 1994, Anton Barbeau and the JoyBoys' debut album, The Horse's Tongue, won the SAMMIE Award (Sacramento, CA) for Album of the Year. In 1997, Barbeau's "Octagon" appeared on the Best of American Pop compilation Yellow Pills 4, alongside artists such as the Plimsouls, Material Issue, and Jason Falkner. In 1999, he released Antology, Vol....
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Waterbugs & Beetles (Re-mastered), Anton Barbeau
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